Pierre Bonnard by Bonnard: Signed (8 results)

N.R.F. 1967. Album in-4°, reliure pleine toile orangée. Jaquette illustrée. 70 illustrations en couleurs (dont 31 inédites) et 92 reproductions et photographies en noir. 221 pages. E.O. Jaquette légèrement usée sur le bord inférieur ; bon exemplaire. Bel envoi autographe signé d'Antoine Terrasse, petit-neveu de Pierre Bonnard et spécialiste de son ?uvre. …

Condition: Good. Original wraps. Folio. 28.5 x 39cm. Light foxing on first few pages, affecting the margins of the Cézanne etching, (plate I). Crack along spine not visible from exterior.One of 600 numbered copies.68 pp; 59 plates. Text by Octave Mirbeau, Theodore Duret, Léon Werth and Frantz Jourdain. The frontispiece is an original etching by Paul Cézanne printed in sepia. Also illustrated with 6 original hors-texte lithographs by various artists, 2 lithographs after Signac and Vallotton, and copious heliogravures after Cézanne .Glassine tissue guards in place.The etching by Cézanne is Paysage a Auvers, Entrée de Ferme Rue Saint-Remy (Venturi 1161; Leymarie C5). It was created by Cézanne in 1873 but used only as this book's frontispiece. The six original lithographs are by Edouard VUILLARD (Portrait de Cézanne, Roger-Marx 51), Pierre BONNARD (Baigneur, Bouvet 82), Maurice DENIS (Nature morte, signed in the plate, Cailler 135), Henri MATISSE (Fruits et feuillages, Duthuit 1), K.-X. ROUSSEL (Bacchanale, Salomon 27) and Aristide MAILLOL (signed in the plate; Guérin 265).OCLC Number 458954797.Textes d'Octave MIRBEAU Bernheim Jeune éditeur Album comportant une eau-forte originale en brun de Cézanne, des lithographies originales par Vuillard, Bonnard, Matisse, Denis, Roussel, Maillol, et Vallotton, textes d'Octave Mirbeau, Théodore Duret, Léon Werth et Frantz Jourdain, illustré de 59 planches Exemplaire numéroté 503/600 39 x 29 cm.…

Condition: Good. Small 4to. 17 x 21 cm. Pochoir boards with partial cloth spine, signed Stroobants. Francis Bouvet, "Bonnard. The Complete Graphic Work," no. 112. Seven drypoints by Bonnard; 4 original portrait drawings of Roger-Marx by Claude Roger-Marx; Luc-Albert Moreau; Freddy. In-8 cartonnage bradel papier dominoté, couv. conservée (Stroobants).7 eaux-fortes de Pierre Bonnard dont le frontispice, 3 hors-texte et 3 entêtes.Tirage à 280 ex. (+30 hc). Exemplaire d'auteur enrichi de 4 DESSINS ORIGINAUX : 1 portrait de Claude Roger-Marx par Luc-Albert MOREAU (au crayon), 2 dessins au crayon signés Freddy, 1 portrait de Cl. Roger-Marx par lui-même, à l'encre.Très bon exemplaire.Expertise by Cabinet Pierre Poulain5 rue de Saintonge 75003 Paris.…

Condition: Good. Small 4to. 17 x 21 cm. Pochoir boards with partial cloth spine, signed Stroobants. Francis Bouvet, "Bonnard. The Complete Graphic Work," no. 112. Seven drypoints by Bonnard; 4 original portrait drawings of Roger-Marx by Claude Roger-Marx; Luc-Albert Moreau; Freddy. In-8 cartonnage bradel papier dominoté, couv. conservée (Stroobants).7 eaux-fortes de Pierre Bonnard dont le frontispice, 3 hors-texte et 3 entêtes.Tirage à 280 ex. (+30 hc). Exemplaire d'auteur enrichi de 4 DESSINS ORIGINAUX : 1 portrait de Claude Roger-Marx par Luc-Albert MOREAU (au crayon), 2 dessins au crayon signés Freddy, 1 portrait de Cl. Roger-Marx par lui-même, à l'encre.Très bon exemplaire.Expertise by Cabinet Pierre Poulain5 rue de Saintonge 75003 Paris.…

First Edition. Signed and inscribed by the author, Claude Roger-Marx to French-American actor Charles Boyer. Inscribed in French: ÒA Charles Boyer, qui sait quÕil nÕest de vraie grandeur que dans la simplicite. A Charles Boyer sans lequel Simili nÕont pas ete Simili. Avec lÕamitie affectueuse et lÕadmiration de Claude R.M.Ó The translation: ÒTo Charles Boyer, who knows that true greatness lies only in simplicity. To Charles Boyer, without whom Simili has not been Simili. With fond friendship and admiration, Claude R.M.Ó From a total edition of 280 numbered copies, this is one of 225 printed on fine Lafuma wove paper. Paperbound in original printed wrappers, entirely uncut and unopened. Quarto, 6 3/4Ó x 8 1/2Ó. Illustrated with seven original drypoints by Pierre Bonnard. Very good plus to near fine copy enclosed in a custom clamshell box. Charles Boyer starred in the original 1924 Paris premiere of the play and obviously formed a close bond with the author Claude Roger-Marx. Boyer earned a degree in philosophy at the Sorbonne before turning to a career as an actor. His first big Hollywood break was a very small part of a chauffeur to Jean Harlow in Red-Headed Woman (1932), and he went on to appear in a French adaptation of Liliom directed by the great Fritz Lang. This lead to other memorable roles in such classic films as Private Worlds, Shanghai, The Garden of Allah, All This and Heaven Too, Gaslight, Algiers, Fanny, Cluny Brown, Arch of Triumph, The First Legion, Conquest, Around the World in Eighty Days, Barefoot in the Park, etc. He was nominated for four Best Actor Oscars for his work in Conquest (1937)Algiers (1938), Gaslight (1944), Fanny (1961), and in 1943 he received an Honorary Oscar Certificate for his progressive cultural achievement in establishing the French Research Foundation in Los Angeles as a source of reference. In 1950, he appeared on Broadway in one of his most notable roles, that of Don Juan, in a dramatic reading of the third act of George Bernard Shaw's Man and Superman (popularly known as ÔDon Juan in HellÕ), and in 1952, he won a Special Tony Award for that performance. He also enjoyed success on the small screen, appearing in Four Star Playhouse (1952-1956), on the rather short-lived but critically acclaimed series, The Rogues, with David Niven and Gig Young, and in a favorite episode of I Love Lucy entitled ÔLucy Meets Charles Boyer.Õ.…

The complete suite of unused woodcuts after Bonnard for "Sainte Monique", a livre d'artiste written and Published by Ambroise Vollard. Half-title, justification, title, colophon, and 15 FOLIO SHEETS (printed rectos only) WITH A TOTAL OF 37 WOODCUTS (complete). Printed on fine Arches wove paper. Folio. Loose as issued. FINE AND BRIGHT. Pierre Bonnard (illustrator). …

Etude par Claude Roger-Marx. Lettre-préface de Tristan Bernard. Portrait de Bonnard par Odilon REDON. P., Henry Babou éditeur, Les Artistes du Livre, 1931, en ff., non paginé, couv. rempl., sous chemise cartonnée impr. en noir et rouge avec fermeture à lacets. Edition originale illustrée de 20 hors-textes. 1/50 ex. de tête num. sur Japon, signé au colophon, contenant un dessin inédit de Pierre Bonnard.…

[Villa du Bosquet, Le Cannet : n.d., but c.1943]. Mailing card, 105 x 150 mm, the verso with an autograph signed note in violet ink in the hand of Pierre Bonnard, arranging a meeting with his gallerist, Paul Brame, in Cannes on the coming Wednesday afternoon; the front has an imprinted stamp with the bust of Marshal Pétain, head of the Vichy government, and is addressed (again in Bonnard's hand, with the same pen) 'M[onsieu]r Brame, 12 avenue V' (i.e. Avenuede Valescure,Saint-Raphaël); there is no postmark - the card must have been delivered by hand on Bonnard's behalf; very fine condition. 'Cher monsieur Brame, Encore une carte pour vous dire que je serai pris mercredi matin jusque midi. Et que j'irai plutôt après midi à Cannes pour une demi heure quand vous y descendrez après déjeuner. Amitiés, Bonnard'. (Dear Mr. Brame, Another card to let you know that I'll be busy Wednesday morning until noon. And that I'll be going to Cannes for half an hour later on, when you go down there after lunch. Best regards, Bonnard.) (Our translation) French painter, illustrator and printmaker Pierre Bonnard(1867-1947), a key figure in the transition fromImpressionismtoModernism, was a founding member of thePost-Impressionistgroup ofavant-gardepainters known as Les Nabis. In the last two decades of his life, Bonnard's studio and residence were at the Villa du Bosquet in Le Cannet, just 3km north of Cannes; at the time he wrote this card to Paul Brame, the art dealer was based inSaint-Raphaël, approximately 40km to the west of Cannes.…