Mannheim by Mannheim, Signed (34 results)

Frühe, farbige ARIOLA-Fotoporträtpostkarte, von Beiden eigenhändig signiert.

Postkarte. Condition: Sehr gut. Postkarte von David Mannheim bildseitig mit schwarzem Stift signiert (Mehrere Exemplare von diesem Motiv vorrätig).- NRW Lokalradios // Autogramm Autograph signiert signed signee /// Standort Wimregal PKis-Box9-U027ua Sprache: Deutsch Gewicht in Gramm: 10.

Fotoporträtpostkarte (als Harlekin, lt. rs. Notiz November 1911), in lila Tinte eigenhändig signiert.

broschiert. Condition: Wie neu. 77 Seiten : Ill. sehr guter Zustand, mit großflächiger persönlicher Widmung und Signatur von Bernhard Mannheim im Nachsatz, minimale Lagerspuren am Einband Sprache: Deutsch Gewicht in Gramm: 190.

GEDANKEN UND GESPRÄCHE von Paul Claudel. Cornelsen Verlag Berlin, 1. Auflage 1948, ERSTAUSGABE, 211 SS. gebunden (Hardcover, Oln. kl. 8°), gut erhalten - mit eigenhändiger Widmung, Datum, Unterschrift in Tinte signiert "Wolfgang Kühne in Dankbarkeit und im Gedenken der gemeinsamen Arbeit an WAHN IN BOSTON, FERDINAND MAURER März 1949" (WOLFGANG KÜHNE, 1905-69, deutscher Synchronsprecher und Schauspieler ).

THEATEREINSICHTEN Von Shakespeare bis Max Reinhardt. Cornelsen Verlag Berlin, 1. Auflage 1948, ERSTAUSGABE, 99 SS. gebunden (Hardcover, Buchrücken fehlt) - mit eigenhändiger Lebensspruch Carl Seydelmanns, eigenhändiger Widmung, Datum, Unterschrift in Tinte signiert Herrn Robert Taube zum 70. Geburtstag.16. März 1950 (Robert Taube (* 15. März 1880 in Riga; 18. August 1964 in Berlin) war ein deutscher Theater- und Filmschauspieler. ).

Frühes Portraitfoto, eigenhändig signiert.

Brief (1 S. 4°, mit gedrucktem Kopf SCHLOSSMUSEUM) mit Ort, Datum, eigenhändiger Unterschrift in Tinte signiert Mannheim-Schloss, 11.XI.1929 - an das Theaterwissenschaftliche Institut der Universität Berlin wegen cand.phil. Winfried Klara in Berlin-Charlottenburg wegen leihweiser Benützung von Theatercostümen von Ritterschauspielen.

Schöne Fotoporträtpostkarte, eigenhändig signiert.

Pappe. Condition: gut. 2., überarbeitete und erweiterte Aufl. Fadengehefteter, geprägter Pappeinband mit geprägter Vorderdeckelvignette (Stadtwappen) und fotografisch gestaltetem Schutzumschlag. Der Umschlag etwas randberieben bzw. randgilbig und ebd. mit einem hinterlegten Randeinriss, die Umschlaginnenseite mit Stockflecken, ansonsten guter Erhaltungszustand. Gerhard Widder (* 26. Juni 1940 in Mannheim) ist ein deutscher Politiker der SPD. Er war von 1983 bis 2007 Oberbürgermeister von Mannheim. Nach erfolgreichem Studium zum Diplom-Ingenieur (FH) war Widder in Mannheim als Berufsschullehrer (Elektrotechnik) an der Werner-von-Siemens-Schule tätig. Bereits früh engagierte er sich in der Kommunalpolitik. 1975 wurde er in den Mannheimer Gemeinderat gewählt. Ein Jahr später übernahm er den Vorsitz des gemeinnützigen Bürgervereins in seinem Heimatstadtteil Mannheim-Vogelstang. Er wurde 1980 zum Vorsitzenden der SPD-Gemeinderatsfraktion gewählt und nach dem überraschenden Tod des amtierenden Oberbürgermeisters Wilhelm Varnholt 1983 zum OB-Kandidaten gekürt (Wahlslogan: Mannem wählt Widder SPD). Er setzte sich im zweiten Wahlgang gegen den langjährigen Führer der CDU Roland Hartung durch. 1991 wurde Widder wiedergewählt (gegen Hansjörg Probst). Ebenso 1999 als er sich gegen den jungen Sven-Joachim Otto (CDU) allerdings erst knapp im zweiten Wahlgang durchsetzen konnte. Die Wahl wurde überschattet durch den Niedergang der Mannheimer Sparkasse, deren Verwaltungsratsvorsitzender Widder war. Zur Oberbürgermeisterwahl 2007 durfte Widder aus Altersgründen nicht mehr antreten. Sein Nachfolger wurde Peter Kurz (SPD). Während seiner Amtszeit hat der Sozialdemokrat Widder viele Großprojekte in Mannheim angestoßen und umgesetzt. Zu den wichtigsten zählen dabei die Verlegung des Maimarkts auf das Mühlfeld, der Erweiterungsbau des Reiss-Museums, der Fahrlachtunnel, das Stadthaus N1, das Carl-Benz-Stadion, die zweite Rheinau-Hafen-Zufahrt und die SAP-Arena, ebenso die Fokussierung des Rosengartens als Kongresszentrum. Angesichts des hohen Ausländeranteils von 20 Prozent in Mannheim förderte Widder die Integration von Angehörigen verschiedener Religionen und Nationalitäten. So setzte er sich persönlich dafür ein, dass die Synagoge 1987 und die Yavuz-Sultan-Selim-Moschee 1995 im Zentrum der Stadt und nicht an der Peripherie errichtet wurden. (Wikipedia) In deutscher Sprache. 256 pages. 8°.

Albumblatt, eigenhändig signiert mit Ort und Jahr Bayreuth 1971 . mit Repro-Porträtfoto (dirigierend) unter dunkelblaues Passepartout (4 to) gerahmt (dito : Schöne Fotoporträtpostkarte (dirigierend bei den Bayreuther Festspielen 1970) mit netter eigenhändiger Widmung, Empfehlung, Ort, Datum, Unterschrift signiert "Auf dem Weg zurück nach Hamburg dankt seinem Schlankheitshelfer herzlichst HORST STEIN Hbg., 25.2.71" Euro 48,-).

Brief (1 S kl. 4°) mit Ort, Datum, eigenhändiger Unterschrift signiert London, 28.10.1958 - dankt einem Fan. (dito : ORIG.-GROßFOTO, 4° eigenhändig signiert mit Ort und Datum Frankfurt 1950 Euro 60,-).

REGIE Die Kunst der szenischen Darstellung (Moderne Bühnenkunst Bd. I) Verlag Schuster & Loeffler, Berlin und Leipzig, 3. Aufl. 1912, 408 SS. gebunden (Hardcover Oln. 8°), gut erhalten - in Tinte eigenhändig gewidmet und signiert mit Ort und Datum "Walter Günter-Braun, dem ausgezeichneten GIOVANNI zur Erinnerung an unsere gemeinsame MONA LISA-Arbeit. Mannheim, 29. Nov. 1915 CARL HAGEMANN" (WIDMUNGSEMPFÄNGER = Walter Günther-Braun (1874?1947), deutscher Sänger (Tenor)).

E.Albumblatt (1 S. kl. 4°, rückseitig leichte Gebrauchsspuren) in Tinte mit Ort, Datum, Unterschrift signiert Zur Erinnerung an den schönen / Nicolausabend 1940 in Coburg / und mit herzlichem Dank / der Wirtin WUNDERMILD - auf frohes Wiedersehen in München / DR. JOST DAHMEN 6-XII-40 (aus dem Album der Coburger Wirtin MÄDI der MESCHENBACHER BIERHALLE).

Brief (1 S.4°, zwei Randeinrisse, Randlochung) mit Ort, Datum, Unterschrift signiert Heidelberg, 23.5.1941 - an Professor Dr. Friedrich Lenz (= FRIEDRICH LENZ 1885-1968, Prof.Dr., dt. Nationalökonom, Sohn des Historikers MAX LENZ, Mitbegründer der Arbeitsgemeinschaft zum Studium der sowjetrussischen Planwirtschaft (Arplan), Direktor des Instituts für Volkswirtschaft und Statistik an der Universität Berlin ) über Friedrich List und Grossdeutschland, persönlich ".dass ich einst in Berlin bei Ihrem Vater studiert habe und im WS 1907/08 in dem Seminar von Max Lenz ein Referat über Rankes Reformationsgeschichte gehalten habe. Dankbar gedenke ich jener Uebungsabende in der alten Schinkel schen Bauakademie, wo damals das Historische Seminar über eine weite Flucht von Räumen verfügte.".

Brief (1 S. gr. folio, Mittelfalte, mit gedrucktem Kopf STADTMAGISTRAT FÜRTH) mit Ort, Datum, eigenhändiger Unterschrift signiert Fürth, 29.I.1910 - bedankt sich bei einem Herrn für die Zusendung eines Dokuments für die städtische Sammlung.

E.Albumblatt (1 S. quer 8°, etwas gebräunt) in Tinte mit zweizeiligem E.ZITAT, Ort, Datum, großer Unterschrift signiert Was der Thau den Fluren, / sind der Seele Lieder ! - Berlin, 9.4.(19)02 JOSEF MÖDLINGER.

Condition: Good. Original silver print. 24 x 19.cm. .Signed recto in pencil by the photographer.Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time.By the end of the 1930s he had covered many important West End productions, including John Gielgud's Queen's Theatre seasons in 1937 and 1938. Rogers also regularly photographed the new revues, including the Nude Tableau, at the Windmill Theatre.During the Second World War, a large proportion of his photographs were destroyed. Rogers found new work photographing both ballet and opera at the Royal Opera House in the 1950s and 1960s, producing photographs of productions as well as portrait studies of singers and dancers.Over his career he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi and Joan Sutherland. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 25 x 19.5cm. . Possibly for the 1937 British film "High Command.".Signed recto in red ink by the photographer.Wilfrid Newton (sometimes spelled Wilfred Newton) worked at Denham Studios during the 1940s, and photographed stills for the two big British films: Henry V and Caesar and Cleopatra.The British National Portrait Gallery has 30 portraits of movie stars by Newton, but not this one. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 24 x 19.cm. .Signed recto in pencil by the photographer.Houston Rogers (1902-1970) was one of London's leading theatre photographers from the 1930s until his death in 1970. His first notable work was photographing Fred Astaire and Claire Luce as the leads in the musical The Gay Divorcee. Rogers was playing the saxophone for the production at the time.By the end of the 1930s he had covered many important West End productions, including John Gielgud's Queen's Theatre seasons in 1937 and 1938. Rogers also regularly photographed the new revues, including the Nude Tableau, at the Windmill Theatre.During the Second World War, a large proportion of his photographs were destroyed. Rogers found new work photographing both ballet and opera at the Royal Opera House in the 1950s and 1960s, producing photographs of productions as well as portrait studies of singers and dancers.Over his career he captured performers such as Margot Fonteyn, Rudolf Nureyev, Alicia Markova, Julie Christie, John Gielgud, Peggy Ashcroft, Bette Davis, Douglas Fairbanks, Vivien Leigh, Edith Evans, Judi Dench, Maggie Smith, Maria Callas, Tito Gobbi and Joan Sutherland. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 24.5 x 19.5cm. . Possibly for the 1937 British film "High Command.".Signed recto in red ink by the photographer.Wilfrid Newton (sometimes spelled Wilfred Newton) worked at Denham Studios during the 1940s, and photographed stills for the two big British films: Henry V and Caesar and Cleopatra.The British National Portrait Gallery has 30 portraits of movie stars by Newton, but not this one. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 30 x 21.5cm. Signed and titled verso in pencil by the photographer, who was also the cinematographer of the fil. .Carl Hoffmann's cinematography profoundly shaped German Expressionism, particularly through his innovative use of lighting and composition in films like F.W. Murnau's Faust (1926), where he crafted atmospheric visuals blending stark shadows and ethereal effects to evoke supernatural themes. His techniques also influenced epic filmmaking during the Weimar Republic, emphasizing dynamic camera movements and visual storytelling that prioritized mood over realism. Following World War II, these Expressionist methods were carried to Hollywood by émigré filmmakers, impacting the stylistic development of American genre films, including film noir and fantasy productions.Posthumously, his work has been acknowledged in key film scholarship, such as Lotte H. Eisner's The Haunted Screen: Expressionism in the German Cinema (1952), which praises the technical prowess of Expressionist cinematographers like Hoffmann for advancing cinematic aesthetics. Contemporary recognition includes the restoration and screening of his silent films at festivals, underscoring his enduring influence on visual narrative techniques.He alos orked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 30 x 23.5cm. Signed recto in pencil by the photographer, who was also the cinematographer of the fil. .Carl Hoffmann's cinematography profoundly shaped German Expressionism, particularly through his innovative use of lighting and composition in films like F.W. Murnau's Faust (1926), where he crafted atmospheric visuals blending stark shadows and ethereal effects to evoke supernatural themes. His techniques also influenced epic filmmaking during the Weimar Republic, emphasizing dynamic camera movements and visual storytelling that prioritized mood over realism. Following World War II, these Expressionist methods were carried to Hollywood by émigré filmmakers, impacting the stylistic development of American genre films, including film noir and fantasy productions.Posthumously, his work has been acknowledged in key film scholarship, such as Lotte H. Eisner's The Haunted Screen: Expressionism in the German Cinema (1952), which praises the technical prowess of Expressionist cinematographers like Hoffmann for advancing cinematic aesthetics. Contemporary recognition includes the restoration and screening of his silent films at festivals, underscoring his enduring influence on visual narrative techniques.He alos orked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 24 x 18cm. Mounted. Signed in pencil by the photographer and indistinctly titled Berilée.? Annotated "Fahn Rose" in a later hand verso. . Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 24 x 18cm. Mounted. Signed in pencil by the photographer and indistinctly titled Berilée.? Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original platinum print. 22 x 16.2 cm. Mounted. Signed in pencil by the photographer.Elli Marcus (born December 6, 1899 in Berlin , ? August 8, 1977 in New York City ) was a German and American theater photographer; her subjects, among others, were Max Reinhardt, Bertolt Brecht and Marlene Dietrich . .In 1918, Elli Marcus opened her first photo studio in Berlin and specialized in fashion and advertising photography . Outside of her studio, she mainly worked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original silver print. 24 x 18cm. . Possibly for the 1937 British film "High Command.".Signed recto in red ink by the photographer.Wilfrid Newton (sometimes spelled Wilfred Newton) worked at Denham Studios during the 1940s, and photographed stills for the two big British films: Henry V and Caesar and Cleopatra.The British National Portrait Gallery has 30 portraits of movie stars by Newton, but not this one. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in G.reat Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

Condition: Good. Original platinum print. 17.5 x 13cm. ounted. Signed in pencil by the photographer.Elli Marcus (born December 6, 1899 in Berlin , ? August 8, 1977 in New York City ) was a German and American theater photographer; her subjects, among others, were Max Reinhardt, Bertolt Brecht and Marlene Dietrich . .In 1918, Elli Marcus opened her first photo studio in Berlin and specialized in fashion and advertising photography . Outside of her studio, she mainly worked as a film and theater photographer. Lucie Mannheim was a principal actress of the Berlin Theatre until expelled by the Nazis. She sang "Lili Marleen" a anti-Hitler version for BBC in 1943 in Great Britain. Lucie Mannheim was married to Marius Goring until her death. .Mannheim was born in Berlin-Köpenick where she studied drama and quickly became a popular figure appearing on stage in plays and musicals. Among other roles, she played Nora in Ibsen's A Doll's House, Marie in Büchner's Woyzeck, and Juliet in Shakespeare's Romeo and Juliet. She also began a film career in 1923, appearing in several silent and sound films including Atlantik (1929) - the first of many versions of the story of the ill-fated RMS Titanic. The composer Walter Goetze wrote his operetta Die göttliche Jette (1931) especially for Mannheim. However, as a Jew she was obliged to stop acting in 1933, when her contract at the State Theatre was cancelled. She promptly left Germany, first to Czechoslovakia, then to Britain. She appeared in several films there, notably as the doomed spy Annabella Smith in Alfred Hitchcock's 1935 version of The 39 Steps.During World War II she appeared in several films, as well as broadcasting propaganda to Germany - including performing an anti-Hitler version of Lili Marleen in 1943. In 1941, she married the actor Marius Goring.She returned to Germany in 1948 and resumed her career as an actress on stage and in film. In 1955 she joined the cast of the British television series The Adventures of the Scarlet Pimpernel as Countess La Valliere. She made her final English-language film appearance in the 1965 film "Bunny Lake Is Missing." Her last appearance was in a 1970 TV movie. She died in the German spa town Braunlage.Provenance: Estate of Lucie Mannheim.

E.Brief (2 S. 4°) in Tinte mit Ort, Datum, Unterschrift signiert Dresden, im Oktober 1924 - wichtiger Rundbrief an das Badische Landestheater in Karlsruhe, Redaktionen des Karlsruher Tagblatt, der Badischen Presse, des Badischen Beobachter und des Volksfreund. BEILAGE : Original-Fotopostkarte des Sängers in Tracht vor einer Hütte.

ORIGINAL-AUSWEIS (quer 8°, aufgezogen, Mittelschnitt) für Karl Wissmann zum Eintritt am 7.7.33 in das Arbeitslager Reißinsel 2/10 des NS-Arbeitsgau-Verein Baden-Pfalz, neben dem Amtsstempel vom Lagerführer CHRIST in Tinte eigenhändig signiert RAR !