Order Total (1 Item Items):
Shipping Destination:
Mayfair Cursive (1 results)
Skip to main search results
Search filters
Product Type
- All Product Types
- Books (1)
- Magazines & Periodicals (No further results match this refinement)
- Comics (No further results match this refinement)
- Sheet Music (No further results match this refinement)
- Art, Prints & Posters (No further results match this refinement)
- Photographs (No further results match this refinement)
- Maps (No further results match this refinement)
- Manuscripts & Paper Collectibles (No further results match this refinement)
Condition Learn more
- New (No further results match this refinement)
- As New, Fine or Near Fine (No further results match this refinement)
- Very Good or Good (No further results match this refinement)
- Fair or Poor (No further results match this refinement)
- As Described (1)
Binding
- All Bindings
- Hardcover (No further results match this refinement)
- Softcover (No further results match this refinement)
Collectible Attributes
- First Edition (No further results match this refinement)
- Signed (No further results match this refinement)
- Dust Jacket (No further results match this refinement)
- Seller-Supplied Images (1)
- Not Print on Demand (1)
Language (1)
Price
- Any Price
- Under US$ 25 (No further results match this refinement)
- US$ 25 to US$ 50
- Over US$ 50 (No further results match this refinement)
Free Shipping
- Free Shipping to U.S.A. (No further results match this refinement)
Seller Location
Seller Rating
-
Mayfair Cursive
Published by Ludlow Typograph Company
Seller: Katherine Small Gallery, Somerville, MA, U.S.A.
Seller rating 2 out of 5 stars
Portfolio. Condition: Used. When one works on books about slabs, stencils, shadows, and scripts, one needs a lot of examples around. Like, when Louise Fili was working onScripts, she picked up this specimen of Robert Hunter Middleton's Mayfair Cursive. It reminds us of those placemats at diners that have ads on them. (Those were the inspiration for this, by the way.) Not a pretty specimen, but that makes sense: Ludlow faces weren't pretty. They were workhorses. That this is from the collection of Louise Fili just goes to show how diverse her interests were. A good designer is always looking. Good 454.
