Ludwig, Signed (Over 1,600 results)

Softcover. Condition: Fair. Dust Jacket Condition: No Dust Jacket. First Thus. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Inscribed and Dated By Author. Heavy rubbing and edgewear on wrapper. Heavy/oversize item - additional shipping charges may be required depending on speed/destination requested. ; 8vo - over 7¾" - 9¾" Tall; Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First Edition stated. Inscribed by author (Courtney Miller) on title page: "To Will, Don't get caught in a fugue. Enjoy." then signed by author. Otherwise, inside is clean and unmarked. Dust jacket has some shelf wear. Inscribed by Author.

Clean, no marks, Possibly Signed First Edition, 1957, from a central Florida bookstore. As shown, dust jacket has extensive wear along edges, corners, and spine, but book comes with a protective Mylar cover to prevent any future wear. Patterned blue cloth cover is clean with some wear, and has red and white lettering spine. Corners are sharp. A pencilled inscription signed by the letter, "B", cannot be confirmed as that of the author. No marked, creased, or torn pages. A good copy with stated cosmetic flaws. Book will be carefully packaged for safe delivery. Paper Dragon is a 5-star seller of popular books and does not solicit buyer ratings. OSL6 VanDE.

Perfect Paperback. Condition: Very Good. German text; Glossy paper covers; minimal wear; 12mo - over 6 3/4" to 7 3/4" tall; inscribed and signed by the author on first page; Interior is clean and unmarked; 127 pages. Signed by Author.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Signed by James Joll. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:

Paperback. Condition: Good. Signed. First Edition. Signed by author. First edition. Slight wear to cover. Mild toning to cover and page edges. Thin mark on bottom edge, else clean. Binding secure.

Paperback. 142p., personal inscription signed by Peters on the title page, illustrations, very good first edition trade paperback in pictorial wraps. From the library of Jerry "The Faerie" Berbiar.

Paperback. 103p., signed by Peters on the title page, limited to 1000 copies, b&w illustrations, very good first edition trade paperback in pictorial wraps. Poetry.

Encuadernación de tapa dura. Condition: Como Nuevo. Dust Jacket Condition: Como Nuevo. Biografía (illustrator). Col. Grandes biografías Ilustraciones b/n. Sello del anterior propietario.

67, (1)pp. 52 plates (mostly color). 4to. Wraps. Signed and dated by the artist on the flyleaf.

Condition: Good. Signed Copy First edition copy. . Limited edition of 1000 copies. Inscribed by author to Judith McCombs on dedication page. From the personal library of author, poet, and Margaret Atwood scholar Judith McCombs (1939-2024).

Hardcover. Condition: Wie neu. 1. Auflage. signiert vom Autor - gewidmet der Malerin Vera Singer. Widmung des Verfassers.

Taschenbuch. Condition: Neu. Neuware -This rondo for piano was composed in 1794/95 and has become known primarily by its sobriquet 'The rage over the lost penny'. However, this did not originate with the composer himself, but rather added to the autograph later by another hand. In his own original title, Beethoven emphasised its 'Hungarian' style, though he wrote 'Ingharese' instead of 'all'ungharese', thereby emphasising the humorous nature of this spirited piece. Robert Schumann aptly remarked that 'There can hardly be anything more amusing than this little tale. I had to laugh from the beginning to the end when I played it for the first time recently'.Beethoven specialist Joanna Cobb Biermann was responsible for revising the Urtext edition of this popular work in line with the latest research, while Chinese pianist Haochen Zhang provided his own fingerings for it.; Composé en 1794/1795, le Rondo pour piano doit sa célébrité essentiellement à son sous-titre Die Wut über den verlorenen Groschen («Colère pour un sou perdu»). Pour autant, ce dernier ne lui vient pas du compositeur, mais a été ajouté au manuscrit autographe de main étrangère. Dans son titre original, Beethoven lui-même souligne le style all'ungharese («à la hongroise») qu'il déforme en Ingharese, insistant ainsi encore davantage sur le caractère humoristique de cette pièce pleine de tempérament. Robert Schumann ne s'y trompa pas: «Difficile de trouver plus drôle que cette facétie. Récemment, j'ai ri tout du long en le jouant pour la première fois.».La révision de l'édition Urtext conformément au dernier état de la recherche musicologique est signée de la spécialiste de Beethoven Joanna Cobb Biermann, tandis que le pianiste chinois Haochen Zhang partage avec nous ses doigtés pour cette oeuvre particulièrement populaire.; Das 1794/95 komponierte Rondo für Klavier ist vor allem unter seinem Beinamen 'Die Wut über den verlorenen Groschen' bekannt geworden, der allerdings nicht vom Komponisten stammt, sondern nachträglich von fremder Hand ins Autograph notiert wurde. Beethoven selbst betont in seinem Originaltitel den Stil 'all'ungharese', den er als 'Ingharese' verballhornt und damit überdeutlich den humoristischen Grundzug dieses temperamentvollen Stücks herausstellt. Robert Schumann meinte treffend: 'Etwas Lustigeres gibt es schwerlich, als diese Schnurre. Hab' ich doch in einem Zug lachen müssen, als ich's neulich zum erstenmale spielte'.Für die Revision der Urtextausgabe auf neuestem Forschungsstand zeichnet Beethoven-Spezialistin Joanna Cobb Biermann verantwortlich, der chinesische Pianist Haochen Zhang verrät seinen Fingersatz für dieses beliebte Werk. 19 pp. Englisch, Französisch, Deutsch.

Condition: Sehr gut. 69 SS., 1 Bl., mit vielen Abbildungen. Erste Ausgabe. Auf Titel vom Künstler monogrammiert und datiert. BEILIEGEN: Original-Abzug der Foto-Grafik "Der Mondvogel", verso mit kurzer Widmung des Künstlers, ebenfalls monogrammiert + Beiblatt zu Entstehung der Grafik. - Stehkanten mit kleiner Druckspur, sonst sauber und gut erhalten. Sprache: Deutsch Gewicht in Gramm: 750 8°. Illustrierter Original-Pappband.

Paperback. Condition: Good. Inscribed by author, Louise Sommer on front wrap. Softcover. Good binding and cover. Light marks. Offprint. Signed.

Condition: guter Zustand. Zustand, siehe Scan - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 10 cm X 15 cm.

hard cover with dust jacket. Dust Jacket Condition: Very Good. 1st edition. Commentary and free translation into English verse by Majorie Tipping. Illustrated in colour and black and white. 24 cm. 135 pages VG/VG. Very good book in very good dust jacket with light shelf wear, gift inscription signed by Marjorie Tipping on title page. Signed by author.

Condition: guter Zustand. Zustand, siehe Scan - ca 10 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan - ca 10 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 10 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan - ca 9 cm X 14 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 9 cm X 14 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 9 cm X 14 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 11 cm X 15 cm.

Condition: guter Zustand. Zustand, siehe Scan, ungelaufen - ca 10 cm X 15 cm.