Post Impressionism, Signed (10 results)

Condition: Very Good. Signed Copy . Good dust jacket. Inscribed by Robert R. Preato and Dr. Sandra L. Langer on title page. (modern art, 19th century, impressionism, post-impressionism ).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Signed & inscribed by Ronald Fuhrer to the previous owner on the half title page.1st edition. Hardbound in dust jacket. Minor wear to dust jacket, otherwise very good. [ Heavy. Contact for overseas shipping quote.]. Inscribed by Author(s).

hardcover. Condition: near fine. Dust Jacket Condition: very good(+). First. Numerous color plates, one folding. 4to, blue cloth, d.w. (sunned on fore-edge sides of front & rear panels). Woodstock: Elephant's Eye, (1998). Near Fine. Presentation copy.

Paperback. Condition: Very Good. First Edition. Wraps. 4to, pp 303, Copiously illustrated in colour and black and white throughout. Signed presentation copy from MaryAnne Stevens. ISBN: 0297777130 Very good. Signedes.

Hardcover. Condition: Very Good. No Jacket. Second Edition. A very good copy of the stated second hard cover edition, lacking the dust-jacket, inscribed and signed on the title page by John [ Rewald ] : "For ----, / With love / John.". The text is wholly unmarked, pristine, and the binding bright and fresh in appearance, with moderate shelf-wear to the base of the boards, and a miniscule stain to page edge of volume, not noticeable as the volume is read. A lovely copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.]. Signed by Author(s).

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. About the book: Hardcover with jacket. First Edition, First Printing. Signed and dated by artist on first blank page. Both book and jacket are in very good condition. Additional photos available upon request. Signed by Author(s).

Condition: Good. Autographed. 4to. 614 pp. Very Good. Hard Cover. Quarter cloth covered boards. Some shelf wear. Spine sunned. Signed on inside page, and dated 1956. Clipping from Times Literary Supplement dated 1957 laid in, with review of this book.Heavy volume, additional shipping fees may apply.From the Collection of the Art Historian Peter Selz.

Hardcover. Condition: Fine. 1st Edition. Thick folio, blue cloth lettered in gilt; pictorial dust jacket. First edition, with 413 illustrations. Signed by Kelder. A gorgeous copy. Signed by Author(s).

GRAY CLOTH. Condition: FINE. Dust Jacket Condition: FINE-. FIRST EDITION (STATED). 384 PAGES, 413 ILLUSTRATIONS (236 IN COLOR). SIGNED: "DIANE KELDER 1986". AN ABSOLUTELY MINUSCULE RUB TO THE DUST JACKET OF THIS OTHERWISE PRISTINE COPY. PHOTOGRAPHS AVAILABLE UPON REQUEST. Size: FOLIO. SIGNED BY AUTHOR.

Hardcover. Condition: Very Good. Author's Copy. 8vo. Pp. 21. Quarter green cloth over paper covered boards, rubbing and soiling to boards, some paper loss and detachment to read board. Frontis. mounted color reproduction of a portrait of Van Gogh by Hartrick, initialed and labeled "proof" by him in pencil. Tipped in to the inner margin of p. 16 is a b&w photographic print of a framed portrait with the inscription "Paul Gauguin at Pouldu [.] a memory by A. S. Hartrick / Paul Gauguin then bathed at this spot - which he used as a background for Calvary" with Hartrick pencil annotation "actual size of original [illegible] Charles Cundall," pasted to the recto of a leaf with the same painting reproduced in halftone, with ink annotations. This work is currently held at the Courtauld Gallery. Bound in at end is Hartrick's essay on Gauguin, Brittany and Martinique, which appeared in a 1924 Gauguin exhibition catalog 24mo. 28pp. Affixed to rear pastedown is an original Hartrick ink sketch titled in pencil "Some heads in the Atelier Cormon in 1887" including Cormon and Lautrec. Atelier Cormon was a major training ground for late?19th?century artists in Paris including Van Gogh and Toulouse-Lautrec. Heavily annotated, with latest notation on colophon dated 1932. Essentially an updated copy with author's marginalia throughout. A unique copy.Inscribed by J. H. Mason to A. S. Hartrick "with kindest regards 23 May 1916" on front endpaper.Inscribed by Hartrick and dated Empire Day, 1916 on title page.The name Vincent Lines, a fellow artist who studied at Central School of Arts and Crafts under A. S. Hartrick, appears twice, with an address on front endpaper and at foot of title page. The London County Council (LCC) was established in 1896, a direct product of William Morris and the Arts and Crafts Movement, and was a premier institution for craft-based art education.Mason was a renowned typographer, and educator and a major player in the early 20th-century private press movement, working with the Doves and Cranach Presses. He was head teacher for the LCC Day Technical School of Book Production at the time Hartrick, who also taught at LCC, was at the center of late?19th?century avant?garde circles. He studied in Paris and worked alongside Gauguin, Van Gogh, and Toulouse?Lautrec.