Ossorio, Signed (14 results)

Encuadernación de tapa blanda. Condition: Bien. 1? Edición. Primera edición. 207 páginas. Cubiertas originales, rozadas en la parte inferior del lomo. Buen estado. Dedicatoria autógrafa del autor y tambien una fotografia del mismo tambien dedicada a Joaquim Balcells. Dedicado por el Autor(es).

MAURA ANTE EL PUEBLO. Prólogo de Angel Ossorio y Gallardo. Madrid, 1915. 8ºM, XVIp, 315p. Dedicatoria autógrafa (firmada 'los autores'). Rústica deteriorada, con mermas, necesita encuadernación.

Hardcover with dustjacket, 270 pages, very good condition, except moderate rubbing wear to dj; inscribed around his printed name on the half title page; signed Alfonso O. and dated 25/1/73 in red pen; no other internal marks. Foreign shipping may be extra.

Broché, couverture illustrée. Condition: Très bon. Ossorio (illustrator). EDITION ORIGINALE. 45 reproductions d'oeuvres d'Ossorio, dont six en couleurs montées hors texte, l'une d'elle reprise en couverture. Tirage à 1536 exemplaires. >>Un des 60 hors commerce sur pur fil Johannot, celui-ci portant un amical ENVOI AUTOGRAPHE signé et daté 9 octobre 1951 de Jean DUBUFFET au journaliste Pierre Descargues. Dédicacé par l'auteur.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Signed & inscribed by Alfonso Ossorio to the previous owner on the half title page. 1st edition. Hardbound in dust jacket. Minor wear to dust jacket corners, otherwise very good. [ Heavy. Contact for overseas shipping quote.]. Signed by Author(s).

Dust Jacket Condition: dj. First printing. Inscribed first edition of this big, beautiful monograph on the early Abstract Expressionist - featuring stunning reproductions of his assemblage "congregations." 10.5'' x 11''. Original black cloth, intricate illustration stamped in white to front board, lettered in white to spine. In original color photographic jacket, no price (as issued). Red textured endpapers. 206 illustrations, including 54 hand-tipped plates in full color. 270 pages. Inscribed by Ossorio on title page: "For E- K- with the / artist's compliments -- / Alfonso Ossori, 20. x. 73." Jacket with small scattered spots of soil to rear and top of spine. Book with boards slightly bowed, light soil to text block edges. Vibrant. Very good plus in very good jacket. Signed.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. SIGNED by Alfonso Ossorio and personally inscribed "For Barbara and Denis love from Uncle Alfonso 05-73" on the half title page. First Edition. Near Fine copy with extremely faint foxing on fore edge, otherwise fine. Contents remain fine. The dust jacket has extremely slight shelf wear, Near Fine plus. International shipping may require added postage charges. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First edition. Large oblong quarto. Illustrated. Fine in fine dust jacket. Boldly Inscribed by the artist and subject of the book: "To Tom &Elinora Dliatush with the artist's best wishes. Alfonso Ossorio, March MCMLXXXI.".

Couverture souple. Condition: Très bon. Edition originale. Paris, aux éditions Les Pierres Volantes, 1951 In-8 (27,50 cm x 22 cm), 64 pp. Broché, sous couvertures souples à rempliées. Rhodoïd. Premier plat illustré. Exemplaire en très bon état. Edition originale numérotée 911/1440 sur papier pur-fil Johannot. Envoi amical de Jean Dubuffet au poète américain Selden Rodman daté de Oakland, 27 Mars 1952. 45 reproductions dont 6 en couleurs contrecollées sur fond noir. Collationné complet. Très bel exemplaire. Dédicacé par l'auteur.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Edizioni D'Arte Fratelli Pozzo/International Center of Aesthetic Research, 1961. Folio. Pictorial wraps. Signed and inscribed by Alfonso Ossorio on half-title/flyleaf. Inscription reads, "For A-- from Alfonso Ossorio Feb 3rd, 1962". Book is very good. Has spotting on covers and pages throughout. Small creases/wrinkles to covers and edges. A few creases to pages. 10 full-color plates present. Smudges and scuffs to covers. No writing or names. Text in French and English. Introduction by Michel Tapie. Very scarce signed copy of this classic early Ossorio retrospective. Measures approximately 19.5" x 15.5". Book has been placed in a custom acetate protector. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

hardcover with clamshell. Center for Book Arts (illustrator). 18.375 x 18.25 inches. hardcover with clamshell. n.p. First edition limited to 100 signed and numbered copies. Alfonso A. Ossorio (1916-1990) was an abstract expressionist artist who was born in Manila and produced a body of work that remained consistently international in scope. His early fascination with Surrealism gave way to Abstract Expressionism although he continued to be influenced by his native Philippine Catholic folk art as well as the modernist techniques of Informel and assemblage. Instead of completely abandoning one set of principles for another, he would continue to incorporate those features he most favored into his next series of compositions which resulted in complex and multifaceted works. In failing health, he was hospitalized from January 17 to February 8, 1989 and December 3 to 5, 1990. Given some markers and watercolor paper, he began a series of drawings that would become this striking collection of forty-two images. The publication was designed by Richard Minsky, with texts by Rose Slivka, Dr. Lewis Thomas and B.H. Friedman. Each print, mounted and matted on Stonehenge paper, was printed on Permalife paper and authenticated in the margin with the seal of the Ossorio Foundation. Letterpress printed at the Center for Book Arts. This volume is housed in a red cloth clamshell box.

Stapled soft cover. Dubuffet, Jean (illustrator). Limited edition. [18]p, 3 linoleum cuts and 3 woodcuts. Given by Alfonso Ossorio, Dubuffet's longtime friend, fellow Art Brut artist, and collector, to an American art historian friend. The owner noted the gift on the front cover. Light edge wear and soil to covers; two short closed tears and paperclip indentations to back cover and last page. Tears mended with removable tape. "France" is stamped on the front cover. The "premier véritable livre de Dubuffet," and an early example of Art Brut printing. Written, illustrated, and printed on the dining room table by Dubuffet (assisted by his wife), using rudimentary materials and printing techniques. The illustrations were printed from the lids of Camembert cheese boxes. Using squares of fine silk, Dubuffet stenciled his nonsensical phonetic text onto newsprint. One of 165 unnumbered regular copies (plus 15 deluxe). Can be sent outside the US for less than the default shipping rate. Very good, especially considering its fragility.

hardcover. Center for Book Arts (illustrator). 17.625 x 16.875. hardcover. Not paginated. First edition limited to 100 signed and numbered copies. Alfonso A. Ossorio (1916-1990) was an abstract expressionist artist who was born in Manila and produced a body of work that remained consistently international in scope. His early fascination with Surrealism gave way to Abstract Expressionism although he continued to be influenced by his native Philippine Catholic folk art as well as the modernist techniques of Informel and assemblage. Instead of completely abandoning one set of principles for another, he would continue to incorporate those features he most favored into his next series of compositions which resulted in complex and multifaceted works. In failing health, he was hospitalized from January 17 to February 8, 1989 and December 3 to 5, 1990. Given some markers and watercolor paper, he began a series of drawings that would become this striking collection of forty-two images. The publication was designed by Richard Minsky, with texts by Rose Slivka, Dr. Lewis Thomas and B.H. Friedman. Each print, mounted and matted on Stonehenge paper, was printed on Permalife paper and authenticated in the margin with the seal of the Ossorio Foundation.

Friedman, B.H. ALFONSO OSSORIO [SIGNED]. 269 pp. with 206 illus., many in color, some folding, large 4to, cloth. New York, Abrams, (n.d.). Signed by the artist. Bumping to front right corners with some creasing to dust jacket in lower right corner and some sunning to the spine.