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Published by University of Washington Press, 1974
ISBN 10: 0295953330ISBN 13: 9780295953335
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Book
Paperback. Condition: Very Good. Profusely Illustrated (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by University of Washington Press, 1974
ISBN 10: 0295953322ISBN 13: 9780295953328
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.25.
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Publication Date: 1974
Seller: Columbia Books, ABAA/ILAB, MWABA, Columbia, MO, U.S.A.
1974 Cunningham, Imogen IMOGEN! IMOGEN CUNNINGHAM PHOTOGRAPHS, 1910-1973 University of Washington Press, c1974 Third printing, 1978 110pp, bibliography, 4to, Intro by Margery Mann, Previous owner's writing in front cover, Fine softbound,
Published by University of Washington Press., Seattle., 1982
Seller: BookMine, Fair Oaks, CA, U.S.A.
Soft cover. Reprint. Illustrated. Important reference work. Very scarce in this condition. Fine copy.
Published by Henry Art Gallery by the University of Washington Press, Seattle, WA, 1974
ISBN 10: 0295953330ISBN 13: 9780295953335
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition
Profusely Illustrated (illustrator). First edition. Softcover. Introduction by Margery Mann. A retrospective look at Cunningham's long career. Includes many of her best images. A fine copy in wrappers. A very fresh copy.
Published by University of Washington Press (for the Henry Art Gallery), Seattle, 1978
Seller: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australia
Paperback. Condition: Very Good. Seattle, University of Washington Press (for the Henry Art Gallery), 1978 (third printing, first paperback edition)/ 1974. Quarto, 112 pages with 73 illustrations from photographs by Imogen Cunningham. Pictorial card covers; top corner bumped with associated light creasing throughout; edges a little foxed; a very good copy. The catalogue for an exhibition at the Henry Art Gallery, University of Washington, in 1974; the 10-page introduction is by Margery Mann. Index of Art in the Pacific Northwest, Number 7.
Published by For Henry Art Gallery, The University of Washington Press, Seattle and London, (1974)
Seller: Alcuin Books, ABAA/ILAB, Scottsdale, AZ, U.S.A.
First Edition
First Edition. Quarto. Signed na inscribed by Imogene on the title page dated 1975. 110 (2) pages of text and photographs in black & white. Imogen celebrated her 90th birthday and the celebration was marked by retrospective showings of her work in New York at the Wilkin Gallery and at the Metropolitan Museum of Art. She was given a grant to develop all the photographs she had done over the years but never got around to doing them. This is the second book produced of her photographs which spans her entire career. She took her first photograph in 1901. A fne copy bound in black cloth spine lettering silver, in an unclipped, near fine pictorial dust jacket with just a hint of toning to the top edges.
Published by Uiversity of Washington Press, 1974
ISBN 10: 0295953330ISBN 13: 9780295953335
Seller: Moe's Books, Berkeley, CA, U.S.A.
Book First Edition Signed
Softcover. Condition: Very good. No jacket. Profusely Illustrated (illustrator). Inscribed by Cunningham to printer Adrian Wilson. Some shelfwear.
Published by Henry Art Museum, University of Washington Press, Seattle, WA, 1974
ISBN 10: 0295953330ISBN 13: 9780295953335
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Book First Edition Signed
Profusely Illustrated (illustrator). First edition. Softcover. 110 pages. Exhibition catalog for a show that ran March 23 through April 21, 1974. Features a foreword by LaMar Harrington and an introduction by Margery Mann. Includes over 70 black and white images, a checklist, a list of previous exhibitions, and a selected bibliography. A clean very near fine copy in photo-illustrated wrappers. Signed and inscribed by Cunningham on the title page to another photographer.
Published by Seattle: University of Washington Press, 1974
Seller: Picture This (ABA, ILAB, IVPDA), Sunningdale, United Kingdom
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition. Quarto, pp 110. Introduction by Margery Mann. Bound in black cloth covered hard boards with silver lettering to the spine and in the original dust jacket which is unclipped ($15.00). SIGNED and inscribed by Cunningham to the title page: "By the hand of Imogen | for John Temaschke at Blanche's | Aug 17, 1974". Blanche s was a restaurant in San Francisco and laid into the book is a 1979 article from the San Francisco Chronicle about Blanche's with a photograph of Imogen Cunningham and the restaurant's owner together. The book has a ten page introduction by Margery Mann followed by the b/w plate reproductions of Cunningham's photographs, one per page. A lovely book in Fine condition and in a Near Fine jacket which is yellowed to the spine and front. Signed by Author(s).
Published by University of Washington Press, Seattle, 1974
ISBN 10: 0295953322ISBN 13: 9780295953328
Seller: Carl Blomgren Fine Books ABAA, Petaluma, CA, U.S.A.
Book First Edition Signed
Hardcover. Condition: Very Good. Limited ed. This book does not have an original photograph included. Copy number 15 of 150 numbered and signed by the photographer. Introduction by Margery Mann. Black and white photographs. Photographic endpapers. Half-bound in black leather with black cloth covers, title in silver on front cover and spine. Slipcased in black cloth. Some fading to spine and edges of slipcase. 4to, 110pgs.
Published by Seattle & London University of Washington Press for the Henry Art Gallery, 1974
Book First Edition Signed
First edition, number 78 of 150 signed copies with a gelatin silver photograph (sheet: 253 x 200 mm, 10 x 7 ¾ in; image: 172 x 153 mm, 6¾ x 6 in) signed in ink in the lower margin, with a printed title label on the verso, handling crease to top edge, impression lines to corners from mount, tape hinges to verso, in the publisher's black card mount; black-and-white photographs printed in offset; original quarter black morocco over black cloth-covered boards, titles stamped to spine in silver, publisher's black cloth-covered board slipcase, rubbed and a little dust-soiled; [ii], 110, [2]pp. Deluxe signed issue with a signed original photograph 'False Hellebore, 1926'. Imogen Cunningham's first monograph, a comprehensive, chronological survey of her diverse career, was published to mark her ninety-first birthday and coincide with two exhibitions: 'Imogen! Imogen Cunningham Photographs 1910-1973' and 'Images of Imogen, 1903-1973', both at the Henry Art Gallery, University of Washington, Seattle. Imogen Cunningham's career in photography spanned 70 years. In 1910, she established a studio in Seattle before moving to San Francisco in 1917, where she met a circle of like-minded photographers and became a founding member of Group f/64, an informal group including Ansel Adams, Sonya Noskowiak, and Edward Weston, who challenged the prevalent pictorialist aesthetic. Close to half of the members were women, making Group f/64 one of the first modern art movements equally run by women. 'That it took almost seventy years for a monograph to be published on Cunningham's ground-breaking career is reflective of the uphill battle that began to be undertaken in the 1970s, when several early-20th-century female photographers finally began to be more permanently written into photographic history' (What They Saw: Historical Photobooks by Women). What They Saw: Historical Photobooks by Women p194.