Mel Bochner: First Edition (85 results)

Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Trade Paperback. Condition: Very Good. Dust Jacket Condition: No Jacket as Issued. First Printing. CF3 - A first printing ex-library trade paperback book in very good condition that has bumped corners, wrinkling and crease on the cover, library stamping on the top page edges, some stains/smudge on the page edges, lightly water soiled on the bottom of some inside pages, light discoloration and shelf wear. With an essay by Elisabeth Sussman. Satisfaction Guaranteed. Size: 4to - over 9¾" - 12" tall. Ex-Library.…

Wraps. Condition: Fine. First Edition. Printed stiff paper wraps. 186 pp., illustrated with some 75 Bochner photographs, many in color and most published for the first time; also included are a number of his drawings. Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. In this work Rothkopf argues that photography was used as a response to the limits of minimal sculpture and helped make possible the birth of Conceptual art. A clean, tight copy in "as new" condition Size: Quarto. Mel Bochner (illustrator).…

paperback. Condition: Very Good. First Edition. A used book with minor shelf wear and imperfections. First edition with full number line. Photos and additional details upon request. Thank you for supporting Last Word Books and independent bookstores.

Hardcover. Condition: Very Good. No Jacket. 1st Edition.

Paperback. Condition: Good. First Edition. 80 pp., ill. (chiefly) color, 4to. : Foxing to edges, wraps, and endpages. Some speckled staining to wraps. ; Well packaged, ships with tracking.

Soft cover. Condition: New. No Jacket. 1st Edition. First edition 2002, first printing, number line starts with 1, printed in conjunction of the exhibition. Large softcover in stiff pictorial wraps, no DJ as issued. Condition new, square tight and clean book, spine Not creased, sharp corners, no edgewear, no markings of any kind, no names no underlinings no highlights no bent page corners, Not a reminder. Oblong 4to, XV + 150 pages, 10 pages of plates, illustrated throughout with photographs and architectural drawings, bibliography, index.…

Hardcover with Dust Jacket. Condition: FINE. Dust Jacket Condition: NEAR FINE. First Edition. 256pp. Clean, sharp copy with publisher's acetate jacket showing some light wear.

Paperback. Condition: NEW. 1st. xiii, 186 pages, illustrations (some colour); 28 cm. Exhibition held at Harvard University Art Museums, Cambridge, March 16 to June 16, 2002; Carnegie Museum of Art, Pittsburgh, October 2002 to January 2003. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "Mel Bochner (b. 1940) is considered a pioneer of the Post-Minimal and Conceptual art movements. Perhaps best known for his paintings, sculptures, and drawings, Bochner became deeply involved with photography in the mid- to late 1960s, although most of these works have only recently been exhibited. This significant book provides the first critical look at a virtually unknown body of Bochners extremely varied photographs dating from 1966-1969. Some 75 of his photographs are presented, many in color and most published for the first time. Also included are a number of Bochners drawings that directly informed his photographic works. Scott Rothkopf explores the crucial role of photography in Bochner's artistic development as well as key issues in the relation of photography to Minimal and Conceptual art. In Bochner's photography, Rothkopf argues, a clear arc can be traced from his grappling with Minimalism toward a more rigorous and nuanced articulation of Conceptual art. Examining this shift, the author compares Bochner's work with that of other artists who were engaged with photography during this period, among them Robert Smithson, Sol LeWitt, and Bruce Nauman. For Bochner and others, Rothkopf concludes, photography was used as a response to the limits of minimal sculpture and helped make possible the birth of Conceptual art. The book also features an essay by Elisabeth Sussman on the relevance of Bochner's 1966 film experiments to his later photographic projects. / Scott Rothkopf is guest curator at the Harvard University Art Museums. Elisabeth Sussman is an independent scholar and curator." - Publisher. *** CONTENTS: Preface: Toward a "Conceptual" Framework; "Photography Cannot Record Abstract Ideas" and Other Misunderstandings; Plates: Photographs; Drawings; New York Windows: A Spectacle of Anonymity, by Elisabeth Sussman. Size: 4to. Collectible. …

Hardcover. Condition: Near fine. First Edition. MEL BOCHNER Strong Language is thre catalog for his NYC Jewish Museum 2014 exhibitiopn Text by Norman L. Kleblatt, Mel Bochner. 133 pages, color reproductions. Hardcover. No dust jacket as issued. 11 1/4" x 9 3/4". Near fine condition.i.

Soft cover. Condition: New. 1st Edition. 1st. Edition 2002, Stiff illustrated wraps, 192 page book with photo illustrations . Condition : NEW. Size: 4to - over 9¾" - 12" tall. Mel Bochner (illustrator). Book.

Paperback. Condition: Near Fine. Color and black and white photographs throughout. First printing (paperback). About fine in pictorial wraps.

First Edition. First edition. Softcover monograph. A clean unread copy in stiff French style illustrated wrappers. A lovely production.

First Edition. First edition. Exhibition brochure for a show that ran May 4 through June 27, 1990. Single sheet folded twice to create 6 pages. Text by Geoffrey Young. Includes 3 illustrations with 2 in color. Scarce, with only 2 copies listed in OCLC.

Soft cover. Condition: New. No Jacket. 1st Edition. First Edition. First printing. Softbound, French flaps. New. An unread crisp copy. Smoke-free. Shipped in well paded box. Still shrinkwrapped! 0.0.

Trade Paperback. Condition: As New. No Jacket. First Edition. 8vo - over 7 3/4" - 9 3/4" Tall. As new, in shrink wrap. 50 Illustrations.

Paperback. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Small 4to. Fine in Fine dust jacket. Subtlest shelfwear to wraps and jacket.

Flexi-bound. AS NEW flexi-bound paperback with French flaps in the publisher's shrink wrap; no dj as issued. The catalogue for a traveling exhibition of photographs by a pioneer of the Post-Minimal and Conceptual art movements, Mel Bochner. Also included are a number of Bochner's drawings that directly informed his photographic works. Essays by Scoff Rothkopf and Elisabeth Sussman. First edition, first printing. 192 pages; 75 plates + text illustrations; 8.5 x 10.75 inches. Ships the next business day, wrapped in padding, in a box.…

Hardcover. Condition: As New. First Edition. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy, pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. Augmented with the sumptuous photography of Nicholas Knight, and then the texts of Frederic Paul and his interview with the painter from December 3, 2007, and then "Experience and its Paradoxes," a learned disquisition on the exhibition of Bochner's work. List of illustrations, bibliography.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

paperback. Condition: fine. First. With an essay by Elisabeth Sussman. Illustrated with Mel Bochner's photographs and drawings. 186 pages, small slim 4to, pictorial self wrappers. New Haven: Yale University Press, 2002. A fine copy. Mel Bochner (illustrator).

Soft cover. Condition: Very good. No jacket. Staple bound exhibition catalog. Clean and crisp, excellent condition.

softcover. Condition: Used; Like New. First Edition; First Printing. Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; 12 illustrations with text by the artist, published on the occasion of the exhibition at Grant Selwyn Fine Art, Beverly Hills, CA, January 20 - March 3, 2001.…

First Edition. First edition and first printing. Hardcover. Features an essay by Jeremy Sigler. Includes numerous illustrations. A fine copy. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap.

Ephemera. This is not a book. An original postcard presenting a work by Mel Bochner titled "Blah Blah Blah" (2009) issued by Peter Freeman, Inc., NYC. The card does not announce a show but was a hand-out at the May 29 - September 11, 2010, Bochner exhibition at the gallery. Stiff card, printed both sides; 6.25 x 4.75 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Soft cover. Condition: Good. 1st Edition. Book is in good condition. 80pp with colour illustrations.

Soft cover. Condition: Near Fine. 1st Edition. Unmarked PAGES And BINDING In EXCELLENT CONDITION. Minor wear On Cover. SOFTBACK. Approximately 9 X 9. .

First Edition. First edition. Softcover. 80 pages. Exhibition catalog for a show that ran November 1 through December 22, 1985. Exhibition organized by Elaine A. King. Features the text of an inverview of Bochner by Charles Stuckley. Includes numerous color and black and white illustrations, a checklist, list of previous exhibitions, and a selected bibliography. A near fine copy in wrappers and with a laid in signed letter from Elaine A. King, the director of the Carnegie Mellon Gallery.…

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. New in plastic.

First Edition. First edition. Oblong softcover. 72 pages. Exhibition catalog for a show that ran April 25 through June 24, 2006 in New York and traveled for additional dates. Features an essay by Ruth Fine. Includes numerous color illustrations and list of previous exhibitions. A very near fine copy in wrappers and with laid in publisher sheet.…

First Edition. First edition and first printing. Hardcover. 199 pages. Exhibition catalog for a show that ran April 23 through August 22, 2022. Features a foreword by James Rondeau, acknowledgements by Kevin Salatine, and texts by Anna Lovatt, Barry Schwabsky and Bochner. Includes numerous color illustrations. A fine copy in illustrated boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.…