Manteau, Signed (58 results)

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Text in French; inscribed & signed by author. Small octavo in stiff paper wraps. Condition: small crease to front cover; several inked marks in margins; else very good condition. 228 pages. Inscribed by Author(s).

Couverture souple. Condition: Bon. Coll. "Essai-Poésie". Poésie. Préface de Paul Gilson. 13,9x18 cm. 84 p. Broché. Bon état. Papier bruni. Couverture légèrement défraîchie. Infime déchirure en tête du dos. in-12° Envoi de l'auteur ou Dédicace de l'auteur ou Signé par l'auteur. Envoi autographe. A Monsieur Jean-Clarence Lambert, en hommage, Jacques Izoard. Liège, ce 31 mars 1963. (De la part de Henry Fagne). Jean-Clarence Lambert est un poète français. Henry Fagne est un écrivain et poète belge (wkipédia).

Condition: Very Good. 2001. paperback. From the library of Michel D?on. Signed and affectionately inscribed to D?on by the author. Texte en fran?ais. Text in French. Very good clean copy in glassine wrapper. First edition copy. . . Signed Copy.

14 x 20, 161 pp., broché, couverture à rabats, très bon état. Traduction et adaptation du néerlandais par Marie Hooghe; envoi autographe de l'auteur.

In-12 ( 215 X 135 mm ) de 261 pages, broché sous couverture illustrée. EDITION ORIGINALE. Très bel exemplaire enrichi d'une carte postale autographe signée de Paul SANDA. Symbolisme Hermétisme Occultisme Esotérisme Religion Spiritualité Autographe.

Broché. In-12 (12,3 x 18,7 cm), broché, 114 pages, envoi de l'auteur ; mors supérieur recollé, traces sur les plats, état moyen. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.

Jan 07, 2015. Condition: D'occasion - Comme neuf. C1B (L) Etat du neuf, jamais ouvert, avec envoi de l'auteur. Tampon service de presse en page de garde.

Condition: Très bon état. in-8, broché, 137 pp. Edition originale. Envoi autographe signé de l'auteur à un poète et critique. Très bon état.

Condition: Très bon état. in-8, broché, jaquette illustrée, 217 pp. Bel envoi de l'auteur à Henri Clarac. Excellent état.

Libraidisque, 1985, 479 p., cartonnage éditeur, avec un envoi de l'auteur, bon état.

Couverture souple. Condition: Bon. Collection Blanche Claude ROY La nuit est le manteau des pauvres roman nouvelle édition revue et corrigée (l'édition originale date de 1948) 1968,Paris-édition Gallimard-NRF,In-12(12 x 18,5 cm),broché sous couverture à rabats,224 pages Envoi autographe de l'auteur à Jean-Louis Bory: "pour Jean-Louis l'amitié du jeune" Exemplaire du service de presse (poinçons in fine) Etat: petites taches au verso de la couverture,papier bien blanc,ouvrage solide,bel exemplaire poids 350g. Dédicacé par l'auteur.

12 x 19, 243 pp., 8 illustrations, broché, état moyen (couverture défraîchie). envoi de l'auteur.

1. Lithographie von und bei Lejeune (im Stein signiert) auf rückseitig unbedrucktem Büttenblatt, zwei Abbildungen auf einem Blatt, von alter Hand sehr schön koloriert, Blattgröße ca. 26 x 17 cm, Papier altersbedingt gebräunt, ansonsten gut erhalten, sehr selten 1100 gr.

Print. Condition: Very good condition. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

Print. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

Couverture souple. Condition: Très bon. Paris, Gallimard, Le Chemin, 1987. In-12 broché, 128 pages. Édition originale sur papier d'édition, après 26 exemplaires sur vélin de Rives. Envoi autographe signé de l'auteur : « Pour Raymond Barre à qui ce livre rappellera peut-être une vocation secrète Avec la bonne pensée de Gérard Macé ». Dédicacé par l'auteur.

Couverture souple. Condition: bon. R300295634: 1955. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos plié, Papier jauni. 222 pages. Mors fendus en coiffe de pied. . . . Classification Dewey : 97.2-Dédicace, envoi.

Couverture souple. Condition: bon. R320161500: 1971. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 164 pages - envoi de l'auteur sur la page de faux titre (photo disponible) - ouvrage enrichi d'une coupure de presse "les prodges de Jean Vauthier théatre national populaire". . . . Classification Dewey : 97.2-Dédicace, envoi.

Paperback. Condition: Collectible; Good. Ce manteau de pauvreté - Poèmes et autre récits | Jacques Izoard | Editions de l'Essai, coll. "essai-poésie", préface de Paul Gilson, 1962, in-12 broché de 82 pages. Couverture légèrement passée, bords et coins légèrement frottés. Dos solide. Intérieur légèrement bruni mais agréable. Recueil enrichi d'un envoi de l'auteur à Pierre Chabert. [T26].

Print. Condition: Very good condition. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

Print. Condition: Very good condition. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

Condition: Très bon état. in-8, broché, couverture à rabats, 78 pp. Édition originale de ce recueil de poèmes construits en notes brèves et concises. Un des 121 exemplaires de luxe numérotés sur bouffant Cartoon de 90 g, comprenant une gravure originale numérotée et signée par Antonio Seguí. En excellente condition.

Couverture souple. Condition: bon. R320161501: 1955. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 222 pages - bel envoi de l'auteur avec un dessin sur la page de faux titre (photo disponible) - légères rousseurs sur les plats. . . . Classification Dewey : 97.2-Dédicace, envoi.

Couverture souple. Condition: bon. RO20204343: 1999. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 pages - ENVOI DE L'AUTEUR. . . . Classification Dewey : 97.2-Dédicace, envoi.

Couverture souple. Condition: bon. RO80138143: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 82 pages. Bel Envoi de l'auteur. Accompagné d'une portrait noir et blanc, en planche volante, avec une dédicace de l'auteur. . . . Classification Dewey : 97.2-Dédicace, envoi.

Print. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

Print. Condition: Very good condition. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

Print. Condition: Very good condition. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.

1. Original-Holzschnitt von David (im Druckstock signiert) auf rückseitig unbedrucktem Büttenblatt, handkoloriert, Blattgröße ca. 25 x 18,5 cm, sauber und sehr gut erhalten 2100 gr.

Print. Woman dressed in a floral dress standing in front of a mannequin displaying a long black robe. Lithograph print with pouchoir color, an intensive process that uses stencils to apply the vibrant color. 7 1/4 x 9 1/2". The "Gazette du Bon Ton" was a leading fashion magazine published from 1912 to 1925, the highlight of which were 10 colored plates in each issue. The magazine signed exclusive contracts with seven of Paris's top couture houses (Cheruit, Doeuillet, Doucet, Paquin, Poiret, Redfern, and Worth) so that the designers' fashions were shown only in the pages of the Gazette. An annual subscription was 100 francs, the equivalent of over $400 today.