Seller: Jackson Street Booksellers, Omaha, NE, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near Fine in a Near Fine jacket. 1st Printing.
Language: English
Published by Out of London Press, New York, 1977
ISBN 10: 0835719286 ISBN 13: 9780835719285
Seller: BIBLIOPE by Calvello Books, Oakland, CA, U.S.A.
First Edition
Paperback. Condition: Fine. Stated First Printing. Octavo in black and white wraps; 198 pp: photographs (b&w); 23 cm. Original piublisher title & price list laid in.A very crisp copy. | Art History, Art Theory. Fine to fine(-); wraps glossy; a clean and tight copy.
Published by Out of London Press, New York, 1977
Seller: By Books Alone, Woodstock, NY, U.S.A.
First Edition
Original Printed Wrappers. Condition: Very Good. First Edition. Small sticker on rear wrapper.
Language: English
Published by Taylor & Francis Ltd, 2015
ISBN 10: 1409433293 ISBN 13: 9781409433293
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
US$ 563.87
Quantity: Over 20 available
Add to basketCondition: New. Num Pages: 234 pages, Includes 24 b&w illustrations and 36 music examples. BIC Classification: APF; AVGC6; AVH. Category: (P) Professional & Vocational. Dimension: 166 x 263 x 23. Weight in Grams: 602. . 2015. 1st Edition. Hardcover. . . . .
Published by [New York, Norristown, Milano]: Out of London Press, 1977., 1977
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
First Edition
1st Edition. 8vo. pp. 198. 16 double-sided b/w plates. wrs. First Edition, First Printing.
Published by The Aldrich Museum of Contemporary Art, 1982
Seller: Aeon Bookstore, New York, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. Oblong softcover, staple bound in stiff red wraps. Approx. 36pp. with black and white illustrations. Clean, internally unmarked, well bound. Very minimal wear, small white spot to front cover, trivial rubbing to rear. Page interiors crisp. Catalogue published on the occasion of an exhibition by the same name at Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1982. Being a group exhibition attempting to define a "postminimalist" art - with this show positioning itself as a "reaction to the sparse structuring of minimalism", its works being characterized alternately by the "use of anti-art materials, personal expression elevated to art, the use of complex serial forms, conceptual attitude as art, landscape/earth work as art, and some easel painting with a strong conceptual bias". With works by Vito Acconci, Laurie Anderson, Carl Andre, Siah Armajani, Richard Artschwager, John Baldessari, Robert Barry, Lynda Benglis, Hannah Darboven, Hamish Fulton, Gilbert and George, Nancy Holt, Douglas Huebler, Joan Jonas, Joseph Kosuth, Lois Lane, Sol Le Witt, Richard Long, Robert Mangold, Robert Morris, Bruce Nauman, Dorothea Rockburne, Edward Ruscha, Joel Shapiro, Robert Smithson, Pat Steir, and others. Scarce and in very good overall condition.