Orian (33 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Spiral-bound. Condition: Good. Edition 7 - GOOD - Clean and solid. No highlighting or writing. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Paperback. Condition: Brand New. 282 pages. 9.00x6.00x0.71 inches. In Stock.

Paperback. Condition: Brand New. 355 pages. 9.00x6.00x0.89 inches. In Stock.

Paperback. Condition: Brand New. 368 pages. 9.00x6.00x0.92 inches. In Stock.

Condition: D'occasion - Comme neuf. === ENVOIE LE JOUR MEME ===.

Condition: New. In.

Condition: Neuf.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: VG. No Jacket. 1st Edition. Hardback bound in green boards with embossed illustration and title on the cover with illustrated end pages. Book has light wear with the usual student to student comments. Book is signed by the Principal. Black and white illustrations and photos of staff and students. Many advertisers. 132 pages plus several pages of advitisers. Size: 4to - over 9¾ - 12" tall. Book.

Couverture souple. Condition: bon. RO20249062: 1987. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Rousseurs. 99 pages- nombreuses planches illustrées de dessins en noir et blanc - recouvert d'un film plastique adhésif. . . . Classification Dewey : 398.2-Conte populaire.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Condition: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Paperback. Condition: Good. All three volumes!! Books have modest wear to corners, light wear to edges, overall rubbing to covers, volume 2 is toned, a few creases. otherwise a presentable and solid set. Photos on request.

Taschenbuch. Condition: Neu. Neuware.

Hardcover. Condition: Very Good. Signed copy. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Very Rare. Clean Tight copy, in very good condition, likewise the dust jacket. Signed by the the anonymous author MM, Mathilda Mortimer Argyll, aka Mathilda Campbell, Duchess of Argyll. Mathilda was the fifth and last wife of the 11th Duke of Argyll who she married in 1963, unknown to her at the time, her husband ha had an affair with her mother in the twenties. The notorious 11th Duke was portrayed in the TV mini series 'A Very Brit.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 386. A perfect gift for your loved ones. Reprinted from 1923 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 386.

In 8° 2 pp. Quartino volante con stemma sabaudo, pieni margini, barbe. Ottimo stato. All books are in stock in fine condition or described meticulously. Very safe packaging.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1868 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 224 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 224.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1919 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 230 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 230 Volume 1970.

[Tokyo n.d. ca. 1920's]. Vertical Chuban color woodblock print, sheet:19.8 x 30.3 cm.,pristine impression & registry, fine condition, no issues, verso clean no marks, UNUSED copy above average example. * * RARE & OBSCURE COLOR PRINT * * . *** **** *** . . ORIAN TO KAMURO: BEAUTIFUL COURTESAN WITH MAID ATTENDANT . . . STUNNING VIEW OF A COURTESAN SMOKING A LONG KISERU . . . ACCOMPANIED BY HER YOUNG GIRL KAMURO [MAID] . * A classic Kaigetsudo style portrait print of a popular prostitute with her young girl attendant maid. . The courtesan holds a very long Kiseru [smoking pipe] while gazing at the sparrow in the upper left of corner of the print. . She wears a stunningly beautiful silk Kimono brocade with her Obi [belt] tied in front, typical of prostitutes. This position of her Obi shows her willingness to quickly & easily disrobe from her Kimono and be available for amorous endeavors with her favorite client. . She is attended by her young novice, and apprentice, her Kamuro [maid] who is also wearing an elaborate silk Kimono with stripe decorations. She holds a small poem paper in her right hand, She too gazes at the bird in the corner. . *** THE ARTIST KAIGETSUDO ANDO SCHOOL OF THE 18TH CENTURY: . A school of painters and printmakers working in the Ukiyo-e style, specializing in large scale paintings and prints of courtesans during the first half of the 18th century. . As usual this print is unsigned. It is generally assumed that Ando was the founder of this school and that his style was closely copied by a small group of artists all using the name "Kaigetsudo" in their signatures. . This is a nostalgic Meiji period [1867-1912] reprint of an 18th century original. "These prints stand out as bold memorials to Japanese womanhood by 'cultivated' men of the period." Quoted from Lane below. . *** Color photos are posted to our website. . *** CONDITION: . In a word, 'pristine' expresses the superb condition of this print, with its fine impression & registry, truly the best example of a multi-color woodblock print of the times. . Flawless, verso clean, as issued, it cannot get any better than this example. Seldom found. . *** REFERENCE: . Google Kaigetsudo. * ROBERTS, Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER, see p.64. * LANE, Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E., see pages 290-281. . *.

[Tokyo n.d. ca. 1920's, Adachi]. Oban color woodblock print, 26.6 x 39.8 cm., excellent example,with crushed mica dust in background, verso with 'Adachi' seal, fine impression and registry, in extra-large size, a brilliant work. * RARE * . *** **** *** . . . A STUNNING VIEW OF AN ORIAN COURTESAN [OR PROSTITUTE] . . . WITH HER YOUNG KAMURO [HAND-MAID] . * This is a spectacular reprint, a view of an Edo period Oiran [prostitute] and her young Kamuro [hand-maid]. . The print has a very rare crush mica background, a technique seldom used because of the major difficulty in getting it to stick. The background also has several vertical gauffrage lines indicating Shoji [screen] background. . This color woodblock print is larger than the standard Oban size, an unusual example, in the best condition. . *** THE ARTIST: KITAGAWA UTAMARO: [c.?1753-31 October 1806]: He was a Japanese artist. He is one of the most highly regarded practitioners of the Ukiyo-e genre of woodblock prints, especially for his portraits of beautiful women, or Bijin-ga. He also produced nature studies, particularly illustrated books of insects. . Utamaro's work reached Europe in the mid-nineteenth century, where it was very popular, enjoying particular acclaim in France. He influenced the European Impressionists, particularly with his use of partial views and his emphasis on light and shade, which they imitated. The reference to the "Japanese influence" among these artists often refers to the work of Utamaro. . *** THE CARVER/PRINTER: This print was expertly carved by Harada Kame and superbly printed by Ito Satoshi. This reprint is of a Kansei 3rd year [1791] -Bunka 1st [1804] year original. . *** CONDITION: This print is in stunning condition, with superb impression and impression, the colors are pastels, no fading, or other issues. There is a very minor bit of rubbing to the mica, which is typical, otherwise in far and above average condition. . *** Color scans are posted to our website. . *** REFERENCES: . STEWART, Basil. JAPANESE COLOUR-PRINTS AND THE SUBJECTS THEY ILLUSTRATE: A Guide for the Collector & Student with Description of the Subjects Illustrated in Landscape, Drama, Story and Portraiture. * VON SEIDLITZ, W. A HISTORY OF JAPANESE COLOUR-PRINTS. * LANE, Richard. IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT, INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E: Utamaro entries on pp.21, 124,127, 135-41, 341-346. * [ISHII, Kendon.] NISHIKI-E NO ARATAME-IN NO KOH-SHOH: READINGS OF CENSOR'S SEALS ON JAPANESE PRINTS * ROBERTS, Laurance P. A DICTIONARY OF JAPANESE ARTISTS PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER: p.193. * KOBAYASHI, Tadashi. UTAMARO. * WikiPedia: see Utamaro . *.

Leather Bound. Condition: New. Language: Gaelic_ScottishGaelic. Language: Gaelic, Scottish Gaelic. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1868. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Gaelic_ScottishGaelic, Pages: - 224, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 224 224.

[Tokyo n.d. ca. 1920's]. Vertical Aiban color woodblock print, sheet:20 x 39.5 cm.,pristine impression and registry, fine condition, no issues, verso clean no marks, UNUSED copy above average example. * * RARE & OBSCURE COLOR PRINT * * . *** **** *** . . A BIJIN OIRAN AND HER SHY KAMURO [YOUNG MAID] . . . SUPERB BRUSH-WORK THE THE OLD MASTER EISHIN CHOEN-SAI . * Excellent portrait of a high-class Bijin [beauty], Oriran [courtesan or prostitute] with her shy Kamuro [young maid] attendant. She hides behind her mistress, being shy about the artist painting them. . This kind of Bijin was common throughout the "Gay Quarters" or the Yoshiwara [prostitution quarters] in the "Shin Yoshiwara area. . This is a classic style Kaigetsudo portrait of a popular prostitute showing her in all her glorious silk Kimono dress. She is of the highest class. . She wears ten Kimonos in all, an unusually large number. . *** THE ARTIST KAIGETSUDO ANDO SCHOOL OF THE 18TH CENTURY: . A school of painters and printmakers working in the Ukiyo-e style, specializing in large scale paintings and prints of courtesans during the first half of the 18th century. . As usual this print is unsigned. It is generally assumed that Ando was the founder of this school and that his style was closely copied by a small group of artists all using the name "Kaigetsudo" in their signatures. . This is a nostalgic Meiji period [1867-1912] reprint of an 18th century original. "These prints stand out as bold memorials to Japanese womanhood by 'cultivated' men of the period." Quoted from Lane below. . This print was signed: EISHIN Choen-sai, who was a leading pupil of EISHI Chobun-sai. . *** Color photos are posted to our website. . *** CONDITION: . This print has superb impression and registry. There are two tiny scuffs with a bit of color loss of the lower part of her Kimono, see cover.jpg, title.jpg, with a very clean front surface There are three reinforced & mended corners from the back side. A feint hint of very mild bent corners, not a major issue, barely noticeable. . This print appears to have been extracted from a book, where it was gently attached at the top back edge. There remains some paper from that book. . Nevertheless the overall impression is very good, ready for matting, framing and display. . Seldom found a RARE and obscure example. . *** REFERENCE: . Google Kaigetsudo. * ROBERTS, Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER, see p.64. * LANE, Richard.: IMAGES FROM THE FLOATING WORLD: THE JAPANESE PRINT INCLUDING AN ILLUSTRATED DICTIONARY OF UKIYO-E., see pages 290-281. . *.

[Japan] 1837. Large Kawara Ban [broadside] woodblock print, sheet size ca.38 x 35 cm.,print size:43.5 x 30 cm.,re-backed contemporary, a few tiny old worm holes mended, a bit dusty, else firm & solid, advert. * * OBSCURE EPHEMERAL EXAMPLE * * . *** **** *** . . AN EARLY, OBSCURE EPHEMERAL ADVERTISEMENT FOR . . . GEISHA AND ORIAN MUSICIANS . *** This is a fascinating and early Kawara Ban [broadside] advertisement, woodblock printed. . It shows eight Geisha or Orian women, dancing, singing, playing the Shamisen, drums and entertaining. They are in a procession Ycalled OMEIRI KITSUNE SUGATA [A costume procession resembling a wedding procession of foxes]. . In the upper right corner is a portable shrine with Torii gate and two Bonsai pine trees, and three bundles of dried rice stalks, an offering to the gods of plenty. . This musical was performed at Sakai Machi, the local Geisha house. . The title is partially unread due to the 'running grass' style of calligraphy. The print is dated in the right margin: Tenpo 8th year [1837]. . *** RARITY: This kind of early illustrated advertisement for a Geisha house are seldom if ever found. . This kind of ephemeral advert was tacked up to walls, posts and public places with the intent they would be lost to wind, rain, snow and the attrition rate with a week or so. Necessarily they were cheaply printed using cheap techniques at a low cost. . This one survived in a book of the period with several other contemporary adverts protected and preserved. . Seldom found if ever ! . *** Color photos are posted to our website. . *** CONDITION: . The front side is a bit dusty, with re-backing which mended a few paper flaws and a couple small old worm holes. The print is solid and firm. . The print has a mild center fold, it is a 'double-Oban size. When folded down it is ca. 24 x 35 cm. . This print seems to have survived some sultry humid weather, there is some minor rubbing to last Kanji of title, and some scuffing to the surface, nevertheless the print is still preserved, RARE and solid. . *.