Losse Schroeven (25 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New.

Soft cover. Condition: As New. 1st Edition. 280 pages, illustrated mainly in B&W, text in English by Christian Rattemeyer with contributions by Wim Beeren, Charles Harrison, Claudia Di Lecce, Harald Szeeman a.o. interviews with Marinus Boezem, Jan Dibbets, Ger van Elk, Richard Serra. - Exhibiting the New Art 'Op Losse Schroeven' and 'When Attitudes Become Form' 1969 - Exhibition Histories - Paperback - 214 x 155 mm - As new copy. Book.

2 delen: samen 82pp.geïll., in geïllustreerd etui, 31cm.

Softcover, 280 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very good. No jacket. The bottom edge of the front cover is slightly worn with the corner edge being warped. Binding is tight and inside is clean and unmarked.

280 pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory publication edited by Christian Rattemeyer. Texts by Wim Beeren, Charles Harrison, Harald Szeemann, Tommaso Trini, Claudia Di Lecce, Steven ten Thije. Introduction by Teresa Gleadowe. "Afterall Books' new Exhibition Histories series responds to an increased interest in exhibition history with its inaugural volume on two of the most famous exhibitions of the 1960s: Wim Beeren's 'Op Losse Schroeven' (Stedelijk Museum, 1969) and Harald Szeemann's 'Live in Your Head : When Attitudes Become Form' (Kunsthalle Berne, also 1969). Installation photographs allow the reader to envision the exhibitions, and chronologies detail the negotiations that steered them. Also provided are reprinted reviews, bibliographies and texts from the exhibitions, newly commissioned essays and interviews with artists Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra, and curators Wim Bereen, Charles Harrison, Harald Szeemann and Tommaso Trini. This volume is produced by Central Saint Martins College of Art and Design, London in association with the Academy of Fine Arts, Vienna, and Van Abbemuseum, Eindhoven." -- publisher's statement. Reference : "When Attitudes Becomes Forms : Bern 1969 / Venice 2013" by Germano Celant, Thomas Demand, Rem Koolhaas, Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, Glenn Phillips. Venice, Italy : Fondazione Prada, 2013. Very Good. Inked inscription on title page.

Soft cover. Condition: Near Fine. 1st Edition. Softcover, 280p, b/w illustrations, 22 cm. Very good/fine, clean, no internal marks, minimal shelf-wear. Scarce.

280 S.Mit teils ganzs., teils farb. Abb. 8°, illustr. Orig.-Broschur. Exhibiting Histories. - Mit Einleitungstext von Teresa Gleadowe. Enthält Essays von Wim Beeren, Charles Harrison, Claudia Di Lecce, Harald Szeemann, Steven ten Thije u. Tommaso Trini. Weiters Interviews mit den Künstler:innen Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi u. Richard Serra. - The new art of the late 1960s was shown in two landmark exhibitions in 1969: Op Losse Schroeven and When Attitudes Become Form . This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial strategies. Christian Rattemeyer offers a rich comparative analysis of the two exhibitions, exploring the related but differing approaches of the two curators - Wim Beeren and Harald Szeemann - in the two distinct institutional settings of the Stedelijk Museum in Amsterdam and the Kunsthalle Bern. Numerous installation photographs enable a virtual walk through of each exhibition, while meticulous chronologies detail the negotiations that shaped them. (Verlagsbeschreibung). - Sehr gut erhaltenes Exemplar. 1200 gr.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 256 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 256 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Soft cover. Condition: Very Good. 1st Edition. Original paper wrappers, [64] pp. + [39] plates, 27,5 cm. Very good, age-toning (as usual), but clean and unmarked. Scarce and important catalog on Arte Povera and Conceptual art. Artists: Carl Andre, Giovanni Anselmo, Joseph Beuys, Boezem, Bill Bollinger, Pier Paolo Calzolari, Walter De Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Mike Heizer, Douglas Huebler, Paolo Icaro, Neil Jenny, Olle Kaks, Jannis Kounellis, Richard Long, Mario Merz, Marisa Merz, Robert Morris, Bruce Nauman, Dennis Oppenheim, Panamarenko, Emilio Prini, Reiner Ruthenbeck, Robert Ryman, Alan Saret, Richard Serra, Robert Smithson, Keith Sonnier, Frank Viner, Lawrence Weiner, and Gilberto Zorio.

Softcover exhibition catalog with pages stapled on left side and metal grommet binding on right side, unpaginated, in English and Dutch; good condition; small tear to top right edge of cover; ex-college library copy with partially removed stickers on front cover at upper left corner; and library bookplate on inside front cover; no internal marks. Includes: Giovanni Anselmo, Pier Paolo Calzolari, Jan Dibbets, Ger van Elk, Barry Flanagan, Bruce Mc Lean, Mario and Marisa Merz, Bruce Nauman, Panamarenko, Robert Ryman, Lawrence Weiner, Gilberto Zorio, Bill Bollinger and a few others. Foreign shipping may be extra.

Soft cover. Condition: Fine. 1st Edition. Title - Op losse schroeven - Situaties en cryptostructuren / Author - Pilo Gilardi - Wim Crouwel (design) / Publisher - Stedelijk museum / Year - 1969 / Language - English - Dutch / Binding - Softcover / Size - 21,5 x 28 / Pages - 100+ / Extra - Catalogue no. 457 - Andre - Anselmo - Beuys - Boezem - Bollinger - Calzolari - de Maria - Dibbets - Elk - Ferrer - Flanagan - Heizer - Huebler - Icaro - Jenny - Kåks - Kounellis - Long - Merz - Morris - Nauman - Oppenheim - Panamarenko - Prini - Ruthenbeck - Ryman - Saret - Serra - Smithson - Sonnier - Viner - Weiner - Zorio.

Brossura. Condition: ottimo. prima edizione. Amsterdam, Stedelijk Museum, 1969 (marzo), 27x21 cm., paperback folded in three parts containing two volumes, one bound with four staples and the other with three small studs, exhibition catalog with two-colour illustrated cover, divided into two distinct blocks bound separately: (volume 1) introduction by Jolijn de Wilde, texts by Piero Gilardi (printed on red paper) and Harald Szeeman (printed on blue paper), 60 photographic illustrations in black and white with works by Carl Andre, Giovanni Anselmo Joseph Beuys, Bill Bollinger, Pier Paolo Calzolari, Walter De Maria, Jan Dibbets, Rafael Ferrer, Barry Flanagan, Michael Heizer, Douglas Huebler, Paolo Icaro, Jannis Kounellis, Richard Long, Mario Merz, Bruce Nauman, Panamarenko, Emilio Primi, Bob Ryman, Richard Serra, Robert Smithson, Keith Sonnier, Lawrence Weiner, Gilberto Zorio and others. (Volume 2) 39 plates printed recto only on square paper with design drawings and manuscript texts in facsimile of the originals of the following artists: Giovanni Anselmo, Robert Barry, Boezem, Jan Dibbets, Gert Van Elk, Barry Flanagan, Bernahard Höke, Douglas Huebler, dear, Hans Koetsier, Joseph Kosuth, Richard Long, Roelof Louw, Robert Morris, Bruce McClean, Mario and Marisa Merz, Emilio Prini, Robert Ryman, Gianni-Emilio Simonetti and others. (Amsterdam, Stedelijk, 22 March - 27 April 1969). [Bibliography: Maffei 2007: pag. 208; AA.VV 1982: pag. 26].

Condition: Near fine. First edition. Scarce catalogue of the 1969 exhibition of Arte Povera and Conceptual Art, less known but as innovative and groundbreaking as the same year's more-mythologized "When Attitudes Become Form," and similarly an expression of its own curator's personality and vision. "Op Losse Schroeven" and "When Attitudes Become Form" were conceived, planned, and exhibited more or less concurrently, but independently: Stedelijk Museum director de Wilde, though supervising one curator and friendly with the other, apparently shared no information in either direction despite considerable overlap in vision. If the curators were not well informed on their peer's progress, those artists invited to participate in both exhibitions were: one of those artists, Ger van Elk, "made the curious suggestion that the physical similarity of the two men - each was solidly built, bearded and bohemian in style - made it interesting for an artist to work with them both, as their quickly staggered studio visits turned into a kind of performance; that of a curator chased by his doppelgänger" (Rattemeyer). With work by Carl Andre, Giovanni Anselmo, Joseph Beuys, Bill Bollinger, Gerrit Dekker, Barry Flanagan, Bruce Nauman, Richard Serra, Robert Smithson, Lawrence Weiner, and others. 10.75'' x 8''. Original wrappers housing two bound portfolios, designed by Wim Crouwel and Jolijn van de Wouw of Total Design, Amsterdam. Text in Dutch and English. Illustrated in black and white. Printed on multi-colored paper. Light edgewear and soil to wrappers, minor creasing to page edges.

First edition. 8vo. 280 pp. Publisher's illustrated card covers. Numerous illustrations, mostly black and white. Some bumping to the extremities, else a decent copy.

Tentoonstellingscatalogus. Kartonnen map met geniet tekstgedeelte (met ills) en pingebonden facsimile gedeelte. -(Omslag wat verkleurd, zoals gebruikelijk roestsporen van de drie pinnen, maar verder is de catalogus in goede conditie.).

Amsterdam, Stedflijk Museum, 1969. Unpaginated. [64] pp. [39] plts (phototypes). Orig. stiff paper wrappers. 4to. (SM 457). - Cover with very light shelfwear; the three split pins are slightly oxidized (as often). Scarce catalogue published fort the exhibition at the Stedelijk Museum, Amsterdam, March 15 to April 27, 1969. - Texts in Dutch, German and English. Works by Anselmo, Dibbets, Flanagan, Nauman, Weiner , d'Armagnac, Boezem, Bollinger, Buthe, Calzolari, Dekker, van Elk, Engels, Höke, Icaro, Jalass, Kaks, Koetsier, Louw, McLean, Merz, Panamarenko, Prini, Ryman, Simonetti, Viner and Zorio. Typographical design by Wim Crouwel, [etc.]. - Dutch text.

(Groningen, De Vuurslag, 1946). Omslag met schrijver en titel in druk. Cahiersteek. (16) p. Gedrukt in een oplage van 100 genummerde exemplaren. 1e druk. Goede staat. Uit het colofon: 'Wijlen H.N. Werkman te Groningen heeft deze bundel in 1944 gezet'. Met het gedicht 'Interieur met mijn broer en een schilderij' over Reinolds broer Abe Kuipers - maar ook met 'Aan. // Uw facie (een façade voor faciele)/ amants met een betoov'rend kielekiele)/ laat mij lakonisch, want ik stel nog steeds/ 't profond' oneindig hoger dan 't profiele.' En een drietal Amsterdamse gedichten: een Groninger naar Amsterdam vertrokken. Vrij hoog nummer (81).

(Groningen, De Vuurslag, 1946). Omslag met opgeplakt titeletiket bedrukt in geel en blauw. Cahiersteek. (16) p. Gedrukt in een oplage van 100 genummerde exemplaren. 1e druk. Omslag licht gevlekt. Uit het colofon: 'Wijlen H.N. Werkman te Groningen heeft deze bundel in 1944 gezet'. Met het gedicht 'Interieur met mijn broer en een schilderij' over Reinolds broer Abe Kuipers - maar ook met 'Aan. // Uw facie (een façade voor faciele)/ amants met een betoov'rend kielekiele)/ laat mij lakonisch, want ik stel nog steeds/ 't profond' oneindig hoger dan 't profiele.' En een drietal Amsterdamse gedichten: een Groninger naar Amsterdam vertrokken. Vrij laag nummer (29).

Condition: Sehr gut. 4°. 27,5 x 21 cm. 34 Seiten, [53] Blatt. Illustrierte, kartonierte Original-Mappe mit zwei gehefteten Textblöcken. (= Catalogue Stedelijk Museum Amsterdam, number 457). 1. Auflage. Dreisprachige Ausgabe in Niederländisch, Englisch und Deutsch. Mit zahlreichen Abbildungen in Schwarz-Weiß. Katalog zur Ausstellung im Stedelijk Museum, Amsterdam, vom 15. März bis 27. April 1969. Ehemaliges Bibliotheksexemplar des Museums Schloß Moyland mit Stempel auf Innendeckel. Minimal berieben, Innenklappe der Mappe mit drei Verfärbungen durch Musterbeutelklammern, ansonsten sehr gutes Exemplar. Illustrated original cardboard portfolio containing two stapled booklets. First edition. Trilingual edition in Dutch, English, and German. With numerous black-and-white illustrations. Catalogue for the exhibition at the Stedelijk Museum, Amsterdam, from March 15 to April 27, 1969. Former library copy from Museum Schloss Moyland, with stamp on verso of cover. Slight rubbing, inner flap of the portfolio with three discolorations from sample bag fasteners, otherwise fine copy. Sprache: Niederländisch, Deutsch und Englisch.

Soft cover. Condition: Fine. 1st Edition. Catalogue for a 1969 exhibition with work by: Carl Andre, giovanni Anselmo, Joseph Beuys, Boezem, Bill Bollinger, Pier Paolo Calzolari, Walter De Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Mike Heizer, Doublas Huebler, Paolo Icaro, Neil Jenny, Olle Kaks, Jannis Kounellis, Richard Long, Mario Merz, Marisa Merz, Bob Morris, Bruce Nauman, Dennis Oppenheim, Panamarenko, Emilio Prini, Reiner Ruthenbeck, Bob Ryman, Alan Saret, Richard Serra, Robert Smithson, Keith Sonnier, Frank Viner, Lawrence Weiner, and Gilberto Zorio. Text primarily Dutch with an essay and some other writing in English.

Volume diviso in due parti, copertina in condizioni buone, presenta piccoli difetti e bruniture. Interno ottimo, vedi foto. Presenti interventi/opere degli artisti: Andre - Anselmo - Beuys - Boezem - Bollinger - Calzolari - de Maria - Dibbets - Elk - Ferrer - Flanagan - Heizer - Huebler - Icaro - Jenny - Kåks - Kounellis - Long - Merz - Morris - Nauman - Oppenheim - Panamarenko - Prini - Ruthenbeck - Ryman - Saret - Serra - Smithson - Sonnier - Viner - Weiner - Zorio.

cm 21x27,5; BN; paperback.