Published by Zabriskie Gallery, 1982
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.
Published by Zabriskie Gallery
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.
paperback. Condition: Good. Slight bending and scratches to seam. Small amount of smudging to front and back gloss of cover. Unmarked pages with no damage.
Published by New York, New York: Zabriskie Gallery, 1985
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. Softcover. 32 pp. B&W Plates. Good, bounced top left corner; bottom right back cover has slight tear.Provenance: Richard A. Lorenz (1952 -2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.
Published by Paris: galerie Europe, 1968, 1968
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
First Edition
US$ 355.83
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Add to basketSoft cover. Condition: Very Good. 1st Edition. Sm.8° - unpaginated - Color & B/w reproductions. MAN RAY objects of my affection. Objects dated in 1921 never presented to the public before now. Exhibition created by Marcel Zerbib in cooperation with the Gallery Europe in Paris. First edition, text in French language. Original boards and slipcase. The front cover slightly folded at the bottom right otherwise in Very good condition.
Published by NY, Julien Levy Gallery, 1945
Seller: Largine, Madrid, M, Spain
Magazine / Periodical
US$ 1,631.58
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Add to basketSin Encuadernar. Condition: Excelente. Catálogo de la exposición celebrada en Julien Levy Gallery de Nueva York en abril de 1945. texto de Man Ray diseño de la portada de Marcel Duchamp tomado en un fotograma del cineasta vanguardista checo Hackenchmied (Alexander Hammid). La escena tomada por Duchamp era muy pequeña, y al agradarla Duchamp, el grano de la imagen se evidencian en modo exagerado, adelantándose de este modo a artistas posteriores que basaron su arte en esta estética como Roy Lichtenstein o Sigmar Polke. Díptico. 29,2 x 23 cm (cerrado)/ 29,3 x 46 cm (abierto).