Pieta, Signed (38 results)

Wraps. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Signed and inscribed by author to former owner, otherwise unmarked, clean copy. Signed by Author(s).

Softcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. Illustrated by B & W Drawings (illustrator). review copy. Covers are faded and browned, the front joint is creased but the contents are tight and clean. The author collected her memories and impressions of her experiences in East Jerusalem during the Six_day war in 1968. A presentation copy with signed letter requesting a review. ; 8vo - over 7¾ - 9¾" tall.

Hardcover. Condition: Near fine. Dust Jacket Condition: Near fine. First Edition. Inscribed by Fraser to acclaimed poet B.H. ("Pete") Fairchild on the title page. Octavo. The top corners are very lightly bumped, with just the slightest bit of edgewear to the dust jacket. Near fine.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition/1st Printing hardcover. SIGNED (inscribed) by author on title page. 94 pages. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Soft cover. Condition: Near Fine. 1st Edition. 94 pp. Book/dust jacket condition: NF/na (paperback). 1st Ed., 3rd Printing/First Edition, Third Printing (number line). Dated (2009)/inscribed by author on title page. All orders are processed and shipped from MI or WI, USA. Signed by Author(s).

Hardcover. Hardcover first edition signed "Carol" by author and inscribed to a colleague. Mild, inconsequential cover shelfwear; pages tight, clean, unmarked. DJ lightly worn but no major defects. Not a former library copy. ;

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Authors' first book; signed & inscribed by the author; 12th winner of the Walt McDonald First Book Award; 94pp. Inscribed and Signed By Author.

Condition: Very Good. Signed Copy First edition copy. . Signed/Inscribed by author to Judith McCombs on title page. From the personal library of author, poet, and Margaret Atwood scholar Judith McCombs (1939-2024). (Poetry, Literature).

Paperback. Condition: Fine. First Edition. 8vo paperback. pp 241. With good signed handwritten letter by the Brighton based Author, soliciting a review of " this fact-based novel ". ISBN: 9781105166730 Fine. Signedes.

In 8°, bross., pp. 18 con 4 tavv. f. testo. Dedica autografa dell'A. al frontespizio.

Condition: buono. Sociale e Culturale Criminalità e Mafia Historical and Political studies Social Studies Crime and Mafia RX bross. edit. ill. - con dedica autografa dell'autrice OTTIME CONDIZIONI.

Hardcover. Condition: As New. No Jacket. 1st Edition. This is a fine, as new, hardcover first edition copy in cream linen binding, no DJ. Signed copy #62/300 with 123 plates. Published on the occasion of Wim Botha's solo exhibition at Stevenson Johannesburg 2015. Photos on request. MEDIA SHIPPING, extra for airmail or international shipping. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. Sven Berlin. 'Pieta' Old Keepers Cottage, Gaunts. An original b/w photograph of Sven Berlin Circa 1975. Titled by Berlin to reverse. Marked and faded. 210x295mm. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. 4to. 22 sheets or cards of varying sizes. The Sculpture was sold by Christie's for £4500 in 2007. Signed by Author(s).

Condition: VG. Princeton 1993 1st Grindstone Press. Poetry and prose. 8vo., 172pp., wraps. Typed letter signed by author laid in. VG, crease on rear cover.

Rilegato. Condition: ottimo. Dust Jacket Condition: ottimo. prima edizione. DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. OTTIME CONDIZIONI, LIEVI SEGNI DEL TEMPO. DEDICA DELL'AUTORE IN ANTIPORTA. Marzo 2012: mentre il Paese è in piena recessione (tecnica), la Farnesina fronteggia ripetute crisi diplomatiche e la squadra del Napoli non "passa" a Londra mandando in disperazione un'intera città . un manipolo di impavidi napoletani si sposta in "Alt'Italia" alla conquista delle nevi e subito incontra. un sadico maestro di sci che li sottopone a tremende torture: dall'ovovia a gas alla doccia nudi sotto i cannoni sparaneve fino alle risalite a piedi scalzi sulle piste ghiacciate. I napoletani reagiscono adeguatamente, subito fondano "le brigate antifatichiste": catturano il crudele Armin von Korrentropp attirandolo con cattiveria in un tranello. porgendogli in dono birra "corretta" al guttalax. La prosa di Dino Falconio è quella di scrittore di tradizione. Il gusto solenne della citazione finisce in un frullatore che mette accanto il principe De Curtis e Bonvi, i fratelli De Filippo con la commedia all'italiana di Banfi e Montagnani, Massimo Troisi con gli ultrà del Napoli, Plauto con Fantozzi. March 2012: while the country is in full recession (technique), the Foreign Ministry repeated diplomatic crises and facing the team of Napoli "passes" in London in despair a whole city . a handful of brave Neapolitans moves to "Alt'Italia" the conquest of the snows and immediately meets. a sadist ski instructor who subjects them to horrendous torture: from the cable car to the shower naked in the snow cannons up to climb barefoot on icy slopes. The Neapolitans react adequately, immediately founded "antifatichiste brigades": they capture the cruel Armin von Korrentropp luring him with malice in a trap-handing him the gift of beer "correct" the guttalax. Dino Falconio's prose is the author of tradition. The taste of the quotation ends in a blender that puts beside the Prince De Curtis and Balu, the brothers Dahl with the Italian comedy of Banfi and Montagnani, Massimo Troisi with the Ultras of Naples, Plautus with Fantozzi. Grazioso volumetto formato 12 x 21 di 48 pagine con 10 fotografie a colori. Elegante edizione su carta patinata pesante in legatura cartonata figurata. Una storia divertente. Il notaio non saprà sciare, ma viaggia tra le pagine della sua novella con uno slalom perfetto, insomma non stanca leggere le vicende di un professionista affaticato da un maestro di sci despota. Il "noto" notaio Dino Falconio, napoletano vero, vive e lavora nella sua città. Per la seconda volta, dopo "Minime Capresi" (2001), dismette gli abiti del pubblico ufficiale e ci regala questo racconto umoristico. Descrizione bibliografica Titolo: Jamme 'ncopp 'e sci. Una Storia Vera (?) che Insegna a Difendersi dai Maestri Von Korrentroppici Napoletanizzandoli Senza Pietà Autore: Dino Falconio Prefazione di: Salvo Sapio Editore: Napoli: Grimaldi & C., 2012 Lunghezza: 48 pagine; 18 cm; illustrato ISBN: 8889879882, 9788889879887 Soggetti: Napoli, Sci, Sport, Montagna, Sciare, Tirolo, Napoletani, Racconti umoristici, Ironia, Umorismo, Libri Vintage Fuori catalogo, Storie, Narrativa, Maestri, Commedia, Aneddoti, Famiglie napoletane, Vacanze, Tempo libero, Hobby, Lezioni, Neve, Avventure, Letteratura satirica, Tifo, Napoletani, Divertimento, Naples, Ski, Sport, Mountain, Skiing, Tyrol, Neapolitans, Humorous stories, Irony, Humor, Out of print books, Stories, Fiction, Masters, Comedy, Anecdotes, Neapolitan families, Holidays, Free time, Hobbies, Lessons, Snow, Adventures, Satirical literature, Neapolitans, Entertainment, Viaggio, Travel, Journey. Dedica dell'autore.

Soft cover. Condition: Fine. 1st Edition. 1st Printing. Signed. 72 pages. Published in 2002. Site-specific Exhibition, presented as an Artist Book. The first and only edition. Published in a small and limited print run as a softcover original only. The First Edition is now scarce. A brilliant production by Christian Boltanski: Regular-sized volume format. Pictorial softcovers with white titles on the cover and spine, as issued. Art by Christian Boltanski. Introductory Essay by Sergio Troisi. Printed on pristine-white, thick coated stock paper in Milan, Italy to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Christian Boltanski's "Montedipieta". The Pieta Bank. Memories embedded in everyday objects that Boltanski presents in one of his most sublime installations: "Enormous rooms which once belonged to pawnbrokers of Palazzo Branciforte, the walls lined with shelves built back in 1801, when the Palazzo was taken over by the famous bank, Monte di Pieta" (Publisher's blurb). In them, Boltanski uses lights to stunning effect, as if these "throwaway" objects were exalted, sacred objects, worthy of worship. For him, they are evocative relics of a collective past, and represent the restoration of anonymous human beings, to him, one of every contemporary artist's most valuable tasks. It has certainly been his non-ideological artistic mission in a career that spanned the last quarter of the 20th century and the first twenty-one years of our time. No artist pursued the restorative Archive Project with the same dedication, seriousness, and ardor as Boltanski did, always risking ideological attacks from both the Left and the Right in the process. Now that he is dead, the grief one feels for the vanished Life is somehow mitigated by the timeless beauty of the Art. An absolute "must-have" title for Christian Boltanski collectors. This copy is very boldly and beautifully signed in black pen-marker on the half-title page by Christian Boltanski. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. As far as we know, this is the only such signed copy of the First Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 40 plates. One of the greatest artists of the 20th century and our time. A fine collectible copy. (SEE ALSO OTHER CHRISTIAN BOLTANSKI TITLES IN OUR CATALOG) ISBN 8881583097. Signed by Author.

Single Issue Magazine. Condition: Used: Very Good. Firmato dall'autore Ottimo (Fine) Firmato dall'autore.

Condition: Très bon état. in-8, broché, 156 pp. Edition originale avec un bel envoi de l'auteur au critique littéraire Jean-Pierre Richard.

Condition: Usato. cm 18x11, pag 43, br edit ill, scheda editoriale. Due piccolissime mancanze al dorso peraltro perfetto. Con dedica autografa dell'A. alla prima carta. E.O.

Padova, 1962. Petit in-8° broche de 54 pages. Receuil de poemes en langue italienne, avec une dedicace autographe de l'auteur à Roger Clerici.Tres bon etat.

4° XXXI, 418 S. m. 31, tls. farb. Tafeln + 4 Bll. Orig. - Pappband mit Orig. - Schutzumschlag. = Mit mehrzeiliger handschriftl. Widmung u. Signatur des Autors auf dem Vortitel. Schutzumschlag etwas lädiert. Gut erhalten.

Genova, editrice Liguria, 1957. Format 16x21 cm, broche, 76 pages. Avec en page de garde un envoi autographe a l'ecrivain Roger Clerici, auteur de nombreuses traductions d'auteurs italiens. Ouvrage en langue italienne. Un petit manque de papier en bas de la couverture. Bon etat.

souple. Condition: Bon. 8 lavis et aquarelles sur beau vélin à lavis Canson & Montgolfier au format, 49,5 X 29 cm, datés de 1908, numérotés 113, 114, 105, 115, 135, 131, 132, 133 (partie d'une série de lavis originaux), signés J. B. (J. Bonnet) Beaux lavis d'architecture originaux, d'une bonne exécution (malhabile dans les visages) et décoratifs. Voir nos nombreuses oeuvres du même artiste dans notre catalogue. Langue: Français.

Opuscolo vintage. Dedica autografa dell'autore. Usura da scaffale. Segno del tempo.

brossura illustrata, Siena, Maia, 1952, Prima edizione. Dorso e carte lievemente bruniti, nel complesso buon esemplare. Conserva foglio con dedica autografa dell'autore ad Emilio Brusa. in 8°, brossura illustrata, pp. 66 [2]. Prima edizione. Dorso e carte lievemente bruniti, nel complesso buon esemplare. Conserva foglio con dedica autografa dell'autore ad Emilio Brusa.

Sizes (image / photosheet) from 13 x 13 cm / 15 x 15 cm to 21,5 x 22 cm / 30 x 24 cm, often with wide white margin at the bottom (smaller at sides and top). - 20 photos bear the manuscript title by the photographer in English and Hebrew in the bottom margin, 1 carries his name-and-address stamp at front, 3 are signed next to the title, 17 carry his - mostly round - name-and-adress stamp at the back, 2 with stamp 'proof copy', the 'untitled' ones #1, #4, #5 and #6 with shop-sticker at verso of Tal's german Gallery-Agent in London (The Mall Arcade, Camden Passage) around the year 2000; more details below. . . *** INTIMATE AND EXHAUSTIVE COLLECTION FROM HIS LONDON SALES-AGENT AROUND THE LAST TURN-OF-THE-CENTURIES, still complete as received from the agent; but may be sold singlewise or in sections upon request. - THE DETAILS (abbreviations 'sm'=narrow margin, 'mm'=medium margin, 'wm'=wide mainly-bottom margin; 'gl.'=glossy paper, 'm-gl.'=medium glossy paper; 'rps'=round photographer's copyright and address stamp at rear): 1) untitled (13x13/15x15 cm, sm m-gl.) with fragmentary sales-agent's sticker at rear. / 2) 'THE BLESSING' (13x13/17x16 cm, mm m-gl. rps) w. stamp 'proofprint' at rear; slight crease in lower-left margin and top-right corner (margin). / 3) 'MY FIRST WIFE' (11x11/18x13 cm, wm gl.) with Tal's address-stamp at front. / 4) untitled (13x13/20,5x19,5 cm, wm m-gl.). / 5) untitled 13x13/22x18 cm, wm m-gl.). / 6) untitled 13x13/23x18 cm, wm m-gl.). / 7) 'STUDY OF MALE & FEMALE' (up tp #19: 16x16/25x19 cm, wm gl. rps). / 8) 'WHEN DANA PLAYS THE OBOE'. / 9) 'STUDY FOR ALEGORY'[!]. / 10) 'CONDOMINIUM'. / 11) 'AFTER VAN-GOGH'. / 12) 'WITH MY FAMILY, PIÉTA', minimal crease at top-right corner. / 13) 'WITH MY FAMILY, PIÉTA II', minimally bent at top-right corner. / 14) 'FIGURE WITH A NARCISSUS'. / 15) 'COUPLE WITH A VASE', slightly spotty in the wide bottom margin. / 16) 'THREE GRACES'. / 17) 'AFTER THE BATH'. / 18) 'THE DOUBT'. / 19) 'THE SOURCE'(since #7: 16x16/25x19 cm, wm gl. rps). / 20) untitled ['WHEN DANA PLAYS THE OBOE', larger] (21x21/23x23 cm, sm m-gl.). / 21) SEATED MASKED [BLEEDING] WOMAN (16,5x16,5/25x21 cm, wm m-gl.) signed at front, with 'proof print' and address-stamp at verso; top-left and -right and bottom-right with fragments of former-mounting tape, bottom-corners slightly creased. / 22) '8 STUDY OF MALE & FEMALE' (18x18/24x20,5 cm, mm m-gl.) holograph ''c BOAZ TAL'' at verso. / 23) untitled (25x25 cm, nm m-gl.), slight crease at lower-half left-, minimal at right corner. / 24) 'STUDY FOR >THE JUDGMENT OF PARIS<' (like #10; 13x13/31x20 cm, w+m m-gl. rps), signed at front; bottom corners slightly creased. / 25) 'STUDY OF MALE AND FEMALE' (like #7; 25x25/30x26 cm, m-gl. rps) signed at front, 'proof print'- and date-stamp '7.08.1990' at verso; top-left slightly frayed on 3-cm, right lower side slightly creased, top-right and bottom left corner as well. / 26) '7 COUPLE WITH A VASE' (21,5x22/30x24 cm, wm m-gl.), top corners minimally creased, bottom corners slightly wavy. - THE FRAGILE BOOKLET 'ALLEGORY' very good; as well as THE 2 IDENTICAL COLOUR SELF-PORTRAITS (postcard-size): Tal standing with crossed arms in front of 2 large photographs of a 'sitting naked woman next to a kitchen stove'. --- A BEAUTIFUL COLLECTION.

Brossura editoriale a stampa. Condition: ottimo. In-4 (240x154 mm.), pp. 2 (bianche), 78, (2) bianche. Dedica autografa dell'autore al Marchese Carlo Antici (zio di Giacomo Leopardi). Esemplare su carta forte e margini massimi, lievissime gore. Dedica dell'autore.

4°, 70 S., 25 blattgrosse Abb., zahlr. Textabb., Ldr. silbergepärgt., Tadell. Nr. 22 von 100 Exempl. vom Autor und Zeichner signiert.- Jan January Janczak (*1938), Zeichner, Filmer usw.- Tony Vinzens (1946-2010), Lehrer 1100 gr. Schlagworte: Illustr. Bücher - allgemein, Signierte Bücher.

UN ENVOI « EN MUSIQUE » In-f°(390 x 285 mm), [4] ff. - [8] pl. et [1] f., en feuilles sous couverture titrée. Édition originale de cet album consacré à la Pietà de Villeneuve-lès-Avignon, premier de la série des primitifs donnée par Albert Skira. L'ouvrage est illustré de 9 reproductions gravées en couleurs d'après photographies, montées en pointe. Envoi autographe signé accompagné d'une annotation musicale : « A Renée-Marie Longnon [fille de l'archiviste Jean Longnon] / En souvenir de la Passion / 3 mai 1943 / Germain Bazin ». Bien complet du feuillet d'errata présentant une correction manuscrite. Écrivain et historien de l'art, Germain Bazin fut entre 1940 et 1945 adjoint du conservateur au département des Peintures au musée du Louvre, où la Pietà est conservée depuis 1905.