Nicolas Poussin, First Edition (120 results)

Softcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket. First Edition. Notes in pencil on reverse of last page. 71 pages. Crisp clean covers, tight binding, clean pages and inside covers. No dust jacket, as published. Previous owner's name, Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 0704412292. ISBN/EAN: 9780704412293. Pictures of this item not already displayed here available upon request. Inventory No: 19122011139. All our books are sent by tracked mail.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. Merrell Publishers Ltd. hardcover in dust jacket, 2000, 1st edition, clean/tight, No marks/tears or signs of use, as New/Fine (like New). We will add a custom fitted mylar cover, bubble-wrap the book and ship it in a BOX with delivery confirmation/tracking. NOTE: If the seller doesn't state the edition, you are very likely to receive a paperback, a low quality book club edition or a shop-worn remainder marked reprint copy a.k.a "New" to the zombie sellers (caveat emptor).

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. First Edition. Green cloth, raised bands, original paper label, 117pp., nice copy, no writing in the book, Full refund if not satisfied.

Condition: Very Good. Dust Jacket Condition: None. 165 pages. Illustrated with full color reproductions of selected works by Nicolas Poussin. Clean, tight copy. Record # 511798.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. Hardcover with dustjacket. 4to. Book is in fine condition Jacket is in near fine condition; edges are lightly rubbed and there is a tiny indentation to surface of rear cover. A bright, crisp copy; full of rich color reproductions of both Kossoff and Poussin's works. Published on the occasion of two exhibitions shown from January to April 2000 at the Los Angeles County Museum of Art and at the J. Paul Getty Museum, Los Angeles. Not price-clipped. 128 pp. In protective Mylar.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Hardcover with dustjacket. 4to. First edition. Book and jacket are in just about fine condition. A bright, crisp copy; full of rich color reproductions of both Kossoff and Poussin's works. Published on the occasion of exhibitions shown at the Los Angeles County Museum of Art and at the J. Paul Getty Museum, Los Angeles, in 2000. 128 pp. In protective Mylar.

softcover. Condition: Fine copy. Profusely illustrated (illustrator). 1st. 4to, 166 pp.

Card Cover. Condition: New. First Edition. Size: 8vo - over 7¾" - 9¾" tall. Softback.

First Edition. Fine paperback copy; slightly dust-dulled. Stapled binding. Remains well-preserved overall. Date is suggested. Physical description; 24 cm. Notes; Acts of the colloquium at the Musee du Louvre, 19-21 October 1994. Subjects; Poussin, Nicolas (1594?-1665) Congresses. Poussin, Nicolas (1594?-1665) Criticism and interpretation Congresses. 3 Kg.

Hardcover. Condition: Good condition. First Printing of the First Edition. London: Jonathan Cape & The Medici Society, Ltd, 1923. A Good solid reading/reference copy. A bit of soil to the cover. Light wear to extremities of the spine. Illustrated with 24 full-page plates, including a frontispiece portrait of Poussin. Printed at the Chiswick Press. Bibliography. Original blue cloth, with printed paper label on the spine. First Printing of the First Edition. Hardcover. Good condition. 8vo. 117pp.

Paperback. Condition: Very Good. First Edition. Catalogue of an exhibition held at Birmingham Museum & Art Gallery, 14 October 1992-3 January 1993. 71 pages, illustrated, chronology, select bibliography.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. An interpretation of figures, symbols & hieroglyphs, together with a running commentary on the paintings, the drawings & the artist's letters. Octavo. B&W illustrations. Condition: lower corner shows minor bump affecting rear cover & book block; else near fine in fine DJ.

First Edition. Fine paperback copy; slightly dust-dulled. Stapled binding. Remains well-preserved overall. Date is suggested. Physical description; 24 cm. Notes; Acts of the colloquium at the Musee du Louvre, 19-21 October 1994. Subjects; Poussin, Nicolas (1594?-1665) Congresses. Poussin, Nicolas (1594?-1665) Criticism and interpretation Congresses. 1 Kg.

First Edition. Very good paperback copy; wrappers slightly edgeworn and dust-dulled. The volume has a small puncture to the top margin as from a push-pin. Remains well-preserved overall; internally tight, bright and clean. Series; The Masters ; 7. Physical description; 8 pages, 16 leaves of plates : colour illustrations ; 36 cm. Notes; "Knowledge publications." Includes bibliographical references. Subjects; Poussin, Nicolas (1594?-1665). Painting, French 17th century. Classicism in art France. Artists France Biography. 17th century. Illustrated. Colour plates. 1 Kg.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Some scuffing to cover, fraying top and bottom of spine, small amount of wear to corners. Inscription inside front cover. Text block clear and binding good. WR.

Soft cover. Condition: Very Good. 1st Edition. 30x25cm. Soft cover. First edition. Published on occasion of exhibition at the Galeries nationales du Grand Palais Paris and Royal Academy London. 336pp with numerous colour & other illustrations, and bibliography. Colour-illustrated card wrappers. Backstrip lightly reading-creased and a little sunned. Contents fine. VERY GOOD copy.

Soft cover. Condition: Very Good. 1st Edition. Qto., 336 pages, illustrated. A Very Good copy.

Condition: Very Good. 1st edition. Large format paperback, VG+. 82pp, colour illustrations throughout, edges a little bumped, otherwise a fine copy. A collection of four essays on the life & work of Nicolas Poussin [ 1594 - 1665 ] the French painter of the classical French Baroque style. The book published in conjunction with the exhibition 'Nicolas Poussin 1594-1665' at the Galeries nationales du Grand Palais, Paris. 525 grams.

Soft cover. Condition: Near Fine. Herbert and Mafalda SPENCER, Designed by. (illustrator). 1st Edition. B00K: Near Fine/Fine/, $47.88 0903148382 POUSSIN: SACRAMENTS and BACCHANALS: PAINTINGS and DRAWINGS on SACRED and PROFANE THEMES by NICOLAS POUSSIN, 1594~1665. * Trustees of National Galleries of Scotland Herbert and Mafalda SPENCER, Designed by. 1981 1sT Edition Tall Wide S/c Shiny Black Spine And Title In Small 0ff~White Letters, Soft Cover B00K: Near Fine/Fine/, Slight Shelf, Edge And Corner Wear. Including A Ticket To Gran Festival Flamenco Homenaje Benefico a Juan de la Loma Sabado 12 Diciembre 1981, 10 de la noche No. 00219. D/j: None. This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Padded Mailing Envelope = To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.

HARD BACK. Condition: As New. Dust Jacket Condition: As New. First. 143pp. Fully illustrated in colour . French text.

Soft cover. Condition: Near Fine. 1st Edition.

Soft cover. Condition: Very Good. 1st Edition. Very good paperback. First edition. No discernible problems, just not quite new. Exhibition catalogue from London's Royal Academy of Arts,1995. Bound in colour printed limp wraps. 4to, 336pp, illust. Substantial monograph which includes an essay on Poussin at the Louvre by Pierre Rosenberg, over 90pp full page colour plate section, and extensive catalogue of his works from c1624 to 1665. Bibliography. Nicolas Poussin (June 1594 - 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. His work is characterized by clarity, logic, and order, and favours line over colour. In the 20th century he remained a major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. He worked in Rome for a circle of leading collectors from there and elsewhere, except for a short period when Cardinal Richelieu ordered him back to France to serve as First Painter to the King. Most of his works are history paintings of religious or mythological subjects that very often have a large landscape element. We pack our books properly and ship daily from the UK using recycled materials where we can.

Soft cover. Condition: Very Good. 1st Edition. APPEARS UNREAD. No wear to very large soft cover book. Pages are very clean, bright and tight. No name or inscription.

First Edition. Very good paperback copy; wrappers slightly edgeworn and dust-dulled. The volume has a small puncture to the top margin as from a push-pin. Remains well-preserved overall; internally tight, bright and clean. Series; The Masters ; 7. Physical description; 8 pages, 16 leaves of plates : colour illustrations ; 36 cm. Notes; "Knowledge publications." Includes bibliographical references. Subjects; Poussin, Nicolas (1594?-1665). Painting, French 17th century. Classicism in art France. Artists France Biography. 17th century. Illustrated. Colour plates. 1 Kg.

Hardcover. Condition: NEW. Dust Jacket Condition: NEW. 1st. Cloth, 128 pages, colour illustrations; 29 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "Between 1995 and 1999, Leon Kossoff, immersed himself in looking at the work of the seventeenth-century French artist Nicolas Poussin. Throughout his career, Kossoff has worked from paintings by the great artists of the past drawing from them as he does from daily life, until both become part of the same working environment. However, the arrival of a major Poussin retrospective at the Royal Academy of Arts in London in 1995 gave Kossoff the opportunity, for the first time, to spend day after day surrounded by his source of inspiration, drawing quickly and incisively with charcoal and pastel or, more remarkably, straight on to etching plates. This book, containing over fifty full-page colour illustrations, is the first publication to examine this important new body of work." - Publisher. Size: 4to. Collectible.

Hardcover. Condition: Very Good. Dust Jacket Included. 1st Edition. 1st edition, hardback, large 4to, 143pp. numerous illustrations, owner's bookplate on endpaper, top edges dusty, otherwise clean and sound, Very Good / Very Good dustwrapper. ISBN: 0304345377.

Cloth Boards. Condition: Very Good. First Edition. Blue cloth harback. Pp 117; frontis. portrait and 23 other plates. A square, tight, clean copy; the usual endpaper foxing but all contents bright and clean; no previous names or markings. Image available upon request. [We welcome enquiries by e-mail - click on 'Ask Bookseller a Question'; or by 'phone - click on 'More Books from this Seller'].

First Edition. 4to, pp. 189. Notes, biography. Copiously illustrated in color and black and white. A nice copy in rather heavily scuffed dj. Heavy.

First Edition. Very good copy in the original cloth-covered boards with paper labels. Spine bands and panel edges slightly dulled and dust-toned as with age. Remains particularly well-preserved overall. Physical description; 117 pages, 24 unnumbered leaves of plates : illustrations, 1 portrait ; 21 cm. Notes; Includes bibliographical references (page 117). Subjects; Poussin, Nicolas 1594?-1665. Poussin, Nicolas 1594?-1665 Criticism and interpretation. Painters France. France. 3 Kg.

Condition: New. Presenting a study of Nicolas Poussin, one of seventeenth-century Europe's greatest artists, this title offers a series of connected studies that provide ways of interpreting the work and ideas of Poussin. Num Pages: 166 pages, 89 black & white illustrations, 28 colour illustrations. BIC Classification: ACN; AFC; AGB. Category: (G) General (US: Trade); (P) Professional & Vocational; (UU) Undergraduate. Dimension: 280 x 204 x 12. Weight in Grams: 470. . 1999. First Edition. Paperback. . . . .