Light Shadow First, First Edition (7 results)

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. Hardcover, **SIGNED** by Author on endpaper, signature Only, Condition: New, Unread, tight binding, Spine Not Broken, Only opened for signing and then wrapped and safely stored, One Owner, No marks or stamps, Not a remainder or ex-library copy, Dust Jacket Condition: New, with round, gold "Signed Copy" sticker on front, (assumed) First Edition, being a First Printing with Full # print line 10 9 8 7 6 5 4 3 2 1 as printed on copyright page, Original $24.95 price Not clipped, New Autographed copy, #1 of 2 in the "Whispering Springs" Series: * 1. Light in Shadow (2002) 2. Truth or Dare (2003) *** ((Just a FYI concerning price -vs- book condition. When you see listings stating a book is in NEW condition at the price line, but then you read in the description that the book and jacket are detailed in other Conditions than NEW condition, this just does not make sense. When my listings state NEW condition, I guarantee the book is in NEW condition. Thanks, just a note for your shopping satisfaction)). Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A truly lovely First Edition copy! An "as new" hardcover copy (square, tight, unmarked) in a fine dust jacket -- crisp, bright, and tight -- which has not been price-clipped. First edition; first printing (full number line present). Suitable condition for presentation as a gift, or for adding to a library collection. Ships from NC. All hardbacks are sealed in recycled plastic, packaged securely, and shipped promptly. (U-6.).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. pp: 427. The biography of the man who became the preeminent portrait photographer in Canada. Examples of Karsh's work are to be found throughout the text. A very good copy in dust jacket. There is a gift inscription on the dedication page.

Soft cover. Condition: Good. 1st Edition. 226 pp and 373 pp . Spines creased corners rubbed - reading copies. Heavy set will need extra postage outside UK.

Hardcover. Dust Jacket Included. F. New York: Putnam [2003]. First edition. First printing. Hardbound. New in dust jacket. A pristine unread copy, except for scratch on back cover of dust jacket. SIGNED BY AUTHOR on a specially bound blank page. 0.0. Signed by Author(s).

Soft cover. Condition: Near Fine. 1st Edition. 4to softcover volume with pictorial wraps. Near fine with no faults. 110 pages.

Hardcover. Condition: Wie neu. 1. Auflage. Kehrer Verlag, Heidelberg. 2019. First english edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Half-cloth hardcover. 240 x 290 mm. 464 pages. 967 color illustrations. Editor: Hans-Michael Koetzle. Texts: Sabine Hock, Randy Kaufman, Hans-Michael Koetzle, Kristina Lemke, Günter Osterloh, Tobias Picard, Gerald Piffl, Shun Uchibayashi, Thomas Wiegand. Design: Alessandro Argentato, Hamburg. Text in english. Perfect condition! Collector`s copy! "By chance I won a Leica as a prize at the Photographic Exhibition in Frankfurt am Main, and since that time my whole inclination pertains to the grand life, the world`s unlimited expanse, all that the compact camera is called to capture." (Dr. Paul Wolff) "This first comprehensive publication on Dr. Paul Wolff (1887-1951) and Alfred Tritschler (1905-1970) marks the rediscovery of two of the most famous German photographers of the period circa 1930. To this day, Wolff and Tritschler are familiar names as pioneers of the Leica, as forerunners of a lively style in illustrative photography and reportage. Besides that, their work, estimated to stand at 700,000 shots, reflects several chapters of German history at a stroke: from the cultural awakening during the years of the Weimar Republic, through the Third Reich, and on to the Second World War, in the end phase of which significant portions of the Wolff archive were also destroyed. In terms of formal aesthetics, the two photographers demonstrated a range between convention and New Objectivity, between homeland style and New Vision. There was virtually no topic that Wolff & Tritschler failed to cover. Their photographic work shapes our notion of the old or »New Frankfurt« just as much as it stirs our longing for faraway places, as evoked by their shots from journeys by car or ship or flights on the Zeppelin. In sum, no small number of contradictions characterize the work of Wolff & Tritschler over three decades. However, precisely that makes their oeuvre, which oscillates between service provision and artistic aspiration, between avant-garde and adaptation, a rich seam for a broad-based historical and critical examination." (publisher`s text).***************Kehrer Verlag, Heidelberg. 2019. Englische Erstausgabe. Originalausgabe. Halbleineneinband. 240 x 290 mm. 464 Seiten. 967 Farbabbildungen. Herausgeber: Hans-Michael Koetzle. Texte: Sabine Hock, Randy Kaufman, Hans-Michael Koetzle, Kristina Lemke, Günter Osterloh, Tobias Picard, Gerald Piffl, Shun Uchibayashi, Thomas Wiegand. Design: Alessandro Argentato, Hamburg. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! "Der Zufall ließ mich auf der Fotografischen Ausstellung in Frankfurt a. M. eine Leica als Preis gewinnen, und seit dieser Zeit gehört meine ganze Neigung dem großen Leben, der unbegrenzten Weite der Welt, all dem, was die Kleinkamera einzufangen berufen ist." (Dr. Paul Wolff) "Mit dieser ersten umfassenden Publikation zu Dr. Paul Wolff (1887-1951) und Alfred Tritschler (1905-1970) werden zwei der um 1930 bekanntesten deutschen Fotografen wiederentdeckt. Bis heute geläufig sind Wolff und Tritschler als Pioniere der Leica, als Vorreiter eines lebendigen Stils in Illustrationsfotografie und Reportage. Daneben spiegelt ihr auf 700.000 Aufnahmen geschätztes Werk gleich mehrere Kapitel deutscher Geschichte: vom kulturellen Aufbruch in den Jahren der Weimarer Republik über das Dritte Reich bis hin zum Zweiten Weltkrieg, in dessen Endphase auch wesentliche Teile des Wolff-Archivs vernichtet wurden. Formal-ästhetisch bewegte man sich zwischen Konvention und Neuer Sachlichkeit, Heimatstil und Neuem Sehen. Auch kaum ein Thema, das Wolff & Tritschler ausgelassen hätten. Ihr fotografisches Wirken hat unsere Vorstellung des alten oder »Neuen Frankfurt« ebenso geprägt wie ihre Fernweh atmenden Aufnahmen von Auto- oder Schiffsreisen oder Fahrten mit dem Zeppelin. In der Summe sind es nicht wenige Widersprüche, die das Wirken von.