Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Arts & Métiers du Livre, 2019
Seller: Un livre en poche, Paris, France
Magazine / Periodical First Edition
Couverture souple. Condition: Assez bon. Edition originale. Broché, couverture illustrée en rouge et noir, illustrations couleurs et n&b, 81 pages.
Published by Galerie Suzanne Tarasieve, Pariss, France, 2003
Seller: Peter Rhodes, Southampton, United Kingdom
First Edition
Paperback. Condition: Very Good. First Paperback Edition. 300 x 210mm. pp. 20. French and german text. Paperback catalogue for a sale entitled 'Georg Baselitz: Aquarelles - Linogravures - Monotypes' held by Galerie Suzanne Tarasieve in Paris from the 15th of November to the 3rd of january 2004. Colour and black and white illustrations. Bound in original red card covers. Light crease to bottom edge of front cover, otherwise clean. Binding strong. No ownership inscription or underlining. Exhibition Catalogue.
Published by Musee des beaux-arts, Caen, 2003
ISBN 10: 2901296173ISBN 13: 9782901296171
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
First edition. Softcover. 59 pages. Exhibition catalog for a show that ran March 8 through May 25, 2003. Text in French with a preface by Caroline Joubert and essays by Jonas Storsve and Eric Darragon. Includes color and black and white illustrations, biography and bibliography. A fine copy in wrappers. A nicely printed catalog.
Published by Galerie Suzanne Tarasiève, Paris, 2003
Seller: Librairie-Galerie Dorbes Tobeart, PARIS, France
Book First Edition
Couverture souple. Condition: Très bon. Edition originale. Paris, Galerie Suzanne Tarasiève, 2003, agrafé sous couverture titrée, non paginé (24 pp.), (29,7 x 21 cm). Exposition du 15 novembre au 4 janvier 2004. 19 reproductions. Préface de Pierre Wat. Repères biographiques. Expositions. Très bon état / Very good condition (envoi suivi sous emballage pro).
En feuilles. Condition: Bon exemplaire. Edition originale. Suite de 13 linogravures originales en couleurs, signée, datée et justifiée 1/3 à la fin. Sous chemise et étui de papier brun.
Published by Plein Chant
ISBN 10: 2854523369ISBN 13: 9782854523362
Seller: Okmhistoire, St Rémy-des-Monts, SARTH, France
Book First Edition
Couverture souple. Condition: Comme neuf. Edition originale. Bassac ( Charente ) 2017. -- 1 Volume/1. -- Comme Neuf -- Broché cousu. Format 19,5 x 16 cm ( 322 gr )------ XVI-143 pages, avec 107 linogravures des années 1937-1938 . Notices bio-bibliographiques par Thomas Miller et Eva Korazija Traduction par Cordula Unewisse et François Mathieu . ******************* Présentation éditeur : ""Clément Moreau (1903-1988), Carl Meffert de son nom, adhérent à la Ligue spartakiste dès qu il eut seize ans, initié à l art prolétarien par Käthe Kollwtiz, s établit en 1927 à Berlin, où il appartint à l avant-garde littéraire et artistique, celle qui sera pourchassée par les nazis. En 1933, l arrivée d Hitler au pouvoir le force à s exiler en Suisse où, clandestin, il devient Clément Moreau. Obligé de quitter la Suisse, il part vivre en Argentine où il exécute, de 1937 à 1938, cent sept linogravures représentant les atrocités nazies, Nacht über Deutschland (Nuit sur l Allemagne). Traduit en français par Cordula Unewisse et François Mathieu, ce livre illustré permet à ceux qui n auraient pas eu l original en allemand à leur disposition d apprécier le talent graphique de Clément Moreau. Ajoutons qu en 1976 les éditions Syros avaient publié Mein Kampf, dessins de Clément Moreau (Paris, n° 2 de la collection Combat culturel, 60 pages), un recueil de caricatures par Clément Moreau parues dans Argentina libre où elles illustraient, pour s en moquer, des extraits autobiographiques du livre d Hitler, mais ce livre est épuisé depuis longtemps "" ************************ ref fav-0522-16 & ref 307.
Published by Glenbow Museum, Calgary, 1982
Seller: J. W. Mah, Burnaby, BC, Canada
First Edition
Paperback. Condition: Near Fine. 1st. (CAD) Presumed 1st edition, No markings, Near Fine but with a tiny chip to the edge of spine and a ffaint sticker ghost to the back cover. . Wraps, 88pp, 16 full-page colour plates; augmented with smaller B&W reproductions of her linocuts. Andrews died in 1992 and is best known for her modernist linocuts that partake of a futurist vibe. (1.5 JM LVR 201/b4 Size: 4to - over 9¾ - 12" tall. Exhibition Catalogue.
Published by s.l., Repères, 1977, 1977
Seller: CORSEAUX Pascal, PARIS, France
First Edition Signed
petit in 8 broché Edition originale signée par l'auteur. Un des 25 exemplaires de tête enrichi de la suite des linogravures numérotées et signées à 25 exemplaires. Bel exemplaire.
Published by Musee des Beaux-Arts, Caen, France, 2003
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
Paperback. Condition: Near fine in wraps. First Edition. 22 x 26cm 60pp near fine exhibition catalogue with French text, colour plus black and white reproductions.
Published by Glenbow Museum 978-0919224278, Calgary
ISBN 10: 091922427XISBN 13: 9780919224278
Seller: Spafford Books (ABAC / ILAB), Regina, SK, Canada
Book First Edition
[978-0919224278] 1982, 1st printing. (Mass market paperback) Fine. 88pp.
Published by Chequebook 4to, 30cm, 54p, 1990, Ultramarine Editeur. Publie avec le concours du Centre National des Lettres., 1990
Seller: Collinge & Clark, London, United Kingdom
Book First Edition Signed
Soft cover. Condition: Fine. 1st Edition. Set in New Century and printed on Ivory paper, one of 320 copies. Title-page vignette, Two full-page and two double-page linocuts. Stiff printed wrappers with an additional linocut. A fine copy. Presentation copy from Patrick Depin to Brigitte Benderitte. Signed by Author(s).
Seller: Le Livre à Venir, Chantelle, France
Book First Edition Signed
Yutz : Le Temps de Dire, 1972 - Edition originale tirée à 500 exemplaires - avec un envoi autographe signé de Vodaine et in-fine signatures de l'auteur et de l'artiste - bon état - Livres.
Published by Gillespie - Laage - Salomon, 1983
Seller: Studio Bruno Tonini / Tonini Editore, Gussago, BS, Italy
Book First Edition
senza rilegatura. Condition: ottimo. prima edizione. BASELITZ George [Hans-Georg Rem] (Kamenz 1938) Paris, Gillespie - Laage - Salomon, 1983, 10x15 cm., illustrated invitation cardboard, printed on the occasion of the exhibition (Paris, Gillespie - Laage - Salomon, 26 February - 2 April 1983).
Published by Editions Guy, 1990
Seller: Richard Thornton Books PBFA, Old Langho, United Kingdom
Association Member: PBFA
Book First Edition Signed
Soft cover. Condition: Fine. No Jacket. First Edition. This is a Fine Copy of this book in original soft cover wraps.This copy has been SIGNED in pencil by Brian Britton on the rear endpaper and numbered 96/100 so only 100 copies produced in this format.Contents remain clean internally.Complete with 17 Linocuts and gravures,with illustrated cover sleeve.Uncommon 4to Limited Edition. Signed by Author(s).
Published by Albert Masri,, Montpellier,, 1965
First Edition Signed
Paperback. Condition: Very Good. First Edition. Wraps. 8vo. pp 70. Original publishers cream covers, with a red and black sun on the front cover. Loose plates. First edition limited to 195 copies, this being no 43. Signed by the artist on the limitation page at the rear. Very good. Signedes.
Published by Jean Petithory, Paris, 1970
Seller: Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, U.S.A.
First Edition Signed
Staritsky, Ania (illustrator). First edition. Unbound in folding wrapper, 200 x 290 mm. One of an edition of 350 on offset Licorne, signed by author and artist. Slight fading and wear to end of wrapper.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 16.6cm W: 22.3cm. Sheet size: H: 26.8cm W: 32.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 22.3cm. Sheet size: H: 27.2cm W: 31.9cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 22.3cm. Sheet size: H: 27.2cm W: 31.9cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by La Balance, 1998
Seller: Librairie À la Demi-Lune, Aigues-Vives, France
Book First Edition Signed
Couverture souple. Condition: Comme neuf. Edition originale. GASTON PUEL / BERNARD ALLIGAND, A la lenteur, Sauveterre-du-Gard, Éditions La Balance, 1998. 8,5x6,8cm, couverture titrée à rabats, sur beau papier vélin BFK rives. Livre d'artiste comprenant 1 magnifique texte de Gaston Puel et 2 linogravures de Bernard Alligand. Tirage : 45 et 1 exemplaires avec 2 linogravures tirées en noir et rehaussées en bleu à l aquarelle. Pour le plaisir de quelques amis et aux dépens d un amateur Exemplaire 13/45 signé par Gaston Puel et Bernard Alligand au colophon Superbe exemplaire de ce livre d'artiste tiré à petit nombre. Signé par l'auteur.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by sn, Sl, 1994
Seller: Des livres autour (Julien Mannoni), Paris, PARIS, France
Book First Edition Signed
broché. Condition: Très bon. Jean-Marie Queneau (illustrator). Edition originale. Sl [Vézelay], sn [Editions de La Goulotte], 1994 (linographié par Claude Stassart-Spinger). 28,5 x 19 cm, petit in-4 oblong à l'italienne, 2 ff. bl. - 7 ff. entièrement linographiés (texte et illustrations) en noir - 1 f. bl., broché sous couverture à larges rabats linographiée au premier plat. Edition originale et premier tirage. Tirage unique à 45 exemplaires sur Lana teinté, celui-ci n° 11, signé par l'auteur et l'artiste. Charmante réalisation. Bel exemplaire. Signé par L'auteur et L'illust.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.
Published by Cercle DArt, France, 1962
Seller: Hornseys, Ripon, United Kingdom
Book First Edition
No Binding. Condition: Fine. 1st Edition. Publisher: Editions Cercle D'Art, Paris, France. Date: 1962. First edition. Printed in Germany. Linocut size: H: 26.8cm W: 32.4cm. Sheet size: H: 31.7cm W: 37.4cm. Original linocut after and approved by Picasso for 'Picasso Linogravures', 1962. These linocuts were first issued in signed editions of fifty by Galerie Louise Leiris and printed by Arnéra. Because of the 'reduction' method invented and used by Picasso, which uses just one plate of linoleum instead of a separate one for each colour, it was impossible to make any more prints from the original plates. Therefore, in collaboration with Picasso and Galerie Louise Leiris, new linoleum plates were made at 42% of the original size, and it was from these that the above prints were made. Ref: Bloch 909. (Later editions of this work, the editions of 1988 and 2020, were digitally copied without any impression marks, used lesser quality inks, on inferior paper and greatly reduced in quality.) This is a genuine linocut, dating from 1962 on heavy stock paper. Condition: Strong impression mark. Very faint foxing to the margins else a fine, tight, bright, clean copy. Scarce.