Painters Object, Used (14 results)

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:

Hardcover. Condition: Good. Dust Jacket Condition: No D/J. First Edition. Boards a little marked with some fading. Slight darkening and spotting to end papers. Light shelf wear to extremities.

hardback. Condition: Good. No Jacket. hardback, blue cloth lettered gilt to spine, no dust jacket. Lower board with some scuff marks, minor foxing to the verso of the frontis. The binding remains tight and the text clean and unmarked, coloured frontis, b&w plates, 145pp.

Hardcover. Condition: Good. 1st Edition. Includes articles by & conversations with the aforementioned artists, some translated by the editor, Evans, plus illustrations. Areas of soiling to deep blue boards, edges tanned, pages are clean save for perhaps the odd spot, binding is tight, lacks jacket & book is priced accordingly. Grading commensurate with age of book. Dispatched from the UK same or next working day. NB: Due to the utter stupidity of Brexit, parcels sent to the EU may incur customs charges.

Hardback. Condition: Very good. Reprint. 19 x 27cm 147pp very good hardback, mustard-coloured boards, no dust jacket. A reprint of the 1937 edition, originally published in the UK by Gerald Howe Limited. Black and white reproductions of works by Picasso, Leger, Henry Moore, Jean Helion, Paul Nash, Ozenfant, Kandinksy, Julian Trevelyan, Alexander Calder, John Piper, Max Ernst, Picasso, Graham Sutherland and more. Texts by individual artists ie Paul Nash on Swanage, or Seaside Surrealism and John Piper on England's Early Sculptors.

Hardcover. Condition: Very Good. From the Library of John Russell Taylor.

Soft cover. Condition: Very Good. 1st Edition. Color paper wraps are in very good + condition. Would ave called it near fine but some one has added a thin strip of tape to the spine that had no faults. 24 unmarked pages with 6 illustrations. 3000 copies.

Softbound. Condition: VG. Color printed wraps. [24] pp. 6 bw plates. The six painters are Jim Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist and Andy Warhol. An early exhibition for all these artists. About 6 works for each artist. All of the painters in the 1963 exhibition Six Painters and the Object were born between 1923 and 1933, making them, at the time of the exhibition, either emerging artists or artists who were mid-career Although some of these six artists were commonly referred to as?object-makers,? this exhibition focused on the artists as painters and the canvas as subject. The six artists who were highlighted in this exhibition include: Robert Rauschenberg, Jim Dine, Jasper Johns, Roy Lichtenstein, James Rosenquist, and Andy Warhol. In his catalogue essay, curator Lawrence Alloway underscores a shared similarity between the artists to be found in?the common use of objects drawn from communications network and the physical environment of the city.? On the cusp of Pop art's explosion in the art world, the exhibition marks a significant moment in art history and the accompanying catalogue an essential guide to understanding the nascent exhibitions leading up to a movement that would sweep the art world. The catalogue includes a list of works in the exhibition and reproductions of selected works in the exhibition.

Softcover, staple-bound, 28 pages; very good condition; light rubbing to covers;owner's name; no other internal marks. Includes: Jim Dine, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist and Andy Warhol.

Broschiert. 25,5 cm x 12 cm. Unpag. Broschur. Sprache: Englisch, Mit schw.-w. Abb. minimal knitterig, gutes ERxemplar. Jasper Johns, Robert Rauschenberg, Jim Dine, Roy Lichtenstein, James Rosenquist, Andy Warhol.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fair. 1st Edition. First Edition (first printing) - printed at the Curwen Press. 4to. viii, 147pp. Blue cloth lettered in gold at the spine. With a colour Picasso-reproduction frontispiece and numerous monochrome plates reproducing works by Fernand Léger, Henry Moore, Alexander Calder, Paul Nash, Kandinsky, Julian Trevelyan, John Piper, Max Ernst, Graham Sutherland, Moholy-Nagy &c. Top edge fractionally spotted, and with just a trace of near-invisible toning to the free endpapers. A pencilled note to the front free endpaper notes this copy as being from the library of art and dance critic Nigel Gosling and his wife Maude. A virtually fine copy in somewhat handled non-price-clipped dust wrapper designed by John Piper, which is toned, spotted, nicked, and chipped with several inches of jagged loss from the upper edge of the front panel, and several smaller fractions of edge- and corner-loss. A significant book containing seventeen essays on art penned by a selection of major twentieth century artists including Henry Moore ('Notes on Sculpture'), Paul Nash ('The Nest of the Wild Stones' and 'Swanage, or Seaside Surrealism'), Julian Trevelyan ('Mythos'), John Piper ('Lost, A Valuable Object' and 'England's Early Sculptors'), Max Ernst ('Inspiration to Order'), Graham Sutherland ('An English Stone Landmark'), Fernand Léger ('Painting and Reality'), Wassily Kandinsky ('Empty Canvas, etc.'), Giorgio de Chirico ('Gustave Coubert'), and Moholy-Nagy (his film scenario 'Once a Chicken, Always a Chicken'). Increasingly uncommon, and more so in the fugitive dust wrapper, although this is perhaps not the best example. Levinson 21.

First edition. 255x185mm. pp. viii, 147 [1bl]. Blue cloth, lettered in gilt to spine. Original illustrated dust jacket designed by John Piper. Tear to upper cover and head and foot of spine of jacket and some foxing on lower cover but otherwise a very good, and internally fine, copy of a book that is uncommon in the Piper designed jacket. An interesting set of essays by, amongst others, Henry Moore, Paul Nash, Picasso, Max Ernst and John Piper who married Myfanwy Evans the same year that this book appeared. Between 1935 and 1937, Evans edited the modern art journal Axis and this collection reflects the aesthetic currents at work in that magazine although occasionally ranges more widely such as in John Piper's piece on England's Early Sculptors. The Painter's Object is extensively illustrated with black and white photographs and reproductions.