Matta, Signed (29 results)

Postkarte. Condition: Gut. Postkarte von Cristiano da Matta bildseitig mit schwarzem Stift signiert, umseitig Klebspuren von Albummontage. /// Autogramm Autograph signiert signed signee /// Cristiano Monteiro da Matta (* 19. September 1973 in Belo Horizonte) ist ein ehemaliger brasilianischer Automobilrennfahrer. Er wurde 2002 Indy-Car-Champion und fuhr 2003 und 2004 28 Formel-1-Rennen. Von 1999 bis 2002 fuhr da Matta bei den Champ Cars in der amerikanischen Championship Series, wo er 2002 mit Newman/Haas Racing den Titel holte. Danach wechselte er in die Formel 1 und bestritt insgesamt 28 GP-Rennen für Toyota Racing, bevor er nach dem Großen Preis von Deutschland 2004 durch Testfahrer Ricardo Zonta ersetzt wurde. 2005 wechselte er erneut in die Champ-Car-Serie, konnte allerdings nicht an die erfolgreiche Zeit von 2002 anknüpfen. Am 3. August 2006 kollidierte da Matta beim Training auf der Road America-Rennstrecke in Elkhart Lake / Wisconsin mit einem Rothirsch, der auf die Strecke gelaufen war. Da Matta erlitt schwere Kopfverletzungen und musste mit dem Hubschrauber zu einer Notoperation ins Krankenhaus geflogen werden. Nach der Entfernung eines subduralen Hämatoms lag er zur Beobachtung bis zum 20. August 2006 auf der Intensivstation des Theda Clark Memorial Hospital in Neenah, Wisconsin. Am 22. September 2006 wurde er nach Hause entlassen, wo das zwischenzeitlich begonnene Reha-Programm fortgesetzt wird. Sein Rennteam gab bekannt, dass seine Heilung sehr gute Fortschritte mache. Im November 2008 nahm Da Matta an einem international sehr beachteten Kart-Rennen in Brasilien teil. Außerdem testete er für das 24-h-Rennen in Daytona. In 2010 startete Da Matta in der brasilianischen Rennserie ?Fórmula Truck?.[1] Im April 2011 wurde angekündigt, dass Da Matta in den US-amerikanischen Motorsport mit dem Jagua-RSR-GT-Team in der American Le Mans Series zurückkehren wird. Ende der Saison 2012 beendete er seine Karriere[2]. /// Standort Wimregal GAD-10.249 pt Gewicht in Gramm: 10.

Condition: ottimo. in 8° bross. ed. sov. pp. 255 coll. Passato/presente n° 12 Con 105 tavole b/n f.t. di Brunetta Gherardini. Con dedica autografa dell'autore a firma Beppe alla prima bianca. In ottimo stato (A33) Shipping cost depends on weight and country. Please ask for a quote before ordering.

Softcover. First Edition; First Printing. Wraps, a fine copy, this copy signed and inscribed to US Surrealists Penelope and Franklin Rosemont In the year of publication. Wraparound band laid in.; Narrow 8vo 8" to 9" tall; 59 pp.

Couverture souple. Condition: Assez bon. Contenu en bon état, légère usure de la jaquette. Dédicace de l'auteur.

Feb 08, 2017. Condition: D'occasion - Comme neuf. C 47 A à l'état de neuf !! DEDICACE DE L AUTEUR.

143 S., OPbd. m. OU., EA, Leseex., Hs. signiert: "Für . Gregor Hens" Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

143 S., OPbd. m. OU., EA, Leseex., Hs. signiert: "Du musst sprechen, um zu überleben, du musst sprechen, still, still . Gregor Hens" Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

En Feuilles. Condition: Très bon. Roberto Matta (illustrator). Edition originale. Paris, Pierre Belfond, 1970. Coll. "les Cahiers du Regard" (n° 1). 39 x 29 cm, grand in-4, 50 (2) pp. - 2 gravures en couleurs hors texte, en feuilles sous couverture blanche muette, coffret de l'éditeur de pleine soie moirée. Edition originale et premier tirage. Tirage à 200 exemplaires sur grand vélin d'Arches (n° 54). Complet des deux gravures signées et numérotées par Matta. Coffret insolé. (MONOD, 4447). Signé par l'illustrateur.

Hardcover. Condition: Good. 1st Edition. Folio. 540x400mm. Loose as issued in original publisher cloth portfolio. Edition of 300, this is copy 47 one of 100 with an original colour engraving, signed by Matta. With a suite of off-set colour lithographs. From the library of the Royal College of Art with label to inside front cover and blinstamps to title and each of the plates (all in the margin). Portfolio, rubbed and a little thumbed with bump to lower end of spine. Signed by Author(s).

Soft cover. Condition: Good. Dust Jacket Condition: No Jacket Issued. Roberto Matta (illustrator). Exhibition catalogue, Museum of Modern Art Bulletin: volume 25, no. 1. "Jack Palance Collection 2006" sticker on cover. Housed in a custom-made hardcover binder. Opening front sheet starting. Signed Roberto Matta. Brochure.

Hardcover. Condition: Very Good. 1st Edition. Artist: Roberto Matta. Poet: Robert Valançay Year: 1972. Medium: Color aquatint etchings. Publisher: Éditions Georges Visat, Paris. Portfolio comprising the complete text and a suite of six color etchings and aquatints printed on Japon nacré, featuring abstract, cosmic imagery paired with texts by Robert Valançay. The images reflect Matta s exploration of psychological states and the loosening of mental and creative constraints, a central theme of his work during this period. Each plate is signed and numbered 66/100 in pencil in the lower margin. The justification page is signed in pencil by Robert Valançay. Printed and published by Éditions Georges Visat, Paris. Loose as issued, preserved in the original clothbound slipcase. Each image measures approximately 9 × 6¼ inches (22.9 × 16 cm), printed with full margins. In very good condition other than light offprinting on some text pages. Etchings in very good condition. . Signed by Illustrator(s).

Hardcover. Condition: Very Good. 1st Edition. Edition Pierre Belfond,1970. Michel Fardoulis Lagrange, Illustrated by Roberto Matta with two original etchings in color and two additional engravings, all signed and numbered.  Limited edition of 150 copies (N. 24), of which this copy is one of the first 50 copies numbered in arabic  with the two additional signed and numbered engravings in Japon Nacre paper. Ref: Matta catalogue de l'oeuvre grave - #234 pag 100 - Sonet, Visat. Signed by Illustrator(s).

Hardcover. Condition: Very Good. 1st Edition. Éditions Meyer, Lausanne, 1962. Illustrated with 22 color etchings of varying sizes by Matta, fifteen of which are signed in crayon by the artist. One of only 80 copies (N. 53) printed on Rives vellum. Loose as issued, housed in the publisher's original canvas folder with a printed title label on the spine, and presented in the matching slipcase. Reference: Visat 58 83. Dimensions: 15.5 x 19 x 1.5 inches. Signed by Illustrator(s).

Hardcover. Condition: Very Good. 1st Edition, Limited Edition. Luca, Ghérasim. Lausanne, Editions Meyer, 1961. L'Extrême-occidentale. Sept rituels (translated as The Far West. Seven Rituals) was published in 1961 and features seven signed original etchings by some of the most renowned figures in the Surrealist and modernist art movements: Jean Arp, Victor Brauner, Max Ernst, Jacques Herold, Wifredo Lam, Matta and Dorothea Tanning. This edition is loose in original wrappers and linen case with gilt-stamped title on the spine. N. 97 of 125, of which this is one of only 80 numbered copies on Vélin d'Arches, signed by Luca in justification page. This particular collection represents a symbolic exploration of myth, ritual, and the far reaches of human experience both geographical and psychological. The title, L'Extrême-occidentale, alludes to the Western world (in the sense of "the far west"), suggesting themes of exploration, discovery, and perhaps the mysticism of indigenous cultures or the exotic, which was a common theme in Surrealist works. The subtitle Sept rituels (Seven Rituals) speaks to the ancient, yet timeless, acts that humans engage in to connect with something larger than themselves whether it be spirituality, nature, or the unconscious. Rituals have also long been a theme in Surrealism, representing a bridge between conscious reality and unconscious desires, fears, or dreams. Each artist brings their unique perspective to this theme, addressing not only the external cultural rituals but also the inner, personal "rituals" that are part of human psychology and existence. - Very good copy. (35,4 × 27,2 cm). Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Sm.8° (194x147mm) - 148pp - One original Color etching, Tryptic and one replica both signed by MATTA. "The End and the Way" by Jean-Pierre Duprey (1930-1959) French poet and sculptor, one of the modern examples of a poète maudit. Original etchings by Robert S. Matta Echaurren (1911-2002) one of Chile's best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art. First edition, text in French. Original slipcase. Slightly damaged at upper spine, in Very good condition. Signed by Illustrator(s).

4to. 2 pp. in pencil with red and green oil pastel highlights on brown paper. Pencil drawing with additions in green and blue oil pastel (ca. 70 x 30 mm). Beautiful, rare illustrated letter to the New-York-based art dealer Julien Lévy, concerning a colour reproduction of one of Matta's paintings for the "Horizon" magazine of the British collector and patron Peter Watson. In his typical poetic and associative style, Matta moves from rather obscure remarks to the matter at hand: "At the tenebrum of the theatrical death of the city, purring of this red lake of lobster [?], or as a construction of the spirit one could have lost, in a photographic atmosphere, the white girl (limit of the representation of this colour). Black waters of the Gulf, I hide you! damned. I learned from [Nicolas] Calas that Watson in London would like to reproduce one of my canvases in his magazine, if possible in colour. I do not have a single photograph of my paintings, expensive embroidery, I do not know the price of a colour photograph, but if it is possible, well (if impossible, an automatic black and white and somewhat exalted)". Matta asks Levy to hire a photographer named Lee, probably his friend Lee Miller: "It would be necessary to send, if possible, the colour negative of the canvas with the central tree of multiple problems of vision (re-folding in its astral being). Canvas 15 Figure, which is in the gallery and which answers to the name of 'Memorable transformations of Death'". The negative was to be sent to London by plane, as the matter was pressing. - Julien Lévy was Roberto Matta's art dealer in New York and did his first solo show in 1940. The painting supposed to be photographed cannot be identified with certainty but it is quite likely "Fabulous Race Track of Death (Instrument very dangerous to the eye)", dated ca. 1941 and held in the Yale University Art Gallery. The similarities of the title and the representation of a tree suggest this identification. Horizon no. 117 (September 1949) featured a text on Roberto Matta by Pierre Mabille and reproductions of several of his paintings. - At the top of the first page, Matta calligraphed "Julien" in large letters with black and red oil pastels. The original drawing of an amorphous shape incorporates an illegible text and is captioned: "Fatal circles of the fly". Matta signed with green and red oil pastels.

Brosch. 8°, o. P.: 17 Bl. mit 12 Tafeln (davon 1 mehrfach gefaltet). Einband über Rücken min. gebräunt, sonst tadellos. EA. Beiliegend eine gedruckte Gepäcketikette, vom Künstler als Absender gestempelt sowie in schwarzer Tinte adressiert an den Schweizer Ausstellungsmacher und Kunstpublizisten John Matheson (ausserdem gestempelt als «Urgent», «Exprès» und «le 1 Jan. 1978»), verso mit handschriftlichem Gruss versehen.

Couverture souple. Condition: Bon. Edition originale. In-4° broché, couverture à rabats, riche iconographie couleur, texte en italien. 144 pp. Envoi autographe signé de Roberto Matta sur le titre. Couverture partiellement insolée. Dédicacé par l'illustrateur.

Editions Fata Morgana, Dioscures, 1978. In-8, format oblong, broché couverture illustrée à rabats, non coupé, 42 pp. Bel exemplaire; Edition originale, tirage sur papier vergé des Cyclades et enrichi d'un envoi autographe de Jacques Lacarrière à François Mitterand: " Pour François Mittérand, ces mots en oriflamme pour dire la grèce qui veille, Grédité avec les sentiments très sincères de Jacques Lacarrière. ". Livres ENVOI AUTOGRAPHE.

Oviedo, Caja de ahorros de Asturias, 1992. In-folio, 70 pp., broché, couverture originale illustrée (infimes frottements et taches). Catalogue de l'exposition des oeuvres de Matta à Oviedo en Espagne entre octobre et novembre 1992. Cet exemplaire comporte un petit dessin originale au feutre au premier f. et quelques mots autographes au faux-titre. Il est illustré de nombreuses reproductions en couleurs. Texte en espagnol. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

Roberto Matta - Le dannazioni I - 1966 *** Color etching with aquatint onJapon nacré. *** Hand-signed in pencil lower right. *** Numbered in pencil lower left. *** Publisher Georges Visat *** With dry stamp of the publisher. *** Roberto Matta (Chile 1911?2002) phantasmagorical, large-scale paintings bridged the figurative dreamscapes ofSurrealismand the emotive gestures ofAbstract Expressionism. The artist?s vivid, imposing canvases feature a melange of geometric and biomorphic shapes that occasionally cohere into representational forms. Matta often employed multiple perspectives to keep his compositions fluid and dynamic, and his style influenced artists includingJackson PollockandRobert Motherwell. *** Professionally framed, floated in a custom-cut, thick double acid-free passe-partout, in a high-quality, handcrafted white wooden frame with PLEXIGLAS Optical HC, scratch-resistant and UV-protected. Size framed 65 x 55 cm *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***.

First edition, limited to 100 numbered copies ('21/100'), signed by Venus Khoury-Ghata and Matta [total printing of 120 copies]. OCLC lists two holdings (none in the United States) [Paris- Bibliotheque Kandinsky and Bibliotheque nationale de France]. Nicely illustrated with an original color lithograph (measuring twelve inches by four inches) by Roberto Matta. Sebastian Antonia Matta Echaurrenm (1912-2002), abstract expressionist and surrealist artist, was born in Santiago, Chile. Vénus Khoury-Ghata, French-Lebanese poet and novelist, was born in 1937 (in Bsharri, Lebanon)., She has lived in Paris since 1972 and has published several novels and collections of poems. [and has won the following awards]:1980- Prize Apollinaire for "Les ombres et leurs cris"; 1987- Prize Mallarmé for "Un Faux pas du soleil"; 1992- Grand Prix de la Société des gens de lettres for Fables pour un people d'argile; Prize Jules Supervielle for "Anthologie personnelle"; Prize Baie des anges for "Le moine, l'ottoman et la femme du grand argentier"; 2011- Prize of Goncourt for Poetry (for all her works); 2012- Poetry Prize Pierrette Micheloud for "Où vont les arbres?." [per Wikipedia]. A fine copy in publisher's slipcase box (also fine) First edition, limited to 100 numbered copies ('21/100'), signed by Venus Khoury-Ghata and Matta [total printing of 120 copies].

Printed Poster. Condition: Very Good. First Edition #118/250 Deluxe. One 35 x 24 ½" heavy paper sheet printed color offset recto only, 1 color illustration. Designed by Gordon Matta-Clark. This is the striking poster cum artist's multiple published in conjunction with Gordon Matta-Clark's 1977 project in Antwerp sponsored by the Internationaal Cultureel Centrum. Invited to create a work in honor of the four hundredth anniversary of the Antwerp Baroque painter Peter Paul Rubens, the noted artist elaborated upon his "Splitting" piece by performing an intervention that became known as "Office Baroque" on a vacant building on the Ernest Van Dijckkaai provided by the I.C.C. The poster reproduces Matta-Clark's photomontage proposal for the work. A handsome example of this exceedingly uncommon item whose provenance derives from Holly Solomon - Matta-Clark's primary dealer during his lifetime who along with her husband Horace purchased the Humphrey Street residence for the artist's use - from the edition of two hundred and fifty copies BOLDLY SIGNED "Gordon Matta Clark" AND NUMBERED (118/250) in black ink on the recto showing some minor handling creases and small nicks along the edges. Signed by the Artist. Artist's Multiple.

Signed art postcard `L`oeuf du sein` (1988), 5,75 x 4 inch, signed in black felt tip, attractively mounted (removable) for display with a photograph, shows Roberto Matta in front of an artwork (altogether 8,25 x 11,75 inch), in very fine condition.

Sin Encuadernar. Condition: Muy bien. Bello grabado firmado y numerado a lápiz por Matta (44/175). Sin título y sin fechar. Medidas: 27,5x45 (apaisado). Buen estado. Firmado por el autor.

1 lettre dactylographiée signée 1 p. Petit in-folio [25 décembre 1955], selon la cachet postal Enveloppe avec le même est-tete du "Laboratoire Sperimentale" avec le cachet d'Asger Jorn, Deux perforations de classeur. Minimes effrangures dans la marge droite sans atteinte au text Rare lettre d'aster Jorn àl'en-tête imprimé du "Laboratorio sperimentale del Movimiento internazionale per una Bauhaus Immaginista". Asger Jorn est contrait d'annuler l'exposition descéramiques de 1954, qui "ne peut pas avoir lieu parce que [Karel] Appel et Corneille sont venu retirer leur choses et que il ne reste presque rien de [Roberto] Matta. N'importe comment je ne serais pas arrivé à faire une exposition acceptable avec les éléments qui restait". Il lui propose une nouvelle exposition suite au congrès du Laboratoire qui s'est déroulé à Alba pendant l'été : "Je peux vous garantir que nous avons obtenu des résultats extrêmement importantes pendant l'été dans le domaine et je propose que l'exposition aura le même nom que le congrès : INDUSTRIE ET BEAUX-ARTS - DEUX EXTREMES D'UNE NOUVELLE UNITE. Et je peux aussi vous garantir une exposition 100 % efficace". Asger Jorn attend l'accord de son correspondant et ses dates. La Taptoe Galleryfutfondé le 1er novembre 1955 par Gentil Haesaert et Maurice Wyckaert. C'est cette galerie quipermit de révéler les recherches de Jorn en dehors de l'Italie. Rare document. Peintre danois. Il fut l'un des fondateurs du mouvement CoBrA et de l'Internationale situationniste.

No Binding. Condition: Very Good. No Jacket. Original Lithograph by Roberto Matta. 63/100 edition, signed by the artist. 50 x 70 cm, in very good condition. Roberto Sebastián Antonio Matta Echaurren ; November 11, 1911 November 23, 2002), better known as Roberto Matta, was one of Chile's best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art. Signed by Author(s).

Condition: Good. Federica MATTA (illustrator). First Edition. Federica MATTA | Composition V | Year: 1995 | Medium: aquatint - aquatinte | Dimensions: 57 × 76 cm | Support: BFK Rives paper - papier BFK Rives | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 50 copies | Condition: in mint condition - en très bon état Print on Demand.

Condition: Good. Federica MATTA (illustrator). First Edition. Federica MATTA | Composition III | Year: 1995 | Medium: aquatint - aquatinte | Dimensions: 57 × 76 cm | Support: BFK Rives paper - papier BFK Rives | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 50 copies | Condition: in mint condition - en très bon état Print on Demand.