Odes by Gray, Used (19 results)

green cloth, gilt. Condition: V.g. 1st Edition. 315, 24 [pub. cat.]pp. Spine a little rippled . A little grubby on rear board. Times Book Club label on pasted down end-paper. A little wear.

Condition: As New. Unread book in perfect condition.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Green paper covers, black text on front cover, handwriting on front cover, shelf wear, pages are clean, pencil writing on text. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN:

Soft cover. Condition: Good. First Edition Thus. 64 pp paper covers. Covers a little tanned with inscription and small hole to front - sound copy. Light book Air Mail will be reduced.

Condition: As New. Unread book in perfect condition.

Softcover. Condition: VG+. Not dated but about 1920. Inscription of owner at start of book dated 1922. Brown limp leather lettered in gold on spine. 90 x 63 mm. 72 pages. Pictorial endpapers. Book is in very good plus condition with very minor signs of wear and/or age.

First Edition. ENGLISH ODES, C. Kegan Paul and Co., 1881, first edition, some wear to fore edge corner tips and raised spine extremities, else a tight vg copy rebound by Riviere and Sons in 3/4 leather and marbled boards and matching marble end-papers with t.p.e.'s in gold-gilt. Contributions by John Milton, Ben Jonson, John Dryden, William Congreve, Thomas Gray, William Wordsworth, Samuel Coleridge, Lord Byron, Percy Shelley, John Keats, Alfred Tennyson, et.al.

Hardback. Condition: VG+. Dust Jacket Condition: No DW. 1st Edition.

Hardcover. Condition: Very Good. c.1900. A miniature volume, externally a little rubbed and worn along the top and front edges from prior handling and storage, though the gilt titles remain bright, and the spine is firm and secure with no major wear. Contents are very presentable, with gilt edging bright and attractive, no significant creases except to the rear endpaper. Some very faint occasional spotting, but generally clean and well-presented. Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 60 x 90 mm. 65. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Poetry; Britain/UK; 1900-1920; Inventory No: 43470.

Condition: Hervorragend. Zustand: Hervorragend | Seiten: 380 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Pagination: [8], 3-84p. Modern half calf over marbled boards with gilt rules and floral gilt design to spine with title, a fine binding with a hint of shelf wear at edges. Contents clean and crisp on thick paper. An excellent near fine copy. We find no copies of this edition for sale at time of description nor any reference via several search engines online of the edition at all. OCLC lists only 2 copies of this edition. Illustrations: With frontispiece. Thomas Gray (1716-1771), Englisj poet, letter-writer, scholar and professor at Pembroke Cambridge. Best known for his Elegy Written in a Country Churchyard first published in 1751. Elegy is still one of the most popular and frequently quoted poems in the English language. [See Wiki for more info on Gray].

Edinburg(h), at the Apollo Press, by the Martins, 1782, in-12, mezza pelle coeva ed angoli, tassello in pelle con titolo oro al dorso, piatti marmorizzati, pp. XXXIV, 35-94; (2), 11, (1). All'antiporta ritratto di Gray inciso in rame da Trotter ed una tavola incisa da Marcuard su disegno di Biagio Rebecca, ambedue con blanda gora. La seconda opera ha proprio frontespizio. Cerniera del piatto anteriore staccata. "Bell's Edition, The Poets of Great Britain from Chaucer to Churchill", n. 103.

Hardcover. Condition: Very Good. Vignette on title, 10 x 8.25", later half leather; marbled boards and endpapers, 21pp, teg, old repair on title, corner bumped, covers moderately rubbed. FIRST EDITION, FIRST ISSUE. Horace Walpole/Strawberry Hill Press.

First edition, pirated issue, 4to (26 x 20 cm); half-title, engraved vignette view of Strawberry Hill House to title-page, some light spotting, bookplates to front pastedown and verso of front free endpaper, clipped catalogue descriptions and previous owner's note tipped in to recto of front free endpaper; 19th century calf with simple gilt rule borders to covers, contrasting red morocco title-piece to spine, by Maclehose of Glasgow; 21, [1]pp. A famous [re]issue of the first work ever printed by the Strawberry Hill press, which has been the source of considerable bibliographical bafflement and bemusement over the years. This issue was for many years believed to be the first produced by Walpole due to the superior quality of the paper, the misspelling 'Illissus' (p.8, Ode II, 3, line 3), and the missing comma after 'Swarm' (Ode II, 2, line 7). However, the bibliographer Hazen has, it is now fairly widely recognised, established through extensive research that this edition is in fact an unauthorised printing undertaken by Kirgate forty years later. One of the other aspects that had many believing this was the true first issue is the fact that it is actually scarcer than the first, currently believed to be one of only circa 1,000 copies, whereas the 1757 issue was more likely produced in a run of about 2,000. ESTC records just 4 copies of pirated issue in institutional collections. With provenance for Arthur Kay (1861-1939). Famed as an art collector, Kay's notes and clipped catalogue entries here suggests he was also a serious book collector. The etched bookplate was created by his wife Katharine Kay nà e Cameron, a watercolourist & etcher from the Glasgow School of Art, where she had been one of the self-styled 'Immortals', a group that included the sisters Margaret and Frances Macdonald, the former marrying the architect Charles Rennie Mackintosh, a fellow student of Cameron in the early 1890s. The binding by the Maclehose of Glasgow was presumably commissioned by Kay. ESTC N61348; Hazen 1; cf. Rothschild 1067.

Full Leather. Condition: Very Good binding. Ten specimens of British poetry, almost all First Editions, bound together in one volume. Tenth Edition of Thomas Gray's Elegy Written in a Country Churchyard. The First Edition thus, edited by Moncrief, of Lady Elizabeth Wardlaw's Hardyknute, which appeared previously in shorter Scottish editions, without notes. All other works are First Editions, and all works collate complete. Paul Whitehead's satire of Walpole, The State of Rome under Nero and Domitian, and Thomas Gray's Odes [1757]. Also with John Gilbert Cooper's Epistles to the Great, and The Call of Aristippus; Mark Akenside's Ode to the Country Gentlemen of England; William King's Oratio in Theatro Sheldoniano; Thomas Warton's Mons Catharinae, Prope Wintoniam; Robert Nugent's Epistle to the Right Honourable Sir Robert Walpole. Most of the collection were published by Robert Dodsley, an eminent bookseller, talented author in his own right, and "martyr in the fight for a free British press" (Solomon p. 88). Some trimming to the Epistle to Walpole, and the Folio sized leaves of The State of Rome are slightly and neatly cut near the gutter and folded to size. Bookplate of Walter Bagot, and 'Egerton Bagot' written in ink on the front pastedown; Rev. Walter Bagot was a friend of the poet William Cowper. Holograph list of works on the front endpaper, by a contemporary hand. Late 18th century vellum with decorative gilt borders, and faded title in ink on the spine. (ESTC T32883; T4714; T42023; T71260; T129421; T36010; T135699; N4802; T32871; T48587. Foxon W215; E426; S725. NCBEL II, 1978, 575, 637, 555, 690. DNB IV, 1071. Harry M. Solomon The Rise of Robert Dodsley. ). Very Good binding.

Hardcover. Condition: Very Good. 1st Edition. 6 works bound in 1 volumed, browned endpapers lightly browned, ink signature of Tighe and inscribed ¿St. John¿s College Cambridge Anno D.; 1759¿ on front pastedown, Bradley Martin copy with bookplate on front pastedown, contemporary calf, corners bumped, rebacked, 4to. in relation to the individual works; Odes - first edition, vignette on title, half-title, [Hazen & Kirby 1], Printed at Strawberry-Hill, 1757 bound with [Akenside (Mark)] The Pleasures of Imagination. A Poem, first edition, title in red and black with engraved vignette, advertisement leaf at end, [Rothschild 20], R. Dodsley, 1744 bound with An Ode to the Country Gentleman of England, The Second Edition, R. and J. Dodsley, 1758 bound with An Ode to. the Earl of Huntingdon, first edition, half-title, 2pp. of advertisements at end, R. Dodsley and M. Cooper, 1748 bound with Mason (William) Odes, second edition, engraved vignette on title, Cambridge, William Thurlbourn and R. and J. Dodsley, 1756 bound with [Akenside (Mark)] Odes on Several Subjects, first edition, large engraved vignette on title, small tear on half-title, R. Dodsley, 1745,

First edition, with the half-title, correct readings of "Ilissus" and "Swarm,". Engraved title-page vignette. 21 pp. 1 vols. 4to. The first book printed by Horace Walpole at his Strawberry Hill Press, in an edition of 2000 copies. How Gray's two Pindaric Odes ("The Progress of Poesy" and "The Bard") ended up in Walpole's hands is best described in his own words: "I found him [Gray] in town last week: he had brought his two odes to be printed. I snatched them out of Dodsley's hands, and they are to be the first fruits of my press.". Rothschild 1067; Hayward 174; Hazen 1 Full brown morocco, spine titled in gilt, boards with central ornament in blind, a.e.g., by Riviere & Son. Spine lightly rubbed, near fine Engraved title-page vignette. 21 pp. 1 vols. 4to First edition, with the half-title, correct readings of "Ilissus" and "Swarm,".

First Edition. First Edition. 4to. Bound in fine 19th Century full tan polished calf, two raised bands with brown morocco lettering-piece on wide center panel on spine, gilt-stamped designs on top and bottom panels of spine, attractive gilt-stamped dentelles, bright turquoise endsheets (original to binding), stamp-signed by Riviere. Half-title; engraved device on title-page. FIRST EDITION, FIRST ISSUE, with "Ilissus" on p.8 and the comma after "Swarm" on p.16. The first book printed at Horace Walpole's Strawberry-Hill Press. Cover levant and clean fresh, wear along spine margin, small discreet repair to inner blank margin of the first few leaves, barely noticeable). Quite a nice presentation indeed.

Dyer, John (illustrator). (STRAWBERRY HILL PRESS) GRAY, Thomas, John Dyer, John Cooper, and Robert G. ODES BY MR. GRAY, bound with THE FLEECE, bound with EPISTLES TO THE GREAT, FR ARISTIPPUS IN RETIREMENT, bound with THE DAY OF JUDGMENT: A POETICAL ESSAY. F works bound in one volume. (London): Strawberry Hill, 1757; London: R. and J. Dodsley, 1757; and Cambridge: J. Bentham, 1758. 4to. Later pebble cloth. 21 pages; (iv), 156 pag 48 pages; and 16 pages. First and third editions. A composite of English eighteenth century poetry with an association to an English general who served as royal governor of New York before the Revolutio Robert Monckton. He served in the British army in America where he distinguished himself during the French and Indian War and was with General W at the Battle of Quebec. He was also the British officer in charge of the deportation of the French citizens of French Arcadia in Canada to Louisiana during the war, and was appointed governor of New York in 1762 until 1765, bu returned to Britain in 1763 never to return to America. His signature is on front blank leaf of the first work, Gray's Odes. Gray's poem was printed at Strawberry Hill and is the first edition, first printing of the work with the "Ilissus" at 8:17 and a comma after "Swarm" at 16:19 -- the first work publis at Walpole's press in 1757. The next two poems were printed in London by R. J. Dodsley in the same year, and the last one at Cambridge by Bentham in 1758 The last work, Glynn's Day of Judgment, was the Seatonian Prize poem for 1757 Glynn was a noted physician who attended on Thomas Gray in his final illness. Later bookplate, very good.