Modern Prints, Signed (22 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Looks new. Signed. First Edition. Signed by the author. Hardcover. Isbn: 0834801019 Tuttle - 1975 Little wear to the dust jacket. No cover wear. Clean unmarked text. Tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 2nd printing (1975). Signed by the author to title page without dedication. Near fine/near fine copy. Signed by Author(s).

Pictorial Card Cover. Condition: Very Good. pp 48, illustrated exhibition catalogue. Very good in slightly stained cover. This copy belonged to Irish artist Richard Kingston RHA who has SIGNED the title page. Signed by Author.

Hardcover. Condition: Fine. 4th Printing. Bookplate present. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author(s).

Soft cover. Condition: As New. (Wrappers, Text and Plates are clean, neat and tight). Inscribed by Author(s). Book.

Hardcover. Condition: Good. No Jacket. Essays on printmakers by Art Hind, Louis Metcalfe, Laurence Binyon, William Ivins, Jr., Martin Hardie, and others. Presentation copy to Moncure Biddle [author and art connoisseur] SIGNED by the author to FEP. Biddleâs bookplate is on the alternate page. A bright copy, binding cracking at front hinge; a little wear to the top and bottom of the spine. All proceeds of sale go to LOROS, a Hospice Charity serving Leicestershire and Rutland. Signed by Author.

Condition: Very Good. In dark grey soft cover (perfect binding). Signed by Angela Williams. Impressive account of two great photographers of the swinging sixties. Undated and no publisher mentioned. Includes pictures of The Beatles, Tom Courtenay,Jane Fonda. Black and white and colour reproductions In very good condition.

Hardcover. First Edition. Inscribed by the author, "Henry Compton with the kind regards of the author Andrew W Tuer. December 1881". Vol. 1 (of 2 though other some copies seem to be divided into 4). This copy consists of a frontispiece with tissue, 10pp including title, 211pp; 4pp of index; and 2pp of ads for the Leadenhalle Presse. The first half is an analysis of the work and production method of Bartolozzi. The second half is an analysis of values achieved in sales of his prints and a considerable catalogue of these. Bookplate of Donald and Norah Van den Bergh. 4 b&w illustrations, and 1 colour plate illustrating the art of stipple engraving. Vellum, somewhat browned in places, with gilt lettering. Frontispiece partly detached. Page edges are uncut and slightly browned where they lie proud of one another. Pasted in note from the publishers offering Bartolozzi principal plates. A rather handsome and educational attempt to capitalise on sales of his work, presumably. Signed by Author.

Condition: Good. 4to. 50 pp. Softcover. Good. Black and White Plates. Text in English. Signed in ink by Frank [Groff]?

Hardcover. Condition: Very Good. First Edition. Card Covers. Square 8vo. pp. 95. Illustrated throughout, some coloured. Original publisher's dark grey card covers lettered white on spine embossed on upper cover. With the small attractive bookplate of Felix Dennis showing a bookish owl on inside cover, dated in pencil 'Oct 2010'. Presentation copy: 'For Felix Dennis. At your performance in Bath. September 2010. I wanted to tell you about my "archive" NP/AWA of Parkinson images & portraits from 1950-1964. I have an idea for some fun with the portraits and would love to speak with you about it sometime. to see if it might take your fancy? Best? best Angela Williams. We have a great portrait of Dorothy Parker to show you sometime x.' Followed by her address and phone number. A catalogue that accompanied an exhibition held 21 March-21 April 2009 at Chapel Row Gallery, Bath. Felix Dennis (1947-2014) Oz publisher, later media tycoon, distinguished poet, philanthropist, book collector and lover of trees (The Heart of England Forest Ñ The Forest of Dennis). Angela Coombes ne Williams (born 1941) became Norman Parkinson's personal assistant and has photographed Paul Newman, Jane Fonda, Audrey Hepburn, Barbra Streisland, Marianne Faithful, the Pink Floyd amongst many others. Some of her portraits are in the National Portrait Gallery. She also runs the Angela Williams archive - a collection of Norman Parkinson vintage prints. Covers slightly rubbed and creased, otherwise very good. Light wear otherwise very good.

Hardcover. Condition: Very Good. Hardcover. Rust-colored cloth over boards, with gold lettering on spine and front cover. Professionally re-backed -- the new cloth just peeks out at the head and foot of the spine. Title page dated 1912. Earliest copyright 1911, 1912 by Frederick Keppel & Co.; copyright 1912 by The Century Co. A typed signed letter from Fitzroy Carrington is tucked inside. In very good condition. Binding is strong. Pages are clean and unmarked. With 200 illustrations throughout. A handsome copy. Signed by Author(s).

Condition: Good. 8vo. [ca. 40 pp.], Soft Cover, Very Good, Minor Wear, Creasing. B&W Plates. Signed on Cover in Ink, "F. Dauber"Loosely Laid In: Price ListProvenance: Pasquale Iannetti.

Soft cover. Condition: Near Fine. 1st Edition. US orders ship with signature confirmation. 2006 oversize paperback exhibition catalog inscribed ("To Helen, Joel Meyerowitz") by the artist on the front flyleaf. One tiny fray each on front and back cover, else fine . Oversize book extra shipping charges will apply for international and priority orders as this will not fit into a flat rate envelope. Inscribed by Author.

Condition: Good. 8vo. [ca. 70 pp.], Soft Cover, Very Good, Creasing, Wear and some Tearing at Edges, Sunning, Toning. B&W Plates. Signed in Fountain Pen Ink on CoverProvenance: Pasquale Iannetti.

Hardcover. Condition: Very Fine. Dust Jacket Condition: Very Fine. Various Artist (illustrator). Not Stated. 1976 , Hardcover with the dust jacket , 302 page book with color and black & white plates . Text is in Mandarin. Signed by the author ( in mandarin ) on the first blank page. Size: 4to - over 9¾" - 12" tall. Signed by Author(s). Book.

Soft cover. Condition: Fine. Joel Meyerowitz (illustrator). Limited Edition. Printed for the exhibition at the Edwynn Houk Gallery April 27 - June 17, 2006. Illustrated soft cover, 88 page book. A very scarce copy that is signed and inscribed by Joel Meyerowitz on the second title page. Illustrated 44 with full page color photographic images by him. Condition : Fine with a very small crease at the top and bottom corn edge. Size: 4to - over 9¾ - 12" tall. Signed By Photographer. Book.

Paperback. Condition: Very good. First Edition, First Printing. SIGNED COPY - Edwynn Houk Gallery, 2006. Softcover in pictorial wrappers. First Edition, First Prinitng. 88 pages with 44 color photographic images by Joel Meyerowitz. Elegantly SIGNED by Meyerowitz. BOOK CONDITON: Very Good; a solid, tight, clean copy with a moderate bump/crease to head of spine (not affecting any page images). SIGNED. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. The author has inscribed this copy on the half-title page, and that individual, believed to be mr. Statler s housekeeper, has affixed her bookplate to the front paste down. In addition to the author s signature 11 artists have also signed the book and Thoru Mabuchi signed it twice. The other artists include: Un-ichi Hiratsuka; Jun ichiro Skelton; Takumi Shinagawa; Kihachiro Shimozawa (Japanese only); Masao Maeda; Okiie Hashimoto; Gen Yamaguchi; Toshi Yoshida; Kunihiro Amani; and Kisoko Yoshida. The tipped in wood cut print that is used as a frontispiece is included and attached by the publisher s tape. It was initially created by Koshiro Onchi. James Michener wrote the Introduction of this 280 page, including the Appendix for the wood and for the Prints, The Index and publishers page of advertisement for other books, volume with both color and blac-and-white images. The book has black cloth with red lettering on the front cover and red and silver foil lettering on spine. There is also a silver foil wood grain design that wraps around the spine from the rear cover to the front cover and ends at the same right margin as the red lettered title. The end papers also reflect the concept of wood grain with a brown textured paper. The gutters are intact front and rear. The dust wrapper has some paper loss at the upper right corner of the front panel and at the spine ends. there is also some light edge wear, the original price is present. This is the stated First Printing June, 1956. Also included is the stapled cardboard slip case with what appears to be hand made paper label with red lettering. Inscribed by Author(s).

First Edition. First edition thus: illustrated by Kent and translated by Van Wyck. THE DELUXE EDITION. Number 28 of only 75 copies SIGNED BY KENT at end of second volume and with an extra suite of FIVE SEPARATE 5-PANEL PLATES, EACH ONE SIGNED BY KENT. Two folio-sized full-leather volumes housed together in publisher's slipcase with three separate compartments - one for each volume and the center one for the 40 x 15.5" plates which are folded into a cloth-covered chemise. The modernized text, "rendered completely and without deletions into modern verse" by Van Wyck, is printed side-by-side with Chaucer's original. Near fine with spines sympathetically re-backed in complementary leather. In a very good, solid slipcase with dividers and chemise still present. The chemise, which is stored in center compartment and houses the extra suite of signed prints is more flimsy than one might expect allowing them to sag just a bit though they are otherwise nearly fine. Includes the original prospectus; pamphlet advertising "Limited Editions Published by Covici, Friede, Inc. 1929" with a foreword by Vincent Starrett and "Order Blank" laid in (24-page list of publications including announcement for THE CANTERBURY TALES); and small flyer advertising "New Covici, Friede Books Spring 1929." Exceedingly scarce, especially so with suite of prints intact. Signed.

First Edition. Rutland, Vermont & Tokyo: Charles E. Tuttle Company, [1962]. First edition, one of 510 numbered copies, this being number 503, signed by James A. Michener and the ten contributing artists listed above. Large folio (21 1/2 x 15 1/2 inches; 547 x 395 mm). [1]-55, [1, colophon] pp. With ten original full page prints, each signed by the artist. Text is handset in Perpetua type. Printed on handmade kyokushi or Japanese Vellum. Bound at the Okamoto Bindery in original tri-tone linen, stamped in gilt on front boards and spine. Uncut. Housed in the original slipcase of unvarnished spruce or Japanese cedar. Japanese title burned into the wood on front panel of slipcase. Spine is very lightly sunned. About fine. Slipcase with a few minor scuffs. Altogether, a lovely, fine copy of an exquisite book with ten original signed prints. HBS 66079. $4,250. Signed.

Condition: Fine. First Edition. First edition. Signed by Kurt Vonnegut in blue ink and Ralph Steadman in red at verso of rear leaf. [12] pp. Bound in publisher's side stapled illustrated wraps. With three works illustrated in color. 6 x 10.5". Fine with a tiny stray red ink stain from Steadman's signature on the right edge of the front cover. A scarce exhibition catalog for a show of screenprints at The University of Kentucky Art Museum by Kurt Vonnegut and Ralph Steadman with contributions by Hunter S. Thompson and William S. Burroughs.

Rutland, Vermont & Tokyo, Charles E. Tuttle Company, (1962). Large Folio (59,2 : 42,2 cm). First edition and one of 510 numberes copies, signed by the author and the ten contributing artists. - 55, (1 colophon pages) + 10 original full page wood block prints, each signed and identically numbered by the artists. Text handset in Perpetua type and printed on handmade kyokushi or sometimes called Japanese vellum made and watermarked expressly for this edition by Nakajo Sampei at Iwamoto, Imadate Town. The blocks for the prints have been destroyed after producing this limited edition of 510 copies, 475 of which are for sale. This being number 215. - The specially reinforced binding in tri-tone linen was done at the Okamoto Bindery, Tokyo. Housed in the original wooden slipcase of Japanese cedar with the Japanese title burned into the wood of the front panel. - A slight water spot at the front cover and spine of the binding and slight traces of use to the slipcase, else a very fine copy of this outstanding book. Sprache: en.