Liszt, Signed (105 results)

Condition: Very Good. Signed Copy . Good dust jacket. Inscribed by editor on half title page.

Cloth. Condition: Very Good -. Dust Jacket Condition: Very Good -. (1983), 325pp, illus., inscribed by author to title pg, slight bow to front cover, bottom corners slightly bumped, owner's sticker to front free ep, light crease to bottom corners up to pg 18, a couple small tears to dj, slight soiling & edgewear to dj, contents clean & unmarked. Signed by Author.

Paperback. Condition: Very Good. Illustrated by Jean Gabriel Scheffer cover art (illustrator). Revised Edition. VERY GOOD CONDITION, clean, solid, bright .Book has a 4x5" card with musical note border decoration.It is signed by the author, in a distinctive hand, black ink "Alan Walker" ; White titles on dark brown paper covers showing early youthful painting of LISZT in concentrated gaze. ; 512 pages; "You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. ; Signed by Author.

hardcover. Condition: Very Good. Signed. no dust jacket as issued, inscribed by the author No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardback with dust-wrapper. 229pp. Inscribed by John Spurling [to Anthony Thwaite] on title page. 1st edition 2011. A little edge wear to d/w. A very pleasing copy. (bs116). Inscribed By Author.

Leinen, gebunden. Condition: Wie neu. 86 Mit persönlicher Widmung vom Autor und signiert. Einband an den Kanten berieben, sonst guter Zustand. Sprache: Deutsch.

Hardcover. Condition: Fine. Autorensignatur; Leichte Rillen / Abschürfungen / Risse / Knicke.

OBrosch., gr. 8°, 37 S., mit einer Widmung des Autors, Vorderdeckel stark gelockert. Widmung des Verfassers.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Lengthy inscription by the author in English. Book is in Hungarian. Volume 1 only: 1811-1847. Hard to find. COLLECT SIGNED BOOKS. Signed by Author(s).

Hardcover. Condition: Very Good. Signed by Charlotte Bruelch on the endpaper. Out of print and scarce. Binding is cloth.

Couverture souple. Condition: Bon. José BRUYR FRANZ LISZT 1966, Pierre Waleffe Collection "Figures" Envoi Autographe à Ginette Guitard - Auviste In-12 (12,5 x 19,5 cm), broché, 207 pages Très nombreuses illustrations noir et blanc in et hors-texte Etat : couverture jaunie et frottée, pliures au dos, papier peu jauni, brochage solide, bon exemplaire ! Poids : 400g. Dédicacé par l'auteur.

287 S. OPbd. vom Autor signiert, Buchankündigung vorne auf Vorsatzblatt angeheftet, guter Zustand Sprache: Deutsch Gewicht in Gramm: 0.

Hardcover. Condition: Very Good. No Jacket. Masters Theses. Gift inscription to front endpaper. Inscribed by Author(s).

151 S., OPappbd. mit OUmschlag, 8° (Ums. ger. Gebrauchsspuren, Exlibris a. Spiegel, ger. gebräunte Ränder der Seiten, sonst gut erhalten) Auf dem Titel vom Autor signiert. 420 gr. Buch.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Hardcover. A fine copy in a near fine dust jacket with wear to the edges and edges of the spine. Signed and inscribed by Bullock. 335 pages, index with a few photos. The author, Friedheim was close to Liszt and gives great understanding to this giant of Music. Inscribed by Author(s).

Octavo. 16 pp. With the autograph signature of the pianist to the lower margin of first page. Slightly worn. Signed.

Taschenbuch. Condition: Neu. Neuware -These piano studies, fully worked out in summer 1848, but presumably sketched earlier, were published in the German original edition at the beginning of 1849 simply with the numbering 1-3. In the first French edition published at the end of that year, they were given the new title 'Trois Caprices poétiques' - possibly at the publisher's request - and also received the characteristic individual titles 'Il lamento', 'La leggierezza' and 'Un sospiro', which have remained for these pieces that are still popular today. In comparison with the early studies, in which the purely technical performing aspect is to the fore, the idea of poetic sound is at the heart of these compositions, which were clearly written for concert performance. For this revised version, several newly-discovered or newly-available sources were available, including the autograph which served as the engraver's copy.; Ces études pour piano, finalisées durant l'été 1848 mais probablement conçues déjà bien avant, sont parues dans l'édition originale allemande au début 1849, simplement numérotées 1-3. Dans la première édition française, publiée à la fin de la même année, elles ont été pourvues - probablement à la demande de l'éditeur - d'un nouveau titre : Trois caprices poétiques, ainsi que d'intertitres séparés: «Il lamento», «La leggierezza» et «Un sospiro», qui se sont imposés pour ces pièces très appréciées jusqu'à nos jours. Contrairement aux Études précédentes, où la technique pianistique pure est mise au premier plan, l'invention poético-sonore se trouve au coeur de ces compositions clairement destinées à l'exécution en concert. Pour cette édition révisée, on a pu disposer de plusieurs sources nouvellement découvertes ou rendues accessibles; parmi elles, l'autographe qui avait servi de modèle de gravure.; Diese im Sommer 1848 ausgearbeiteten, aber vermutlich bereits früher entworfenen Klavieretüden erschienen in der deutschen Originalausgabe Anfang 1849 nur mit der Nummerierung 1-3. In der französischen Erstausgabe Ende des gleichen Jahres erhielten sie - möglicherweise auf Wunsch des Verlegers - den neuen Titel 'Trois Caprices poétiques' und zusätzlich jene charakteristischen Einzelüberschriften 'Il lamento', 'La leggierezza' und 'Un sospiro', die sich für die bis heute sehr beliebten Stücke durchsetzen sollten. Gegenüber den frühen Etüden, in denen der rein klaviertechnische Aspekt im Vordergrund steht, bildet hier die poetisch-klangliche Idee das Zentrum dieser dezidiert für den Konzertvortrag geschriebenen Kompositionen. Für die Revision standen mehrere inzwischen neu bekannt oder zugänglich gewordene Quellen zur Verfügung - darunter das als Stichvorlage dienende Autograph. 46 pp. Englisch, Französisch, Deutsch.

Hard. Condition: Good. Dust Jacket Condition: Good Minus. Dust jacket edgeworn, rubbed in places, creasing to reading edge, corners and spine ends bumped, small chip to foot of spine, clothe covered boards clean and tidy, card with inscription to previous owner signed by author sellotaped to title page, pp clean and text clear to read, binding sound. Size: 8vo. Signed by Author.

Hardcover. Condition: Very Good +. 1st Edition. 8vo - over 7¾ - 9¾" tall. 1st edition. Limited to 940 copies, this being #246. A Very Good + copy.Small 8vo., 32 pp., illustrated with a portrait frontispiece with guard; a colored engraved title page, and color decorative chapter headers. Bound in limp suede leather, with title in gilt, silk ribbon marker. SIGNED by Hubbard on the limitation page. Spine lightly sunned. A Very Good copy, with Near Fine contents.

Condition: Good+. Limited Edition. Signed By Author; # 281 0f 940 copies. Brown suede cover has tears around edges. Binding a tad loose. 32 pages. Pages clean. Scarce!

431 Seiten mit Abbildungen, OLeinenbd. ohne Umschlag, 8° (Namenstpl. Auf Vortitel, gut) Auf dem Titel signiert und datiert vom Autor. 650 gr. Buch.

Hardcover. Condition: Near Fine. Limited Edition. Signed Limited Edition, #215 of 940 copies. Full brown suede leather covers with gilt lettering. Gilt upper edge. Uncut fore and bottom page edges. Frontispiece with tissue guard. Illustrated with illumined text. 32pp. (pagination begins at 1 and ends at 32). Spine is sunned. Some slight browning within booklet. Text body is free from underlining, highlighting, or notes. In near fine condition. Full refund if not satisfied. Signed by author.

154 S. Sprache: Deutsch Gewicht in Gramm: 900 Ill. OBrosch., *EA. Mit Signatur des Autors. Fast verlagsfrisch.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. BOUND IN PICTORIAL BOARDS, FEATURING PORTRAIT OF LISZT AND CLEAR TITLES TO FRONT COVER WITH CRITICISM TO REAR PANEL, THIS DATED 2011 HARDCOVER FIRST EDITION IS VG. SIGNED ON PRELIMS BY AUTHOR, WITH DEDICATION TO MICHAEL SHORT, WHO ALSO HAS SIGNED AND ADDED HIS RUBBER STAMP "MICHAEL SHORT ARCHIVE" TO FFEP. XV111/341pp WITH PRFACE, NOTES, INTRODUCTION, 7 CHAPTERS, SEVERAL MUSICAL QUOTATIONS AND TABLES, BIBLIOGRAPHY AND INDEX.CONDITION ALL VG. Signed by Author(s).

327 (1) Seiten, mit 15 Abbildungen auf Tafeln und 3 Faksimiles, 2 Blatt Verlagswerbung. Brauner, goldgeprägter Original-Leinenband mit Kopffarbschnitt. Erste Ausgabe. Mit einer eigenhändigen Widmung des Verfassers auf Vortitel: "Herrn Dr. Otto Feiringer / herzlichst und dankbar / Joseph Aug. Lux / Juni 1932". Schönes Exemplar.

First American edition. 22 cm. 149 pages. Original hardcover with illustrated dustjacket in protective collector's Mylar. Excellent condition. Signed, first English language edition by Martin Walser, with only very minor signs of external wear. In a series of letters written by Franz Horn, a frustrated and ineffectual functionary in a German manufacturing concern, this novel portrays the dilemma of man in a modern post-industrial society. (Amazon) Sprache: english.

Softcover. Condition: Sehr gut. 1. Auflage. 152 S, 4 Bl. Illustr. Orig.Klappenbroschur. ExLibrisstempel a. Vortitel. Mit handschriftlicher Signatur von Martin Walser. Erstausgabe WG II 40. Signatur des Verfassers.

1st Translated Edition. From the library of Robert R. Metz. Signed and dated by same. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 302 pages; Description: 302 p. , 1 l. Incl. Front. (port. ) 19 cm. Subjects: Liszt, Franz (1811-1886) --Literature--France--20th century. 3 Kg.

(Frankfurt a. M.), Suhrkamp, (1982). 153 S. Orig. Engl. Brosch. Erste Ausgabe. - SIGNIERTES EXEMPLAR. - Vord. innere Umschlagklappe geknickt, sonst gutes, sauberes Exemplar.

Briefkarte (mit aufgezogenem, kleinen Farb-Porträtdruck), eigenhändig signiert mit Jahr 1977.