Minotauro, Signed (11 results)

Paperback. Condition: Good. First Edition. Signed and inscribed by Author on front endpaper. A good copy (has some general wear; some spotting to edges).

Original wraps. Condition: Fine. First Edition. 48p octavo A fine copy in printed wraps. Inscribed/signed by the author Signed by Author(s).

First edition. Near Fine. Pictorial Wraps with French flaps. Inscribed by author in Spanish on half title page and signed: "Stepehn Gomez 3/96". Illustrated by Gabrielle Bakker. Text in English and Spanish. Spanish translation by Yolanda Luna. "With boldness, grace and a thoroughly modern undertone of urgency, Gomez assumes a voice in the tradition of poetry in the Spanish language by making his subject no less than an examination of the mysteries of our existence." San Francisco Examiner. Covers show very mild wear/soiling. Interior is clean, crisp, tight & bright, other than author's inscription unmarked. 111 pp. Approx. 6" x 9". A very nice copy and a wonderful addition to your library. Carefully shipped in secure parcel. Ask all questions; glad to respond.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. La cara hembra de Dios. Daniel Alcoba. Minotauro, 2004. DEDICATORIA AUTOR. Dedicado autor. Daniel Alcoba. Ediciones Minotauro, colección Kronos, primera edición, 2004. Tapa blanda con solapa. 450 gramos. DEDICADO POR EL AUTOR. DEDICATORIA AUTOR. VER TODAS LAS FOTOS. Dedicatoria autógrafa del autor.

in-8°, pp. 245. Leg. in tela edit. con sovrac. figuarata. Buono stato. Dedica autografa dell'autore all'interno.

hardcover. Condition: Buono (Good). CH70Copertina rigidavolume in buone condizioni, 1° edizione, autografato dall'autore, segni di usura causati dal fattore tempo sulla copertina, legatura salda 243 pagine circaCopertina come da foto.

rilegato. Condition: Good. 1. In 8', leg.ed. con sovracc., pp.244; volume in buono stato, interni leggermente bruniti. ***Books dated over 70 years old are not exportable, please do not order.***. Book.

Encuadernación de tapa dura. Condition: Excelente. Dust Jacket Condition: Excelente. 1ª Edición. Ciudad sin estrellas - Premio Minotauro 2011. Ciudad sin estrellas. Montse de Paz. Minotauro, 2011. DEDICATORIA AUTOR. DEDICADO AUTOR. Montse de Paz. Ediciones Minotauro, primera edición, 2011. Tapa dura con sobrecubierta. Ciencia Ficción. 500 gramos. VER TODAS LAS FOTOS. Dedicatoria autógrafa del autor.

Encuadernación de tapa dura. Condition: Excelente. Dust Jacket Condition: Excelente. 1ª Edición. Panteón. Carlos Sisí. Ediciones Minotauro, primera edición, 2013. Dedicado autor. Carlos Sisí.Ediciones Minotauro, primera edición, 2013.Tapa dura con sobrecubierta. 600 gramos.DEDICATORIA AUTOR. VER TODAS LAS FOTOS. Dedicatoria autógrafa del autor.

Encuadernación de tapa blanda. Condition: Muy bien. Descripción: In-8. #1 Sep/Oct 1964 - #10 Jun 1968. (Complete set). The first period of the Minotauro magazine Fantasy and science fiction covered 10 issues and was published between September 1964 and June 1968. On all its covers, of sober design, closer to that of the book than to that of the magazine, it contained the "source" of all its texts: The Magazine of Fantasy and Science Fiction, recognized North American magazine, emerged in 1949, which managed to give prestige to a genre previously associated exclusively with pulp culture. On the back cover, the names of the English, French, German, and Italian versions of the magazine were listed, followed by a quote from the Library Journal: The Magazine of Fantasy and Science Fiction publishes the best science fiction and best fantasy literature ever. currently writes and practically all science fiction stories of true literary value that can be found in the genre. In line with this hierarchy of sci-fi, the director of the Minotauro publishing house, the Spanish immigrant Francisco "Paco" Porrúa, had already been publishing in Argentina few and select titles, such as Ray Bradbury's Martian Chronicles, Star Maker by Olaf Stapledon o More than human by Theodore Sturgeon, translated by renowned professionals and prefaced by firms such as Jorge Luis Borges. The Minotauro magazine was born, then, in light of its North American model, but also as a way of promoting a literature that the Porrúa editorial had been publishing since the 1950s. Unlike most magazines of the genre, it was not sold in kiosks, but in bookstores. With the pseudonym "Ricardo Gosseyn", Porrúa directed the magazine, selected the material and on many occasions, using another pseudonym (Francisco Abelenda), signed his translations. Another famous translator, who participated in no. 4, it was Rodolfo Walsh, who alternated his signature with that of his pseudonym "Daniel Hernández" (name that one of the recurring characters in his police accounts also acquires). Unlike its predecessor, Más Allá (1953-1957), Minotauro was an eminently literary magazine, which included almost no material on science. However, aware of the profile of a certain science fiction reader, in two of his issues, he published the magazine Planeta, published by Sudamericana (where Porrúa also worked), which disclosed scientific topics. Tarcus 57. B7. Firmado por el autor.

Milano, Rizzoli, 1970 (settembre), Prima edizione. Ottimo esemplare (minimi segni del tempo). Dedica autografa dell'autore: «A Sergio Pautasso con affettuosa stima G. Bonura» in 8°, tela editoriale con sovracoperta illustrata, pp. [2] 244 [12]. Prima edizione. Ottimo esemplare (minimi segni del tempo). Dedica autografa dell'autore: «A Sergio Pautasso con affettuosa stima G. Bonura» tela editoriale con sovracoperta illustrata,