Non Objective World (126 results)

Softcover, 104 pages; very good condition; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. 1st Edition. Annely Juda Fine Art, London, 1988. Softcover exhibition catalog in stiff wraps. 1st edition, 104 pages, Illustrated in color and black & white. Introduction by Stephen Bann. A 'With Compliments' card from this gallery was found inside the book and is laid in. Fine.

Paperback. Condition: Near Fine. 1st. 103 pages, illustrations (some colour); 24 cm. Exhibition held 1 July to 15 October, 1988. Near fine. Firm binding, clean inside copy. Age toning. *** Many of the works reflect such abstract movements as Constructivism and Concrete Art. Size: 8vo. Collectible.

Soft cover. Condition: Very Good. Color and b&w illustrations (illustrator). 192pp [foxing to page edges and cover margins] Dual publication with Annely Juda Fine Art in London - Text in English and German Size: 8vo - over 7¾" - 9¾" tall. Book.

Soft cover. Condition: Fair. No Jacket. The Non-Objective World. Die Gegenstandslose Welt. Il Mondo della Non-Oggettivita. 1939 - 1955. London, Basel, Milano 1972. 197p. trade paperback, covers bumped/scuffed, text clean, split binding, a few pages tipped in --6.00.

Paperback. Condition: Near Fine. First Edition. 191 pages; Clean and secure in original pictorial stiff wrappers. 191 pages, mainly b/w illustrations, English/German text. Catalogue of the exhibition in London July/September 1973 at Annely Juda Fine Art and then in Austin, October/December 1973 at the University Art Museum.

Soft cover. Condition: Very Good. Softcover exhibition catalogue. Good - some soiling to cover. Includes a black & white fold-out reproduction Malevich manuscript at plate 14. Illustrated in colour and b/w.

Soft cover. Condition: Good. 192 page softcover with many photo illustrations and brief bios of the artists. Introduction (in English and German) by Margit Staber. The exhibit moved from London to The University Art Museum in Austin, Texas, then to Galerie Liatowitsch in Basel. Exterior is lightly worn and lightly soiled - interior is unmarked, tight and clean.

Paperback. Condition: Very Good. 1971 Annely Juda in English/French and Italian 1st; very good copy with no stamps or inscriptions.

Softcover. Condition: Very Good. An indispensable guide to the social history of non-objectivef art in its original and formative years, texts being in both English and German. Sturdy, still tightly bound softcover copy, moderate wear of illustrated, glossy covers with a crimp to bottom tip but with a near-pristine text-block, but with neither underlining nor highlighting. Perfectly readable, usable copy. Double-column texts, several score bright and fine black-and-white reproductions printed on high-gloss paper of artists A to Z, Yaacov Agam and Josef Albers to Jean Arp and Max Bill to Alexander Calder and Sonia Delaunay-Terk, Naum Gabo to Jean Gorin, Barbara Hepworth and Jean Hellion. [2], 3-192 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Condition: Good. Wear to cover. NO marks in text; binding is tight. Overall a good reference copy. Pasadena's finest independent new and used bookstore.

Hardback. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Black boards, corners sharp, unmarked. B&w and colour plates, no ownership markings, binding tight. ; 24.5 x 18.5 x 1.5 cm; 102 pages.

Soft cover. Condition: Good. Just On Very Good - Blemish Is A Small Area Of Tanning And Rubbing To Foot Of White Wrappers.

Softcover, 192 pages; in English and German; very good condition; light wear to covers; no internal marks. Foreign shipping may be extra.

Condition: New.

Hardcover. Condition: new. Hardcover. Kasimir Malevich s treatise on Suprematism was included in the Bauhausbucher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbucher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless had a close connection to the ideas of the school in terms of content. This volume 11 laid the foundation for the Russian avant-garde artist's late work: to wrest the mask of life from the true face of art. AUTHOR: Kasimir Malevich studied at the Moscow School of Painting, Sculpture and Architecture in the studio of Fedor Rerberg. He participated in several group exhibitions in St. Petersburg and Paris, before travelling to Germany in 1927, where he visited the Bauhaus in Dessau. Today, Malevich is known as one of the most important artists and theorists in the context of the Russian avant-garde. 92 illustrations Bauhausbucher 11. This volume, the eleventh in the series, remains the only book publication in Germany to be produced during the life of the Russian avant-garde artist, and it laid the foundation for his late work to wrest the mask of life from the true face of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Kasimir Malevich's treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless had a close connection to the ideas of the school in terms of content. This volume 11 laid the foundation for the Russian avant-garde artist's late work: to wrest the mask of life from the true face of art.

Hardback. Condition: New. Kasimir Malevich's treatise on Suprematism was included in the Bauhausbücher series in 1927, as was Piet Mondrian's reflections on Russian Constructivism in 1925 (New Design, Bauhausbücher 5). Like Mondrian, who was never an official member of the Bauhaus, Malevich nevertheless had a close connection to the ideas of the school in terms of content. This volume 11 laid the foundation for the Russian avant-garde artist's late work: to wrest the mask of life from the true face of art.

Condition: As New. Unread book in perfect condition.

Softcover, unpaginated; very good condition; pages yellowed at edges and small indent to right edge of last few pages; no internal marks. Foreign shipping may be extra.

95, (1) pages. With a lot of b/w illustrations. Illustrated original softcover binding. 23x19 cm Sprache: Englisch Gewicht in Gramm: 200.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Card Covers. Condition: Very Good. First Edition. 191 pages, mainly b/w illustrations, English/German text. Catalogue of the exhibition in London July/September 1973, and thence in Austin, October/December 1973. Some wear to covers, contents fine, unmarked. [712] Size: 235mm. x 190mm.

Softcover, 198 pages; in English, German and Italian; very good condition, except moderate rubbing to covers; scuffs to faded spine with small bumps to top and bottom; no internal marks. Foreign shipping may be extra.

Softcover, 96 pages; very good condition; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Card. Condition: Good. No Jacket. First Edition. 191pp. b/w and colour illustrations. Card covers are a little worn/scuffed on edges.

Soft Cover. Condition: Very Good. No marks or inscriptions. No creasing to covers, crease to sunned spine. A very clean very tight copy with bright unmarked boards, light foxing to top of page edges, slight traces of storage and no bumping to corners. 191pp. Images and mini biographies from the 1973 Exhibition held in London and Austin, Texas with works by eighty-nine artists including Jean Arp, Barbara Hepworth, Wassily Kandinsky, Piet Mondrian, Henry Moore and Ben Nicholson. Text in English and German. We do not use stock photos, the picture displayed is of the actual book for sale. Every one of our books is in stock in the UK ready for immediate delivery. Size: 9.25 x 7.5 inches.

Paperback. Condition: Very Good. Qto., 68 pages, illustrated. There are three small Tate gallery ink stamps spread throughout the book, which apart from those marks, appears to be unused.

paperback. Condition: Very Good. Fast Despatch Soft Covers - will send out 1 st class post within 12 hours of receipt of order.

Softcover, 172 pages; in English and French and Italian; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.