Lee Friedlander, First Edition (308 results)

Soft Cover. Condition: Fine. First Edition; First Printing. Numerous full-page plates by Harry Callahan, Lee Friedlander, Mark Klett, John B Greene and Imogen Cunningham. Introduction by James Alinder. With essays by Wright Morris, Beaumont Newhall, and Anita Ventura Mozley. Tight, clean and crisp. A faint hint of shelf wear to wraps otherwise Fine. No inscriptions. No remainder mark. Not ex-library. An excellent copy. ; 4to; 55 pages.

Soft Cover. Condition: Near Fine. First Edition. Unpaginated [24 pp]. 18 full-page plates by Martin Munkacsi, Robert Capa, Lee Friedlander, Weegee, and others. Introduction by Nancy Kapitanoff. Published on the occasion of the exhibition, March 19 - April 18, 1997.; Tight, clean and crisp. Slight sunning to spine, otherwise Fine. No inscriptions. Not ex-library. ; 8vo.

Soft cover. Condition: As New. 1st Edition. First edition, first and only printing. Soft cover. Photographically illustrated wrappers (booklet). Photographs by Lee Friedlander. 13 pp., with 14 black and white reproductions. 6 x 9 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (barcode sticker on rear cover). This publication contains a selection of images from "The American Monument" (New York: Eakins Press, 1976).

First Edition. First edition. Hardcover. A collection of over 150 duotones images by Friedlander and with an afterword by Maria Friedlander. A fine copy in boards with a cloth spine and a black and white image affixed to the front cover. As new and still in the publisher's shrinkwrap.

Cloth over boards. Condition: About fine. Dust Jacket Condition: About fine. First edition. Hardcover with complete Dj. Large sq. 4to. Unpaginated. 193 doutone plates. Clean, unmarked and square.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Hardcover. Black matte paper-covered boards with tipped-in black-and-white plate and title stamped in gray on cover, with rust cloth-covered spine; no dust jacket as issued. Photographs by Lee Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches. New in publisher's shrink-wrap. From Nazraeli Press: "Witness Number 6 provides a portrait -- in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander -- of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS's Witness series." From the text by Maria Friedlander: "Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist.".

Soft cover. Condition: Very Good. 1st Edition. About the book: Softcover. First Printing. Book is in very good condition with mild wear to corners and edges. Bit of soiling to white cover. Additional photos available upon request.

Friedlander, Lee (illustrator). First edition. Small 8vo., (8) pp., 6 full-page b&w photos. Printed stiff wrappers. Small spot on the front wrapper. Near fine. Prepared for an exhibition of self-portraits, November 22 through December 31, 1997.

Hardcover. Condition: Near Fine. 1st Edition. White Covers Slightly Worn. 59 Beautiful Photo-Reproductions. Small 4to.

Hardcover. Condition: As New. 1st Edition. Hardback; published w/o jacket (decorative boards); unmarked; no bent/torn pp.; boards excellent.

No Binding. Condition: Good. No Jacket. 1st Edition. Contained in the Summer 2008 issue of The Threepenny Review. This issue of the highly regarded literary and arts quarterly contains work by, among others, Sven Birkerts, T. J. Clark, Rachel Cohen, W. S. Di Piero, P. N. Furbank, Louise Gluck, Philip Levine, Richard Locke, Javier Marias, Jill McDonough, Dale Peck, Dawn Potter, Jim Powell, and Dean Young.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Friedlander. Designed by Katy Homans. 60 pp., with 49 plates printed by Meridian Printing, East Greenwich, Rhode Island, from tritone separations made by Thomas Palmer. 8-1/2 x 9-1/8 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap. From the publisher: "The public outpouring of support for newly elected President John F. Kennedy in 1960 was exceeded in scope and magnitude by the manifestations of grief and mourning after his assassination in 1963. These responses had an unusually strong visual component: likenesses of the president were framed in shop windows, pinned to living room walls, and plastered in public spaces across the nation. Fifty years after Kennedy's death, this book observes the public's reaction to the president's election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (born 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today.".

Soft Cover. Condition: Very Good. First Edition. soft cover, staple-bound., minor signs of handling to cover. no writing or markings. no bumps, tears. binding secure.; 28pp., 13 illustrations. two essays. catalogue. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Softcover. Condition: Fine. First edition. Exhibition catalogue. Edited with a prologue by Phyllis Lambert. Essays by Paolo Costantini and John Szarkowski. Interviews with the photographers by David Harris. Quarto. 120pp. 65 illustrations. White pictorial wrappers. A fine copy. Catalogue for an exhibition, organized by the Canadian Centre for Architecture, in Montreal, in 1996, devoted to the landscape architecture of Frederick Law Olmsted.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. 1st edition. Hardbound in dust jacket. Embossed stamp of previous owner on title page. Wear & small open tears to dust jacket edges that show a few large chips, otherwise very good.

Paper covers. Condition: Fine. No Jacket. 1st edition. As new in polyester wrapping. Weight: 1.0 Language: English.

Paper covers. Condition: Fine. No Jacket. 1st edition. As new in polyester wrapping. Weight: 1.0 Language: English.

Paperback. Condition: Near fine. First Edition, First Printing. Quarto. 8.5 x 11 in. 47 pp. Fully illustrated with black & white reproductions of photographs. Near fine in original pictorial wrappers with light foxing to cover near spine. With essays by Marvin Heiferman and John Thomson.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Hardcover. Fine cloth, with debossed title, with dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Near Fine dust jacket (small closed tear at the upper rear dust jacket, else Fine). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work.".

First Edition. First edition. Exhibition brochure/ poster for a show that ran May 3 through June 23, 2021. Single stiff sheet folded twice and measures 16" wide by 20" high when fully open. Includes 5 smaller and 1 large black and white image. A fine copy. Uncommon ephemera.

First Edition. First edition. Softcover. May 1969. Highlights of this issue are portfolios of 10 black and white photographs from Allen Macweeney's terrific series on Tinkers and 5 black and white portraits by Lee Friedlander. Also includes images by Diane Arbus, Aaron Rose, Gary Renaud, Jack Yates, Costa Manos. Also features an article by Dr. Louis Walton Sipley on collecting photographs. A very good copy in stapled wrappers with some light wear and feature an image by Aaron Rose. A terrific issue.

1. Auflage,. 193 sehr gute s/w-Abb., ohne Seitenzahlen, Zustand: erstklassiges, neuwertiges Exemplar. Fotografiert bei: Factory Valleys, Ohio; Gund, Cleveland; Cray, Chippewa Falls; MIT, Boston; Dreyfus, New York; Telemarketing, Omaha. Sprache: Englisch Gewicht in Gramm: 1400 31,0 x 30,0 cm, gebundene Ausgabe, dunkelgraues Leinen mit Blindprägung, Original-Schutzumschlag.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. PRISTINE AS NEW CONDITION BOTH BOOK AND DUST JACKET. FIRST EDITION FIRST PRINTING. Grey cloth binding blindstamped with title. An important piece of work highlighting the everyday worker.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. First American edition hardcover, maroon cloth boards. Fine but for black ink scrape and scab on front end-paper. Jacket fine, no wear. Afterword by Sischy. The photographs are both highly intimate and cooly detached. This is a hardcover exhibition catalog for an exhibition at the Museum of Modern Art, New York. 84 images. M07419.

First Edition. Softcover, good with shelf wear and slight rippling to cover. Illustrated.

Condition: New condition. First edition. Collection of over 150 duotones images by Friedlander and with an afterword by Maria Friedlander; In boards with a cloth spine and a black and white image affixed to the front cover.

First Edition. Hardcover. First Edition. Featuring texts by R.B. Kitaj and Maria Friedlander. Documents the long friendship between Friedlander and Kitaj. Very Good plus, with no dust jacket as issued. Boards moderately rubbed and worn, but contents clean.

Wrappers. Condition: Very Good. (1989). Oblong 4to. 1st edition simultaneous wrappered edition. Slight waviness to textblock edges with bumping and slight toning near spine ends. Light bumping and scraping to edge,s forecorners, and joints of gently rubbed wrappers with series of tiny, faint scrapes to rear wrapper. Tiny scrape to wrapper spine with bumping to spine ends resulting in creasing and some peeling. VG in wrappers.

Hardcover. Condition: As New. 1st Edition. 850 gr, 30,5 x 24,5 cm.