Seller: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
paperback. Condition: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.
Hardcover. Condition: As New. Dust Jacket Condition: As New. As New condition Hardcover red cloth boards with red lettering on spine. Includes numerous b/w illustrations, Notes, Bibliography and Index, 213 pages.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Hardcover. Condition: Acceptable. reading copy only - damaged /worn /marked. May be ex-libris Oversized.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Fine. New Ed. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. New Ed. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005120 ISBN 13: 9780905005126
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005120 ISBN 13: 9780905005126
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.
Seller: FITZ BOOKS AND WAFFLES, Buffalo, NY, U.S.A.
Soft cover. Condition: Fine. Art Writing. Second Printing. This is a clean, unmarked, undamaged copy.
Language: English
Published by Die Gestalten Verlag, 2007
ISBN 10: 389955194X ISBN 13: 9783899551945
Seller: Sell Books, Elland, YORKS, United Kingdom
paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
Language: English
Published by London: Tate Gallery, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: ANARTIST, New York, NY, U.S.A.
Softcover exhibition catalog, 128 pages, very good minus condition cover and pages edges yellowed; no internal marks. Folded gallery hand-out with plan of the exhibition laid in. Foreign shipping may be extra for this book.
Seller: Bill & Ben Books, Faringdon, United Kingdom
US$ 6.91
Quantity: Over 20 available
Add to basketPaperback. Condition: New. How postwar abstract modernist paintings came to be seen as metaphorical embodiments of masculine selfhood; an examination of the critical discourse surrounding the work of Matisse, de Kooning, Pollock, and the post-painterly Abstractionists. In the era of The Man in the Gray Flannel Suit--when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity--modernist paintings came to be seen as metaphorical embodiments of both idealized and highly conflicted conceptions of masculine selfhood. In Modernism's Masculine Subjects, Marcia Brennan traces the formalist critical discourses in which work by such artists as Henri Matisse, Willem de Kooning, and Jackson Pollock could stand as symbolic representations that at once challenged and reproduced such prevailing cultural conceptions of masculinity. Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined, historically and theoretically. Brennan makes new use of writings by Clement Greenberg and other powerful critics describing the works of Matisse, the postwar New York School abstract expressionists, and their successors, the post-painterly abstractionists. The paintings of Matisse, she argues, were represented in part as intellectually engaged and culturally respectable centerfolds. Brennan examines de Kooning's Woman series--perhaps the most significant effort to incorporate feminine presence within abstract expressionist imagery--as extended cultural metaphors for bourgeois masculinity's conflicted relationship with its feminine "others." She also shows how the aggressive energy of Pollock's nonfigural painterly idiom became domesticated in the press by the repeated pairing of his work with images of Pollock in the studio and at home with his wife, the artist Lee Krasner. Finally, discussing the rise of the post-painterly abstractionists in the sixties, Brennan shows how, both despite and because of the critical presence of Helen Frankenthaler, formalist responses to the works of Morris Louis and Kenneth Noland provided an opportunity to promote idealized conceptions of masculine creativity.
Language: English
Published by Tate Gallery Publishing, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0905005074.
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0905005120.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0905005074.
Language: English
Published by Tate Gallery, London, 1980
Seller: valley books, Holton, SUFFO, United Kingdom
First Edition
Paper Cover. Condition: Near Fine. First Edition. 128pp with colour and b&w reproductions. Introduction by Peter Vergo.
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0905005120.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: Ystwyth Books, Aberystwyth, United Kingdom
US$ 11.96
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. Very good copy. No inscriptions. Slight yellowing at edges of pages.
Language: English
Published by Die Gestalten Verlag, 2007
ISBN 10: 389955194X ISBN 13: 9783899551945
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9783899551945.
Language: English
Published by Die Gestalten Verlag, 2007
ISBN 10: 389955194X ISBN 13: 9783899551945
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9783899551945.
Seller: Eastleach Books, Newbury, BER, United Kingdom
First Edition
Condition: Very Good. 1st edition. Paperback, VG. 128pp, 8pp colour plates, b/w illustrations throughout, edges a little rubbed & bumped. Catalogue for an exhibition at the Tate Gallery of Abstract & Futurist art, with nine essays : Pure Painting, Paris 1910-22 - The Netherlands - Dada & Abstract Art in Zurich - Painting in Munich - Hoelzel & Itten - Rayonism, Suprematism & Constructivism - The Italians, from Futurism Towards Abstraction - Early Abstract Art in Britain - The First American Experiments with Abstract Art. 675 grams.
Language: English
Published by Tate Gallery Publications, 1980
ISBN 10: 0905005074 ISBN 13: 9780905005072
Seller: Frances Wetherell, Cambridge, United Kingdom
First Edition
US$ 13.84
Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. Dust Jacket Condition: No Jacket as issued. 1st Edition. Covers a little disoloured with age. Internally clean, crisp unmarked copy.