Plush, Signed (18 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 3 hardbacks in very good condition with Good Slip Cover. signed by author. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Poor. First American Edition (stated). A trilogy in one volume, a leisurely historical novel of Victorian-Era Glasgow, Scotland, and the life and times of a family there 'making its way' in town and on the farm. Hardcover with dust jacket, 615pp. altogether, book top pagination ends shows several odd light spots, d.j. shows considerable edge- and corner-wear with several small chippings and closed tears. Size: 8vo - over 7¾" - 9¾" tall. Former Owner Bookplate. Book.

Condition: VERY GOOD. Early printing, originally published in Oct 1902. Novel written in black dialect, the story of Rose Ann, washerwoman, and her husband, 'Napoleon Jackson, the Gentleman of the Plush Rocker.'. Illustrated by Edward Pottbast with a frontispiece and 7 inserted plates in sepia tint. Small format. 132 pp. Attractive art noveau cover design in green and gilt by Lee & Henry Thayer (signed with the intertwined "D" s used by the Decorative Designers.) Very good- in dark red cloth. Wear to corners and ends of spine, abraded spot on back cover, hinges tight with the front one just beginning to crack.

Condition: FINE. First printing. "A nine-to-five therapy dog." The first book about the adventures of Lola, a 5 lb Yorkshire terrier who is a certified therapy dog. Illustrated with photographs of Lola, SIGNED on the title page by the author and with a paw print stamp from Lola with the comment "Dream Big! Love Lola". Small oblong format, unpaginated. Includes a small plush Lola Dog. Fine in glossy illustrated boards.

Hardcover. Condition: USED Very Good. No Jacket. First Edition. Signed by Author on front end page of Volume I. First American Edition. 3 Volumes (1: The City/2: The Philistines/3: The Puritans), no Jackets or Slipcase. Some light shelf wear at top and bottom of spines. All clean and tight. Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Poor. Limited Edition. 1947 Farrar 3 volume set in slipcase limited edition flatsigned by the author on the ffep of Vol. 1. The slipcase is in poor condition, separating on top and bottom in front, fraying on edges, with a scratch running down spine. The books themselves are fine, in mylar dustwrappers, with a hint of soil on edges. Sorry no international orders due to the weight, also, for the same reason extra shipping charges will apply for priority orders. Signed by Author.

Hard Cover. Condition: Near Fine. First American Edition. Hard Cover. Near Fine/Slipcase - Fine. First American Edition. Signed by Author. 8vo - over 7¾" - 9¾" tall. With colophon. Three volumes in slipcase. Limited edition, not numbered. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Red cloth, orig d.w. with few tears, intetrnally very good, signed and inscribed by the author. Foreword by John Betjeman. 152pp.

Cloth. Condition: Near Fine. Limited Signed First Edition. This is a near fine three volume set in a near fine slipcase. Red cloth spines, no DJs. Signed by the author on the front flyleaf of volume 1. Publishers statement: "THIS IS A LIMITED EDITION SIGNED BY THE AUTHOR". Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Good+. First Edition. Top Corners bumped, Wear, creasing and nicks on DJ. Small losses to top and bottom of DJ spine ; Comes with loosely inserted programme and newspaper cuttings ; B&W Photographs; 8.75 x 5.6 x1.1"; 152 pages; Signed by Author.

First printing. 8vo, pp. 319. Illustrated. Author's presentation on flyleaf. VG in somewhat worn dj.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First edition. Foreword by John Betjeman. Introduction by Val Parnell. Foxing or spotting on the foredge else near fine in near fine dust jacket. Nicely Inscribed by the author.

Slipcased. Condition: Near Fine. Limited ed. Three volumes in attractive slipcase. Limited edition signed by author on front free endpaper of first volume. Books have tan boards with red spine. Some sunning of spines. Tight binding. No chips, tears, creases to pages. Top edge of pages are red dyed. Slipcase has some surface rubbing.

signed first edition, limited to 500 copies, 2014. marilyn minter's first artist book and the last book published by richard prince's secretive upper east side bookstore that closed in 2014. "in the 19th-century, 'plush' was used as term to refer to pubic hair. the idea was to create beautiful images of pubic hair, a subject matter that seems to be disappearing from popular discourse. we asked model's of all races, all colours to grow out their pubic hair and i got inspired to make photos and paintings from some of those images, and i'm still shooting them." new york: fulton ryder. isbn: 9780991572342. 9 x 12 inches. softcover. bound in delightfully neon pink paper-wrappers. book condition: some very mild shelfwear. near fine.

TRADE PAPERBACK. Condition: Used; Very Good. Used; Very Good. 41-A-02 Fulton Ryder 2014 paperback. SIGNED by author (for "Locks for Love"). Text is clean and unmarked. Covers have very light wear. Spine is tight. Book Condition; Very Good . 2014. TRADE PAPERBACK.

Cloth. Condition: Near Fine. Not Stated (illustrator). A lovingly inscribed copy of Clarkson Rose's work hailing the music and entertainment business during the first half of the twentieth century. Inscribed by the author to the recto to the front endpaper, 'For Julie, to remind her of 'Twinkle' and of the author, Clarkson Rose, Clarkie, who so admired her approach to all who as for information! 'Twinkle's a love show' - we sing this in our opening chorus - our Julie is one of the few 'life' people attached to the viewing! . Teignmouth 1967'.In the original unclipped dustwrapper.Rose's look into the history of music and entertainment from the 1890s to 1960. In particular acharming memoir about the 'Twinkle' show that was performed on Ryde Pier from 1921, continuing with great success for forty-five years. An entertaining pantomime act, the show was especially popular during the inter-war period.Illustrated with a frontispiece, and fourteen plates.Collated, complete.Written by the creator of the act, Clarkson Rose.With a foreword by John Betjeman and an introduction by Val Parnell.The second edition of this work. In the original publisher's cloth binding, in the original unclipped dustwrapper. Externally, smart. Very light bumping and a little discolouration to the head and tail of the spine. Dustwrapper with minor edgewear and some light marks. Spine of dustwrapper is a little sunned. Internally, firmly bound. Pages are bright and clean with a few odd spots to the first and last few pages. Near Fine. signed by author. book.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. HBDJ, 1st Edition , SECOND Printing Stated, October 1938, VG-/VG-, AS-IS, , Orange tweed embossed cloth lettered in Black, Interior Pgs Triangular Stain at Upper Hinges THRUOUT Most of book DJ minor rub, wear & small pieces tiny chips from Extremities, 152 pages, Depicts the social elite of glorious Pasadena (or perhaps LA) in front of a vista of palm trees, buildings, etc. A gay and unusual book" proclaims the jacket. Signed by Author(s).

No Binding. Condition: Very Good. 1st Edition. Yayoi Kusama Red & White Pumpkin (plush): An iconic, vibrantly colored pop art piece - this Kusama plush pumpkin features the universal polka dot patterns and bold colors for which the artist is perhaps best known. Kusama first used the pumpkin at the 1993 Venice Biennale for the Japanese pavilion and since then it has appeared worldwide in various iterations, to ever rising acclaim and popularity. Nylon plush (soft) figure. Approximately 9.4 inches in diameter and 5.9 inches in height. New with tags; excellent condition. Published by Dots Obsession c. 2015. Kusama labels on the reverse. "Named 'the world's most popular artist' in 2015, it's not hard to see why Yayoi Kusama continues to dazzle contemporary art audiences globally. From her signature polka dots?to her mirror-and-light Infinity Rooms, Kusama's multi-dimensional practice of making art elevates the experience of immersion. Kusama's practice is so unique, it often transcends the aesthetics and theories of many late twentieth century movements, including Pop Art and Minimalism. Kusama first honed her punchy cosmic style in New York City in the 1960s. During this period, she staged avant-garde happenings, which eventually thrust her onto the international stage with a series of groundbreaking exhibitions at the Museum of Modern Art in the 1980s and the 45th Venice Biennale in 1993. She continues to churn out paintings and installations at inspiring speed, exhibiting internationally in nearly every corner of the globe, and maintains a commanding presence on the primary market and at auction." (source: Phillips). Inscribed by Author(s).