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Published by Sternberg Press Berlin, Germany, 2011
ISBN 10: 1934105295ISBN 13: 9781934105290
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Book
96 pp.; 20.3 x 12.7 cm; sewn bound; slipcase; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Mario Pfeifer''''''''s solo show "New Topographics" held at Landesgalerie Linz am Oberösterreichischen Landesmuseum, November 11, 2010 - January 9, 2011. With a conversation between Baltz and Pfeifer. Texts by Chris Balaschak, Lewis Baltz, Martin Hochleitner, Julia Moritz, Vanessa Joan Müller and Lewis Baltz. "The book discusses Mario Pfeifer''s recent 16mm film installation Reconsidering The new Industrial Parks near Irvine, California by Lewis Baltz, 1974. This installation, consisting of two synchronized, looped, and parallel projected films, takes its point of departure from the first monograph of Baltz''s work, published by Castelli Graphics, New York in 1974. Over the last four decades, Lewis Baltz has continuously produced high quality photographic books. This publication functions as a critical reader, reevaluating "New Topographics" as representations of landscapes. Looking at Pfeifer''s installation, which revisits a Baltz''s photographic site, Vanessa Joan Müller negotiates the terms realism/reality and the way Pfeifer discovers the misrepresentation of a modern industrial building in Irvine''s Industrial Park in 2009. Martin Hochleitner contextualizes Pfeifer''s film installation within the context of the original "New Topographics" exhibitions (1975), which, since 2009, are being shown throughout the United States and Europe. In addition, this publication consists of film stills, production stills, and a rare interview by Mario Pfeifer with Lewis Baltz. It was published on the occasion of Mario Pfeifer''s contribution for the "New Topographics" exhibitions at Los Angeles County Museum of Art and Landesgalerie Linz in 2010." -- publisher''''''''s statement. Fine. As new, in publisher's issued shrink wrap.
Published by RAM Publications / Steidl Publications Santa, London, 2001
ISBN 10: 0963078569ISBN 13: 9780963078568
Seller: Westsider Rare & Used Books Inc., New York, NY, U.S.A.
Book
Hardcover with Dust Jacket. Fine in fine dust jacket with slip-case.
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Published by Göttingen. Steidl Publishers., 2001
Seller: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Germany
Signed
Reprinted edition. 29 x 28 cm. 2 Blatt, 51 Tafeln. OLeinen mit OUmschlag in OPapp-Schuber. Der Schuber mit kleinen Druckschlieren, am offenen Steg stark lichtrandig. Das Buch nahezu druckfrisch. Sehr gutes Exemplar. Reprint der legendären, 1974 in 960 Exemplaren erschienenen Erstausgabe. Von Lewis Baltz auf dem Vorsatz handschriftlich signiert. Beiliegend eine Einladung der "International School of New Media", ebenfalls von Lewis Baltz signiert, der Teilnehmer war. [Vgl. für die Erstausgabe: Roth. The Book of the 101 Books, Seite 228/9; Koetzle 23].
Condition: Wie neu. RAM, Santa Monica. Steidl, Gottingen. 2001. First edition, first printing. Signed by Lewis Baltz! New, mint, unread; onyl opened once for signature. New edition of the photobook classic from 1974. Lewis Baltz was participant at the famous exhibition "New Topographics" (International Museum of Photography at George Eastman House, Rochester, New York. 1975) and is famous for "Park City" (Martin Parr, The photobook, vol 2, page 34). Hardcover with dustjacket and slipcase. 285 x 275 mm. 51 photos. Text in german and english. Perfect condition! Signed by the artist! Collector`s copy!******************RAM, Santa Monica. Steidl, Gottingen. 2001. Signiert von Lewis Baltz! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur. Neuauflage des legendären Klassikers von 1974. Lewis Baltz war Teilnehmer der legendären Ausstellung "New Topographics" (International Museum of Photography am George Eastman House, Rochester, New York. 1975) und ist berühmt für seine Fotobücher wie "Park City" (Martin Parr, The photobook, vol 2, Seite 34). Hardcover mit Schutzumschlag und Schuber. 285 x 275 mm. 51 Fotos. Text auf deutsch und englisch. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.
Published by Steidl, Germany, 2005
ISBN 10: 3865210694ISBN 13: 9783865210692
Seller: Marcus Campbell Art Books, London, United Kingdom
Book First Edition
Slipcased. Condition: Near fine in near fine dj. First Edition. 29 x 27cm 3 hardback volume set in slipcase: The Prototype Works, 57 plates. The Tract Houses, 68pp with 25 plates. The New Industrial Parks near Irvine, California, 52 plates. Illustrated throughout in black and white. English/Germa n text.
Published by RAM Publications, Whitney Museum of American Art and Steidl, 2005
ISBN 10: 0970386060ISBN 13: 9780970386069
Seller: ANARTIST, New York, NY, U.S.A.
Book
Three hardcover books with dustjackets in printed slipcase, new condition; still in shrinkwrap; clean and crisp. Foreign shipping may be extra.
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Published by Steidl Verlag 2005, 2005
Seller: Peter J. Hadley Bookseller ABA ILAB, Ludlow, United Kingdom
Fine set in publishers cloth in dustjackets in plain slipcase with price label outline on rear panel. Baltz's pictures are object-images, physical presences themselves, not representations of things. Although they are signs of real-world objects, they are also independent, archetypal forms.they have an inevitability, an inscrutability, a permanence, even a stateliness. His images demand more than contemplation and delectation: they demand reckoning.Baltz's work exemplifies the ways in which photography, beginning some four decades ago, started to loose the bonds of its isolation within its own segregated history and aesthetics and began to take its place among other media. This publication helps to set the record straight by revealing Lewis Baltz's significant role in this revolutionary shift. Adam D. Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art Reproduced for the first time, Lewis Baltz's earliest portfolio The Tract Houses (1971) and his preliminary forays into a minimal aesthetic, as represented in The Prototype Works (1967-1976), illuminate Baltz's drive to capture the reality of a sprawling Western ecology gone wild. Together with The New Industrial Parks near Irvine, California, this trilogy reveals the indelible importance of Baltz in the changing course of contemporary photography. ISBN 3865211267.
Published by Castelli Graphics, 1974
Seller: Twice Sold Tales, Capitol Hill, Seattle, WA, U.S.A.
Book
Hardcover. Condition: Very Good. No Dust Jacket. Ex-Library stamp on title page with no other library markings. Front board is bowing out slightly. Binding is tight. Pages are clean. **Due to size / weight of book, extra charges may apply to international and/or priority shipping**.
Published by Steidl, 2009
ISBN 10: 3882433183ISBN 13: 9783882433180
Seller: dsmbooks, Liverpool, United Kingdom
Book
Hardcover. Condition: Very Good. Very Good. book.
Published by Castelli Graphics New York, USA, 1974
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
Hardcover. Condition: Very good in good dustjacket. First Edition. 28 x 29cm very good hardback in good dust jacket which shows some signs of age, minor crinkle to front, small chip to right, lower edge and yellowing Some foxing to page edges. Black and white reproductions throughout.
Published by (New York: Leo Castelli / Castelli Graphics 1974)., 1974
Seller: Bow Windows Bookshop (ABA, ILAB), Lewes, United Kingdom
First edition, 4to, (106) pp. 51 full page black and white illustrations, contemporary signature and an old inked price to the fly leaf. Cloth, with mild spotting, d.w. with light soiling and slight loss to the spine ends.
Published by Castelli Graphics, New York, 1974
Seller: True North Books, Trinidad, CO, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. VG/Good Designed by Thomas Barrow, distributed by Light Impressions, English/German. Slight yellowing and soiling on top and edges of DJ (no tears or chips). Binding tight, pages clean and unmarked, with slight yellowing at top and side edges. International shipping guidelines have changed. Additional shipping may be required.
Published by Castelli Graphics, New York, 1974
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
First Edition
hardcover. Condition: Fine copy in fine dust jacket. Profusely illustrated (illustrator). 1st edition. Square 4to.
Published by Leo Castelli/ Castelli Graphics, New York, 1974
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition and first printing. Hardcover. One of the iconic books from the New Topographic movement and printed in a tiny edition of only 960 copies. A stark collection of 51 black and white images of man made spaces but without any evidence of human life. A clean and tight near fine copy in gray cloth boards and in a close to near fine dust jacket with some of the usual toning. Still, a very pleasing copy of this classic. (Parr & Badger v2 p 34-35: Roth p 228).
Published by Castelli Graphics
Seller: Koster's Collectible Books, Farmingville, NY, U.S.A.
Signed
Condition: Very Good, Good++. First Edition, 1974. Oblong 4 TO, B/W Illus, Hardcover Hardcover in dust jacket. SIGNED and inscribed by the author Lewis Baltz on lower edge of first free endpaper. Grey cloth boards with title in black on front board and spine. Light fore edge soil. Endpapers tanned. Text pages are clean. Captions in English and German. White photo illustrated dust jacket is tanned, light edge wear. Looks good in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.
Published by New York: Leo Castelli / Castelli Graphics, 1974
First Edition
First Edition. Square quarto. Fifty one uniform black and white images of suburban industrial buildings, shot in a minimalist style, with the third picture, "Industrial Structure During Painting," looking eerily like a Mondrian. A book celebrated for its intentional boring beauty, and one of the highlights of the New Topographics movement in American photography. (Roth 228-229, Open Book 298-299; Auer 576). Near fine in a near fine jacket with faint toning to the edges a small area of laminate lifting at the top of the front cover.
Published by Castelli Graphics, 1974
Seller: Stone Soup Books, Camden, ME, U.S.A.
First Edition
hardcover. Condition: Very Good+/Good. 1st Ed. Castelli Graphics, 1974. 1st Ed. hardcover. Very Good+/Good. large oblong 8vo, gray cloth binding, DJ is soiled and rubbed with tears at top rear corner and top of spine, long vertical creases on flaps of DJ, two dents on bottom edge of rear board, interior pages are clean, a classic photo book" .
Published by Leo Castelli, New York 1974, 1974
Seller: Dawson's Book Shop, ABAA, ILAB, Los Angeles, CA, U.S.A.
10 1/2 x 10 3/4 inches, unnumbered pages, boards, Dust Jacket (some chipping at top edge and bottom of spine), Inscribed by Baltz in felt pen on front endpaper, The seminal book of the New Topographics movement of the 1970s and early 1980s containing 51 full page reproductions from the photographer's "New Industrial Parks" series. First Edition edition. .
Published by Leo Castelli/Castelli Graphics, E-014, 1974
Seller: Last Exit Books, Charlottesville, VA, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition; First Printing. Hardcover. Square 4to. Leo Castelli / Castelli Graphics, New York. 1974. Unpaginated (112 pgs). 51 uniform black and white images of suburban industrial buildings, shot in a minimalist style on heavy coated paper by Rapoport Printing Corporation, New York. This first edition was limited to 960 unnumbered copies. Text in German and English. First Edition/First Printing. DJ has light shelf-wear present. Bound in in gray laminated cloth-covered boards with title printed in black on cover and spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. A book celebrated for its intentional boring beauty, and one of the highlights of the New Topographics movement in American photography. E-014; English And German Edition; 4to 11" - 13" tall; 112 pages.
Published by Castelli Graphics, NY, 1974
Seller: Andrew Cahan: Bookseller, Ltd., ABAA, Akron, OH, U.S.A.
First Edition
Baltz, Lewis (illustrator). First edition. Oblong 4to., 51 b&w photographs. Aside from the neat signature of Alan Winer, photographer and former administrator of the Visual Studies Workshop atop the blank front free endpaper, and slight toning along the upper portion of the dust jacket, a fine, near new copy in the illustrated dust jacket. One of the primary books of the New Topographics. This first edition was limited to 960 unnumbered copies.
Published by Leo Castelli / Castelli Graphics., New York., 1974
Book Signed
Oblong 4to. pp. (108). 51 full-page photographic plates. Publisher's cloth, with dust-jacket. Slight flecking and uneven toning to dust-jacket, with crease to front flap, otherwise a good copy. This copy is signed in pen by Lewis Baltz on the title page, and numbered 36.100. ?In 1975, the year he published his first book, ?The new Industrial Parks near Irvine, California' Lewis Baltz was also included in a landmark exhibition at the International Museum of Photography at George Eastman House called ?New Topographics: Photographs of a Man-Altered Landscape.' Although some of the participants in that show managed to elude the label, Baltz - along with Robert Adams, Stephen Shore, Henry Wessel, Jr., and Bernd and Hilla Becher - was effectively branded, and ?The New Industrial Parks' was paired with Adams' 1974 ?The New West' as the most cogent, concise, and rigorous New Topographics documents produced in America. The label stuck primarily because it was invented to describe exactly what California-born Baltz had been doing since the late ?60s: photograph the American landscape as a dead zone. Tamed, flattened and sectioned off into building sites and real-estate opportunities, Baltz's New West - most of it located in California's vast suburban sprawl - had long since lost any memory of magnificence and promise. In their place was the alluring vacuum of anonymity (though that seems beside the point in pictures devoid of any human presence) and desolation so complete it was almost elegant. Baltz had honed in on that austere, unlikely beauty in his earlier series on tract homes, but he refined his vision for the Irvine series, which focuses on the façades of windowless office blocks and electronics factories, some still in construction on barren lots, others landscaped as perfunctorily as a toll plaza.[Unlike] Ed Ruscha's genuinely artless images of apartment buildings and parking lots, Baltz's pictures are pointedly artful. The Irvine series, though (presumably) despairing of the industrial parks' cold emptiness, can't help but establish its link to minimalist painting and sculpture, particularly Donald Judd's boxes and Carl Andre's concrete blocks? (Vince Aletti, in Roth 101 Books).
Published by Leo Castelli/ Castelli Graphics, New York, 1974
Das neue Industriegelände in der Nëhe von Irvine, Kalifornien 108p., pleine toile beige de l'éditeur, titre sur le plat et au dos, jaquette photographique. Edition originale tirée à 960 exemplaires de cette icône du New Topographic Movement. Illustré de 51 photographies en noir et blanc imprimées sur les pages de droite avec les légendes en regard sur les pages de gauche, en anglais et en allemand. Bel exemplaire malgré une légère insolation en bordure de jaquette. Roth, The book of the 101 books, 228-9; The Open Book 288-189; Koetzle 23; Auer 576. Bon Couverture rigide 1ère Édition Livre.
Published by Castelli Graphics, (New York, 1974
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First edition. Oblong quarto. Fine in modestly toned, very good or better dust jacket with a small chip at the crown and a small impression and tiny tear near the spine base. Inscribed on the front fly: "For Gus Blaisdell Lewis Baltz." With a Typed Note Signed to Blaisdell from "Duke" at Castelli Graphics laid in. Blaisdell would provide the essay for the next book in Baltz's famous trilogy, *San Quentin*; in addition to his work as a critic, Blaisdell was an author, teacher, publisher, editor, and bookstore owner. The most important book of the New Topographics Movement, with an excellent association. Parr and Badger, *The Photobook Volume 2*, p.34.
Published by New York: Leo Castelli / Castelli Graphics, 1974
Signed
Limited Edition. Square quarto. Number 48 of 100 hand-numbered copies; SIGNED by Baltz. The existence of this limited edition is little documented in the book trade. Fifty one uniform black and white images of suburban industrial buildings, shot in a minimalist style. A book celebrated for its intentional boring beauty, and one of the highlights of the New Topographics movement in American photography. (Roth 228-229, Open Book 298-299; Auer 576). Short owner's inscription, top corners lightly bumped, else fine in a fine jacket jacket with a hint of yellowing at the edges. Housed in a custom clamshell box.