Petrone, First Edition (23 results)

Hardcover. Condition: Fair. 1st Edition. 213pp hardback, blue cloth gilt , some annotation and underlining, latin ext and french translation, ownership signature.

Couverture souple. Condition: Très bon. Edition originale. In-octavo broché.

Couverture souple. Condition: Bon. Edition originale. In-8° broché, 395 pages.

Couverture souple. Condition: Assez bon. Edition originale. ln-12° broché, 93 pages.

couverture souple. Louis Michaud | Paris s. d. [circa 1890] | 11.50 x 17.50 cm | broché | Edition originale. Biographie, bibliographie, pages choisies par Charles Simond. Quelques piqûres. | [ENGLISH DESCRIPTION FOLLOWS] First edition. Biography, bibliography, selected pages by Charles Simond. Some worming. *.

1st edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description: 768p; 27cm. Subjects: French Literature. Literature 19th century. Genre: History. 3 Kg.

1st edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description: 768p; 27cm. Subjects: French Literature. Literature 19th century. Genre: History. 1 Kg.

Brossura. Condition: ottimo. senza sovraccoperta. prima edizione. ormato in 8°;235 pagine. Brossura editoriale: mancanza angolo inferiore alla copertina posteriore. Copia in barbe. Ritratto del Petrone in antiporta protetto da velina. Edizione rara.

Couverture souple. Condition: Très bon. Edition originale. in-8, broché, illustré de 8 compositions de Louis-Édouard FOURNIER, gravées à l'eau-forte par Xavier LESUEUR, tiré à 225 exemplaires numérotés, celui-ci 1/150 sur papier du Marais.

Louis-Édouard Fournier (illustrator). Jérôme Doucet. Pétrone (introduction & fragments. Illustrés de huit compositions de Louis-Édouard Fournier eaux-fortes de Xavier Lesueur. Paris, A. Ferroud, 1902. In-8, 46pp.+(1f). Demi maroquin de l'époque à coins, dos lisse orné, tête dorée, plats de couverture conservés. Reliure signé Blanchetière-Bretault. 1 des 150 exemplaires numérotés sur papier du marais à la forme. Il est joint du même, reliure identique, même éditeur : Anacréon (introduction et pièces choisies). Illustré de huit compositions de Louis-Édouard Fournier eaux-fortes de Pennequin. 1903. (4ff)+VII+28pp.(2ff). 1 des 150 exemplaires numérotés sur papier du marais à la forme. Les 2 volumes sous étui. Dos un peu éclaircis. Menus défauts.

Couverture rigide. Condition: Moyen. edition originale. PETRONE (Titus Petronius arbiter). LE PETRONE EN VERS. Édition bilingue Latin - Français. 1667, Claude Barbin, Paris. 1 vol. in-16 relié de 89 pages. Reliure de l'époque plein veau, dos à 4 nerfs orné de caissons, filets, fleurons, et titre, frappés à l'or fin. Roulettes sur les coupes. Coins émoussés, étiquette d'archivage en papier en haut de dos, mors frottés, coiffe inférieure arasée, coiffe supérieure avec manque. Edition originale N°284, Traduction nouvelle par Michel de Marolles, abbé de Baugeroux , Texte original à gauche ou à droite et traduction en regard du texte en Latin. Ex-libris manuscrit de Petrus (Crevier?) et ex-libris de Jacques Laget.

Paperback. Condition: Good. Louis-Edouard Fournier (illustrator). First edition. A scarce limited edition of Doucet's French translation of the Petronius' poems, in the original dust wrapper and Illustrated by Louis-Edouard Fournier with etchings by Xavier Lesueur. The limited edition. Number 116 out of 225 copies printed on Marais paper. With the publisher's initials to the edition page.Illustrated with eight compositions by Louis-Edouard Fournier, etched by Xavier Lesueur. Collated complete.This limited edition volume features a collection of poems by Petronius, the ancient Roman courtier, translated into French by Jermone Doucet. The work is beautifully illustrated with etchings by Xavier Lesueur from compositions by Louis-Edouard Fourneir, a French painter.With an advertisement for 'Myrrha' by Jules Lemaitre. In the publisher's original paper covers with the original incorporated dust wrapper. Externally the front joint weak and covers age toned. The wrap is very smart with age toning, creasing to the spine and minimal edge wear. Internally, binding weak in places. Pages lightly age toned and generally clean with the odd spot, slightly heavier to the front and rear. Good. book.

1st. edition. 8° unpag. 30 S., pag. 256 S. Leder, berieben, teils leicht spröde, ca. 1/5 der Seiten mit Feuchtrand (nicht im Text), Einbanddeckel hinten mit seitlichem Verlust (0,5cm), insges. gut brauchbar, SELTEN. Sprache: Französisch, --------- Titus Petronius Arbiter (* um 14; gest. 66 in Cumae), auch bekannt unter den wohl unzutreffenden Namen Gaius Petronius, Gaius Petronius Arbiter oder Publius Petronius Niger, deutsch mitunter auch Petron, war ein römischer Senator und der Autor des satirischen Romans Satyricon.

Hardcover. Condition: Very Good. First Edition Thus. Hardback. Small 8vo. 2 vols in 1. pp lxxii, 447. Recently rebound in handsome dark half leather with marbled boards lettered gilt at the spine with 5 raised bands. Small neat name on first blank, Title page a little foxed, text in good order. The first edition of this translation into French of the Satyricon / Satyricon of Petronius Arbiter. Text in Latin and French. Very good indeed.

Paper. Condition: Fair. First edition. Softcover paper wrap. 4to. 210 pp. Copiously illustrated with hand coloured plates by Joe Hamman. Number 682 out of a limited 1000 copy print run. French text. Clean. Uncut on the edges. Paper wrap has detached from the text block. Spine and front cover sunned. Wear along the edges, and tears on the top and bottom of spine; bottom of spine looks bumped. Square. .

Condition: BE. Paris, cartonnage de l'éditeur; in-12, 89 pp. Edition originale N°284, Traduction nouvelle par Michel de Marolles, abbé de Baugeroux , Texte original à gauche ou à droite et traduction en face, reliure plein veau.

No Binding. Condition: Good. 1st Edition. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18 cm some wear and tear due to the disbinding.

No Binding. Condition: Good. 1st Edition. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18 cm some wear and tear due to the disbinding.

ACologne (Amsterdam?), chez Pierre Groth, 1694, in-12, pieno vitello coevo con dorso a 5 nervi, titolo e ricchi fregi impressi in oro negli scomparti, pp. (94: pp. 86 + pp. 8 legate fuori posto, contenenti indici e spiegazione delle tavole del 2° volume), 5-407, (1). Frontespizio rubricato. Bella antiporta allegorica (al cui verso è vergata una lunga nota in minuta grafia coeva) + 2 tavole incise in rame, fregi e testate xilografici. Difettosa la cerniera del piatto anteriore, con mancanza reintegrata al margine interno del frontespizio e seguente. Edizione francese con testo latino a fronte: già apparsa nel 1693 a Parigi ma nel solo testo latino; questa opera che il traduttore François Nodot pretendeva completa (del Satyricon si conoscevano solo frammenti) poichè copia d'un manoscritto ritrovato dall'amico Du Pin durante l'assedio di Belgrado del 1688, è in realtà un falso dello stesso Nodot. Fittizio è anche il luogo di stampa: appare infatti in contemporanea col marchio editoriale di Pierre Marteau, sotto cui si celavano (ma si è ipotizzato facesse capo agli Elzevier di Lovanio, che avevano medesima marca colla sfera armillare) vari stampatori in Olanda, Francia e Germania nei secc. 17° e 18°, così eludendo la censura per opere di satira politica e religiosa, di erotica (come questa) od edizioni pirata. Edizione originale. Manca il volume II°.

Cologne, Pierre Groth, 1693. 2 tomi in un vol. in-12° (15 x 9), di pp. (60)+256; pp. (2)+309. Al frontespizio del secondo volume l'emblema della Sfera. Leg. piena pelle epoca, dorso a 5 nervi con titoli e fregi in oro (piccoli guasti al dorso). Qualche brunitura, ma buon es. con ex-libris araldico settecentesco. (12779) Prima edizione (pubblicata forse in Olanda) di questa traduzione del "Satyricon" di Petronio che costituisce in buona parte un "falso letterario". La traduzione (qui ancora anonima) fu opera di François Nodot(1650-1710), letterato e "soldat mercenaire", che mise assieme al superstite e incompleto testo di Petronio le parti mancanti, fingendo che fossero state trovate in un manoscritto inedito scoperto dal suo amico Dupin durante l'assedio di Belgrado del 1688; ad esse Nodot aggiunse le sue "remarques". L'edizione trasse in inganno molti dotti dell'epoca, e nel 1694 ne apparve pure un'edizione figurata, col testo latino e la traduzione francese. Nodot pone in apertura del volume la sua prefazione (in cui afferma il carattere "licenzioso" delle Satire), la vita di Petronio e la "Clef des principaux Personnages". Gay,III/712-2 (cita solo le edizioni successive del 1694).

Paris, Bibliothèque des curieux, de la collection "Les Maîtres de l'amour", 1912, in-8 de (4)-324-(2) pp., reliure de l'époque de demi-veau blond, dos à 4 nerfs, orné de fleurons dorés, pièce nom d'auteur de chagrin rouge et de tomaison de chagrin vert, couverture imprimée et dos conservés, tête dorée, quelques rousseurs, bel exemplaire. Edition originale. Ex libris manuscrit : Ex Bibliotheca Robert Fleury, 1950.

gebundene Ausgabe -. Erstausgabe. 437 + 501 Seiten mit einem Frontispiz -- Lettre ecrite Par M. Nodot A Monsieur Charpentier Directeur de L'academie --- --- Zustand: neutraler Einband mit goldgeprägter Titelschrift "Petronius" auf Buchrücken, Einband etwas bestoßen - berieben, Einbandinnen vorn und hinten mit handschriftlichen Bleistiftnotizen, Rotschnitt, ansonsten innen bis auf kleinere Gebrauchsspuren gutes Exemplar --- Wir versenden nach Vorauszahlung, meistens am nächsten, spätestens am übernächsten Arbeitstag. Der Versand erfolgt über eine schnelle Versandart, Brief, Hermes oder DHL ---- Lagerfach: 752-423a-E24-Bü Sprache: Deutsch Gewicht in Gramm: 420.

First Edition. "PETRONIUS ARBITER, Titus. Traduction Entière de Petrone, Suivant le Nouveau Manuscrit Trouvé à Bellegrade en 1688. Cologne: Pierre Groth, 1694. Two volumes. Octavo, contemporary full crimson morocco, elaborately gilt-decorated spines, raised bands, covers with arms of the Comtesse de Verrue stamped in gilt as centerpieces, marbled endpapers, all edges gilt. $6200.First edition in French (with the original Latin on facing pages) of Petronius' Satyricon, illustrated with 9 copper-engraved plates, bound in contemporary French morocco-gilt, from the library of Jeanne Baptiste d'Albert de Luynes, the Comtesse de Verrue (1670-1736)one of the greatest bibliophiles of her timewith her family coat-of-arms as gilt centerpieces on all four covers. Also from the renowned De Bure and Hoe collections, with Jean Jacques de Bure's ownership signature and Robert Hoe's morocco bookplate.The Satyricon was composed in Latin in the first century A.D. Classical scholars often describe it as a "Roman novel," without necessarily implying continuity with the modern novel. (It is one of the two most extensive examples of the Roman novel, the other being the fully extant Metamorphoses of Apuleius.) The Satyricon has also served as a reliable source for the reconstruction of lower-class life during the early Roman Empire; Petronius' characters, most of them laypeople, talk about the theatre of ancient Rome, the amphitheater, and the circus. "The adventures of a certain Encolpius and his companions in the south of Italy, chiefly in Puteoli or its environs, are made a vehicle for exposing the false taste and vices of the age. Unfortunately the vices of the personages introduced are depicted with such fidelity that we are perpetually disgusted by the obscenity of the descriptions" (Peck, 1220).While the text is interrupted by frequent gaps, 141 sections of consecutive narrative have been preserved. It is speculated that the original composition was approximately 1000 pages. The "fragments" filling in the lacunae that were reportedly found at Belgrade and printed in the present edition are actually a forgery by François Nodot (1650-1710). Though the forgery was soon suspected, texts and translation of the Satyricon continued to incorporate Nodot's supplements until the early 20th century. Text in Latin and French on facing pages. Brunet IV, 576. Hoe Catalogue (1912), Part II, lot 2670 (this item). These volumes were from the library of Jeanne Baptiste d'Albert de Luynes, Comtesse de Verrue (1670-1736), French noblewoman and one of the greatest bibliophiles of her time. At the time of her death, she possessed around 18,000 volumes, kept in Paris and her house at Meudon. A great letter writer, Jeanne Baptiste was interested in art, science, literature and philosophy, kept in contact with the budding Voltaire and other philosophers, and maintained her own salon in Paris. Her vast private library was dispersed in 1737: these volumes are listed as part of lot 99 in the printed catalogue.Morocco-gilt bookplate of renowned bibliophile Robert Hoe, a co-founder and the first president of the prestigious Grolier Club. Mr. Hoe was "one of the best-known and most ardent of book collectors, and owner, during his lifetime, of one the most famous private library in this country in his passing [in 1909] America lost one of her greatest bibliophiles" (Transactions of the Grolier Club IV:12). The 1912 catalogue for Hoe's library lists these volumes as lot 2670, describing them as "with the arms of the Comtesse de Verrue." Ownership signature and annotation of Jean Jacques de Bure: the de Bure family were book collectors, booksellers, auctioneers, and all around bibliophiles for some 200 years; when Jean Jacques de Bure died in 1853, the library that many generations of the family had assembled was dispersed at auction. Engraved armorial bookplate of Jean-Baptiste de l'Ecuy, Abbot of Prémontré (1740-1834), the last abbot general of the Prémontré order before the Revolution.Light rubbing to joints, shallow wear to spine head of Volume I. Morocco clean and fine, gilt bright. A superb copy splendidly bound for royalty with impeccable provenance.".