Published by Essen: Museum Folkwang, 1982
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 100 pages, in English and German, good condition; spine torn with abrasions at top and bottom, no internal marks. Foreign shipping may be extra.
Published by Essen: Museum Folkwang, 1982
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 100 pages, in English and German, very good condition; clean and crisp, no internal marks. Foreign shipping may be extra.
Published by Museum Folkwang, Essen, 1982
Language: German
Seller: Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Germany
US$ 38.76
Convert currencyQuantity: 1 available
Add to basketsoftcover. Condition: Sehr gut. 100 S. Dt. / En. Mit zahlr. Fotos, Texten zu Performances, einem Interview und einer Bibliographie. Sprache: Deutsch Gewicht in Gramm: 398.
Published by Essen: Museum Folkwang, 1982
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 100 pages, in English and German, good condition; spine torn with abrasions at top and bottom, no internal marks. Foreign shipping may be extra.
Published by Museum Folkwang and daadgalerie, Essen and Berlin, 1982
Seller: Capitol Hill Books, ABAA, Washington, DC, U.S.A.
First Edition Signed
Condition: Very Good. Essen and Berlin: Museum Folkwang and daadgalerie, 1982. First Edition. Signed and warmly inscribed. Small Quarto (26x21x1cm); 100pp, including exhibition and performance lists and chronology. Photographic illustrations in B&W and document reproductions throughout. Text in both German and English. Inscription: "For Brenda and Carol with all best memories and love! a hug in thought! Terry, Vico Storto Purgatorio ad Arco 9, 80138 Napoli." Covers clean and crisp with faint bumping at top corners. Spine shows a brief run to laminate, else is uncreased and uncracked. Fox (1943-2008) was one of the first proponent-practitioners and sibylline maniacs behind Conceptual Art, notably in its video and performance art forms, creating work that was movingly influenced by his battle with Hodgkin's disease. This volume comes to us directly from the library of one of his first influential advocates, Brenda Richardson, to whom Fox inscribed this copy at his residence in Naples. Richardson, whose curatorial career began at the Berkeley Museum of Art on the West Coast, would eventually serve as Chief Curator at the Baltimore Museum of Art, and came to be viewed as one of the most formidable pillars and advocates of modernism on the East Coast museum scene.