Marcel Duchamp, Signed (46 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Fine hardover with Fine dj, still in shrink-wrap, 21.0 x 15.0cms 128pp b/w & colour illusts (including foldouts very good+ hardback & dustwrapper Inspired by Man Ray's photograph of Duchamp's 'Le Dernier Oeuvre de Duchamp' (1968)' Iles curated this 'wide-ranging exhibition of their unique friendship & collaboration'.

Soft cover. Condition: Fine. No jacket.

Softcover. Condition: Good. No jacket. In French. Inscribed by Bernard Dorival, curator of the Musee National d'Art Moderne in Paris. Shelfworn.

Paperback. Condition: Like New. First Edition. 1994 Cambridge Press 1st printing - signed with personal note by author - brand new unread copy. Signed.

8°. ill. OBroschur. Condition: Sehr gut. 70 Seiten. Beiliegend eine Karte des Verlags mit Signatur von Wieland Schmied. Tadellos. Sprache: Deutsch Gewicht in Gramm: 450.

Condition: Very Good. Dust Jacket Condition: Very Good. 252 pages. Hardcover SIGNED & INSCRIBED BY AUTHOR to preliminary pages. Copious black & white photographs throughout. Dust jacket with light sunfade to spine, light toning. Clean, unmarked copy. Record # 750370.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. 1990 Readymade Press Paperback 1st Edition 1st Impression. Near fine clean tight binding with fabulous cover design & illustrations as shown. Signed by author on title page. Superior paperback bound in sections. Signed by Author(s).

softcover. Condition: Fine. No jacket. Signed by author and the half-title and the title page.

softcover. Condition: very good. Signed by author.

241 S. Opp. 4°. tadelloses Exemplar. Signatur des Verfassers.

8°. Orig.-Karton. 125 S., 1 Bl. mit Abbildungen. Zettel mit einer handschriftlichen Widmung Molderings beiliegend (gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 480.

Condition: Near fine in very good jacket. Dust Jacket Condition: dj. First printing. Signed first US edition of this theoretical analysis of Duchamp's artistic ethos (particularly as compared to Picasso) by the Nobel Prize-winning poet and author. 8.25'' x 5.5''. Original quarter red cloth, black paper boards. In original unclipped ($14.95) photographic jacket designed by Roy Kuhlman. Signed by Paz to half-title page. Remainder stamp to bottom edge of text block. Jacket with some edgewear. Book with touches of bumping to corners. Crisp and tight. Signed.

Hardback. 19 x 24cm 134pp a near fine hardback in dust jacket signed to art curator Jennifer Munday, by Francis M. Naumann, with a drawing on the title page. Marcel Duchamp suggested that: 'I have come to the conclusion that while all artists are not chess players, all chess players are artists.' With a preface by Francis M. Naumann, black and white images of Duchamp studying his next move, together with colour reproductions of Nude Descending a Staircase plus an interior shot of Duchamp's New York studio. Near fine in near fine dustjacket.

Hardcover. Condition: Very good. Dust Jacket Condition: Very good. 2nd revised edition. Inscribed by Schwarz on the title page.

Plain gray slipcase contains 3 books: Notes and Notations is a string-bound 36 page booklet, in French; signed by Richard Hamilton and Ecke Bonk at rear and numbered 173/300; housed in gray hardcover folder; AND In the Infinitive is a hardcover book without dj as issued, 126 pages; in English; published in 1999 by The Typosophic Society with isbn 3883753912; also numbered 173/300; and The Bride Stripped Bare, a hardcover with clear plastic dustjacket, unpaginated, published by Hansjorg Mayer in 1976; also numbered 173/300. All books and slipcase in as new condition. Foreign shipping may be extra.

Couverture souple. Condition: Très bon. Edition originale publiée dans la collection "Envois" et achevée d' imprimer le 12 mai 1992. Un des 30 exemplaires numérotés sur Vélin (celui-ci n° 14) SIGNéS par Jean SUQUET au colophon, seul grand papier. Ce thème poético-astrologique de Duchamp est accompagné du ciel astral de ce dernier au frontispice. 24 pages ; couverture à rabats. RARE. Signé par l'auteur.

Marcel Duchamp (illustrator). 4° - 99pp - B/w Photo-reproductions. Victor - Marcel Duchamp (1887-1968) French American artist, chess player, and inventor who played a key role in the development of the avant-garde in the United States and in New York City, where he spent the last 25 years of his life. Duchamp was the first artist to elevate a toilet to the status of an art form. For his talk at the American Federation of the Arts in Houston, "On the Creative Act," for which he labeled himself a 'mere artist,' Duchamp said, "Let us consider two important factors, the two poles of the creation of art: the artist, on the one hand, and on the other the spectator who later becomes the posterity.if we give the attributes of a medium to the artist, we must then deny him the state of consciousness on the esthetic plane about what he is doing or why he is doing it. The book dedicated by Jean Clair to Mme Claire Gilles-Guilbert as well as a letter from the same on a sheet of paper from Marcel Duchamp regarding the preface to this book.Original boards. In Very good condition.

Softcover. Condition: Very good condition. First edition. Large Quarto. 103pp. Original photo-illustrated stiff glossy wraps with red and black lettering on cover, black on spine. From the first painting to the last drawing, over 260 items. Catalog listing the Duchamp items "in the Arturo and Vera Schwarz collection, including al of Duchamp's graphics (except for four items: S. Cat. 8, 75, 100, and 101); all of his layouts and covers for books, catalogs, and magazines; all the signed and numbered editions of his writings, and all his Ready-mades and sculptures." (Introduction). The catalog contains two hundred and sixty-two items, the majority with b/w reproduction of Duchamp's works. Very light wear along edges of wraps and lightly rubbed and sunned back cover. Lower right foredge corner with some light damage through page ten, not affecting text or images. Protected in modern mylar.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. Hardcover. 4to. 1st edition. Brown boards, silver lettering to spine. Illustrated in b/w drawings. Inscribed by author on title page. Book in fine condition. Dust jacket in near fine condition, minor rubbing to edges. Overall clean copy. Signed by Author(s).

Paperback. Condition: Fine. First Edition. First printing. 8vo. 51 pp. Fine. Essays by Laura Kuhn, Klauss Schoning, Mikel Rouse. Title page signed by Merce Cunningham, who played the part of Erik Satie in the performance. Signed by Author.

Condition: Bon état. in-8, broché, 187 pp., 7 reproductions hors-texte. Première édition collective en français de ces deux textes sur Duchamp : "Le château de la pureté" et "* Water Writesalways in * plural". Envoi autographe signé de l'auteur à Massin, "homenaje amistoso". Infimes rousseurs au second plat de la couverture.

177 S., OKart. gut erhalten 1. Auflage, vom Autor signiert Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Soft cover. Condition: Very Good. 1st Edition. 4Sm.8° - 171pp - B/w reproductions. Marcel Duchamp or the great fictionalist by Jean Clair (1940) French essayist, a polemicist, an art historian, an art conservator, and a member of the Académie Française since May 2008. He was, for many years, the director of the Picasso Museum in Paris. Among the milestones of his long and productive career is a comprehensive catalog of the works of Balthus. He was also the director of the Venice Biennale in 1995. First edition, inscribed and signed by Jean Clair (the top of the page cut off). Original wrappers. In very good condition. Signed by Author(s).

Third Revised and Expanded Edition. 2 Vols. gr.-4°. (31 x 24, 3 cm.). VII, 267; XII, - S. 971. MIt 636 tlw. farb. Abb. OLn. m. ill. OU. Zus. in OLn.-Schuber. In tadellosem Zustand. Mit eigenhändiger Widmung und Signatur v. Arturo Schwarz, datiert 1. X. 97. - Vol. I: The Text. - Vol. II: The plates, Critical Catalogue Raisonné, The Bibliographies. Gewicht in Gramm: 6000.

Softcover, 232 pages, in French; poor condition, the front cover is present but detached; yellowed clear tape is wrapped around spine and about 1/4 inch to edges of front and rear covers; creases to spine with small tears and loss at top of spine; small pieces of yellowed tape to upper right and left corners of front cover and inner front flap; folded plastic illustration of Large Glass still bound in as first page; signed in pen by Marcel Duchamp on next blank page; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Limited Edition. A green-cardboard mailbox that Marcel Duchamp created as a catalog for the 1959 Exposition Internationale du Surréalisme (EROS) in Paris. The box contains letters, texts, telegrams, and postcards representing or made by the artists who participated in the show. One of 200 copies. Marcel DUCHAMP (1887-1968). Boîte alerte (Alert box). Lascivious Missives - 1959 / 1960. Set of documents contained in a green cardboard letterbox measuring 28.5 x 18 cm with opening, movable hat, title on the front followed by a label printed in red: Lascivious Missives and, on the left side, printed on one line International Exhibition of Surrealism . Surrealist box composed by André Breton and Marcel Duchamp to serve as a receptacle for the catalog of the International Surrealism Exhibition (1959-1960) organized at the Cordier gallery and various other documents detailed below: 1 - The exhibition catalog, large narrow In-8 of 144 pp., heavily illustrated, paperback, illustrated cover, numbered 5/200. 2 - Nine lascivious Missives: - 1. Robert Benayoum, pink envelope Not to be opened under any circumstances containing Le Corridor, illustrated leaflet in four panels. - 2. Micheline Bounoure, yellow envelope Be ardent in the forest containing two original compositions in symmetrical colors on the same sheet obtained by folding. - 3. Alain Joubert, pale green envelope containing La Perle fine , text printed on four leaves. - 4.Red envelope Have you thought about donating a little blood containing a printed leaflet: La Pointe. - 5. R. Benayoum, Strictly personal white envelope containing authorization to republish a redacted text. - 6. Octavio Paz, airgram Huis clos containing Edemira B. printed on two sheets and two photographs. - 7. Transparent envelope Notice of suffering containing an anonymous leaflet Letters from a sadist . - 8 André Pieyre de Mandiargues, orange External use envelope containing a La Marée leaflet. - 9. A white window envelope containing a woman's black stocking marked Haut by Mimi Parent. 3 - A cable on pink paper by Marcel Duchamp Yours at André Breton . 4 - A double-sided 45 rpm vinyl record with texts spoken by: side a. J. Mansour, The religious intoxication of big cities ; side b. B. Péret, La Brebis galante . 5 - Six color postcards by Bellmer, Dali, Gorky, Miró, Svanberg, Clovis Trouille. 6 - Four original lithographs numbered 5/200 signed by the artists: Marie Toyen, Max Walter Svanberg, Adrien Dax and Joan Miro and an etching numbered 5/200 and signed by Jacques Le Maréchal. Signed by Illustrator(s).

Hardcover. Condition: Good. First Edition In English. Signed. Hardback. Dust Jacket. Large 4to. First edition in English translation by George Heard Hamilton. pp.(6)192; 48 photographs & 122 plates (6 colour tip-ins); Original publisher's orange cloth a little bumped at lower spine else clean very good copy, the dust-wrapper lacks small pieces from head & tail of spine, bottom of backstrip bumped, otherwise well preserved in original card slip-case. Inscribed by Duchamp on the half title page of the book: 'Cher Gabo, de 1923 nos jours et quelles journes! Affectueusement Marcel 1960'. In their Realistic Manifesto, Moscow, 1920, Naum Gabo and his brother Antoine Pevsner first coined the term 'kinetic art' of which the earliest instance was perhaps Marcel Duchamp's 1913 sculpture, Bicycle Wheel. Antoine moved to Paris soon after and was joined by Gabo after he secured Diaghilev's commission to design sets & costumes for La Chatte, which opened in Monte Carlo in 1927 with music by Sauget and Balanchine's choreography. PRESENTATION INSCRIPTION TO NAUM GABO. An excellent modernist art association. Signedes.

New York. Departement of Fine Arts University of Newcastle upon Tyne. 1966. 4° Unpaginated. Publisher's pictorial boards. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION!" WIR SIND BEKANNT FÜR SOLIDESTE VERPACKUNG! Illustrated throughout. - A fine copy in best condition. Handwritten signed and especially handwritten dedicated by Hamilton nicely to Marcel Duchamp. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Cloth. Condition: Fine. Dust Jacket Condition: Very Good. None (illustrator). First edition. A beautiful first edition of this critical work looking into the art of Marcel Duchamp, signed by the author. From the library of the publisher Tom Maschler. The first English edition of this work. In the original unclipped dustwrapper. Signed by the author to the recto to the front endpaper. Tom Maschler"s bookplate to the front pastedown. Maschler is a publisher who worked for Jonathan Cape, who discovered and published authors including Ian McEwan and Gabriel Garcia Marquez. Title page is Paz"s silhouette of Duchamp"s portrait. A critical artistic study into the work of Marcel Duchamp, the noted French-American painter, whose work is associated with Cubism, Dada, and conceptual art. Illustrated with one colour plate. Octavio Paz was a Mexican poet and diplomat, the winner of the Nobel Prize in Literature in 1990. In the original publisher"s cloth binding, in the original unclipped dustwrapper. Externally, fine. Bookplate to the front pastedown. Author"s signature to the recto to the front endpaper. Dustwrapper with minor edge wear and some discolouration, and light marks to the wraps. Internally, firmly bound. Pages are bright and clean. Fine. signed by author. book.

Couverture souple. Condition: Très bon. 1ère édition. In-8, broché, couverture illustrée à rabats de l'éditeur, 231 pp., 25 planches hors-texte. Édition originale collective. Un des 40 ex. num. imprimés sur papier vergé fort d'Auvergne à la forme (après 10 ex. hors commerce sur le même papier et avant 2 000 ex. sur Cellunaf alfa) portant les signatures autographes de Marcel Duchamp, Michel Sanouillet et Poupard-Lieussou et accompagnés d'un négatif sur celluloïd dépliant de "La mariée mise à nu par ses célibataires, même", monté sur le premier feuillet de garde. Nombreuses reproductions de documents dans le texte et 26 planches hors texte, photographie de couverture comprise. Bel exemplaire, broché. Infimes déchirures en marge de quelques feuillets, sans l'étui éditeur. Marchand du sel rassemble tous les écrits de Marcel Duchamp - textes rares parus en plaquettes, articles, petits tirages confidentiels ou seulement délivrés en conférences. Au sommaire: - Notice biographique, - Introduction, - La Mariée mise à nue par ses célibataires, même, - Rrose selavy, - Jugements et critiques (Lettre à Stieglitz du 22 mai 1922 en réponse à une enquête sur la photographie, 80 Picabias (catalogue de la vente des tableaux, aquarelles et dessins appartenant à M. Duchamp du 8 mars 1926), Propos (recueillis par James Johnson Sweeney, The Bulletin of the MOMA, 1946), Extrait du catalogue de l'exposition Antoine Pevsner (René Drouin, 1947), Extrait du catalogue du Concours Artistique International du film Bel ami (sujet La Tentation de Saint-Antoine) en 1947 et extrait du Catalogue de l'exposition Hans Richter à la galerie des Deux-Iles (février 1950), Extrait du Catalogue de la Société Anonyme de 1950 (notices concernant Alexander Archipenko, Hans Arp, Umberto Boccioni, Georges Braque, Alexander Calder, John Covert, Joseph Alexandre Czaky, Giorgio de Chirico, André Derain, Katherine S. Dreier, Raymond Duchamp-Villon, Louis Eilshemius, Max Ernst, Albert Gleizes, Juan Gris, Wassily Kandinsky, Paul Klee, Fernand Léger, Jacques Lipchitz, Louis Marcoussis, Henri Matisse, Matta, Jean Metzinger, Juan Miro, Emile Nicolle, Antoine Pevsner, Francis Picabia, Pablo Picasso, Man Ray, Georges Ribemont-Dessaignes, Gino Severini, Sophie Taeuber-Arp et Jacques Villon), Entretien Marcel Duchamp - James Johnson Sweeney (retranscription de la piste sonore du film de 1955 réalisé par la National Broadcasting Company), Article suite au décès de Francis Picabia dans Combat-Art du 6 décembre 1954, Lettre à André Diu 4 octobre 1954, Introduction de Surrealism and its affinities - The Mary Reynolds Collection, The Creative act paru dans Art news à l'été 1957 et sa traduction française sous le titre Le Processus créatif, Propos recueillis par Jean Schuster pour le n° 2 de Le Surréalisme même au printemps 1957, Extrait du Catalogue de l'exposition Hans Richter à l'Institute of Contemporary Arts de Washington en avril 1958, Extrait du Catalogue de l'exposition 50 ans d'art moderne à Bruxelles en 1958, Extrait du Catalogue de l'exposition Mina Loy à New York en 1959, et - Textes divers (Note écrite en 1913 parallèlement à celle de La Botte et publiée par PAB en 1958, "The" premier texte (inédit) de Marcel Duchamp en anglais composé à New York en 1915, Brouillon inédit pour les 4 cartes postales, Rendez-vous Rendez-vous du Dimanche 6 février 1916 à 1 h 3/4 après-midi (paru dans le n°10 de Minautore à l'hiver 1937), 3 ou 4 gouttes de hauteur. (ready-made inscrit sur un peigne en acier), Recette (Note manuscrite datant de 1918 et reproduite en facsimilé dans la Valise), Lettre à Tristan Tzara vers 1921, Télégramme envoyé de New-York à son beau-frère Jean Crotti le 1er juin 1921, "Wanted $2,000 reward" ready-made rectifié de 1923, Cuisse enregistreuse. (repris dans l'Anthologie de l'humour noir), Poulet exaucé. (contrepèterie parue en quatrième de couverture de The Wonderful book de Pierre de Massot), Si je te donne un sou. (Disque d'Anemic Cinema), Walter Conrad. (paru dans Dada 6), Si vous voulez une règle (paru dans le Pilhaou-Thibaou), En 6 qu'habillla rrose Sélavy (sur le tableau de Picabia intitulé L'Oeil cacodylate), Sur la deuxième machine optique (notes inédites extraites de la correspondance de duchamp avec Jacques Doucet), Sur l'obligation Monte-Carlo, Lettre inédite à Picabiade 1924, Lettres inédites à Jacques Doucet de 1924 et 1925, Oh! Do shit again ! (391 n°18), SURcenSURE (L'Usage de la parole n°1), Men before the mirror (p. 67 de Photographies 1920-1934 de Man Ray), "Sa robe est noire". (Littérature (nouvelle série) n°5), Transformateur destiné. (in Anthologie de l'humour noir), Obscur d'influence. (London Bulletin n°3), Physique de bagage. (in Anthologie de l'humour noir), Carte envoyée à André Breton en 1941 (View, n°7-8), Qund la fumée de tabac. (View n° spécial sur Marcel Duchamp), Sens (in Le Mémento universel de Da Costa), Ombres portées (Instead n°1, février 1948), Prière de coller (papillon distribué à l'occasion de l'ouverture de la galerie l'Étoile scellée), Objet-Dard (titre d'une sculpture de forme vaguement phallique), Et qui libre? (texte gravé sur celluloïd pour illustrer le poème L'Équilibre de Francis Picabia), A guest + a host = a ghost (intérieur du papier métallique envelopppant des bonbons distribués lors de l'exposition Bill Copley à Paris en 1953) et Hom-I-Dom. (catalogue de l'expostion Le Dessin dans l'art magique à la Galerie Rive droite à Paris en 1958). - Essai de bibliographie générale. Signé par l'auteur. Livre d'occasion.