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Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from 1596 - 1622 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 290.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from 1596 - 1622 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 486.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from , edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 291.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1601 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 354.
Published by Forgotten Books, 2019
ISBN 10: 0428790046ISBN 13: 9780428790042
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
Book
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from , edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 465.
Publication Date: 2023
Seller: True World of Books, Delhi, India
Book Print on Demand
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 740.
Published by Hildesheim-New York : Olms, 1982
Seller: Paul van Kuik Antiquarian Music, Kranenburg, Germany
Book
(4) S., (6), 218 Bll., 283, (3) S. Nachdruck der Ausgabe Benedig 1596 und 1622. Sprache: Italienisch Gewicht in Gramm: 1800 Gr.-8°. OLn mit Goldprägung, Rückendeckel gering beschabt.
Published by ([Faksimile-]Nachdruck d. Ausg. Venedig [Venetia, Bartolomeo Carampello] und [Allesandro Vincenti] 1622). Hildesheim, New York, Olms 1982. Lex.-8vo. (4) S., (6), 218 Bll., 283, (3) S. Leineneinband m. goldener Titelprägung., 1596
ISBN 10: 3487071843ISBN 13: 9783487071848
Seller: Antiquariat Dr. Christian Broy, Leipheim, Germany
Book
Condition: sehr guter Zustand. Name im Vorsatz. Gutes, sauberes Exemplar. Ein Hinweis an unsere ZVAB/AbeBooks-Kunden: Versand als versichertes Paket; Versandkosten daher abweichend EUR 8,00 (D), EUR 20,00 (EU) bzw. EUR 30,00 (Schweiz, GB). In andere Versandzonen bzw. bei höheren Sendungsgewichten kontaktieren wir Sie via AbeBooks/ZVAB./Shipping only with tracking number. Shipping costs therefore are: EUR 8,00 (D), EUR 20,00 (EU) bzw. EUR 30,00 (Switzerland, GB). For heavier packages or shipping to further countries we will contact You via AbeBooks.
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Also find Hardcover
Published by Georg Olms Verlag, Hildesheim,, 1982
Seller: FIRENZELIBRI SRL, Reggello, FI, Italy
Condition: NUOVO. Ristampa anastatica dell'ediz.Venetia,1596,1622. in due parti in un vol. cm.20,5x29, pp.(12),218 carte,+pp.283, num.esempi musicali nt. Hildesheim, Georg Olms Verlag in due parti in un vol. cm.20,5x29, pp.(12),218 carte,+pp.283, num.esempi musicali nt. leg.ed.in t.tela, titoli in oro al piatto ant.e dorso. leg.ed.in t.tela, titoli in oro al piatto ant.e dorso.
Published by Hildesheim, Olms 1982., 1982
2 Bde. in eienm Bd. 4°. 218, 283 S. m. Noten. Oln. Rücken etwas berieben u. fleckig. Nd. d. Ausg. Venedig 1596 u. 1622.
Published by Hildesheim, Olms 1982., 1982
2 Bde. in eienm Bd. 4°. 218, 283 S. m. Noten. Oln. Einband etwas fleckig. Nd. d. Ausg. Venedig 1596 u. 1622.
Published by Hildesheim, Olms 1982., 1982
2 Bde. in eienm Bd. 4°. 218, 283 S. m. Noten. Oln. 2 Buchstaben v. Titel verfärbt. Nd. d. Ausg. Venedig 1596 u. 1622.
Published by Sala Bolognese, Forni, 1983
Seller: Libreria SEAB srl (socio Alai/Lila), Bologna BO, BO, Italy
Condition: Buono (Good). Voll. 2 in 8°, tele edit. leggermente impolverate con tit. oro al dorso, pp. 12 n.n.+ cc. 218+ 284. Rist. anastatica dell'ediz. di Venezia 1596 e 1622 Buono (Good) .
Published by Georg Olms Verlag, 1982
Seller: Librodifaccia, Alessandria, AL, Italy
Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.
Published by Roma, Antonio Barre, Roma, 1555
First Edition
Condition: Buono (Good). Folio (287x194 mm). 146, [6] leaves and [8] woodcut folding plates. Collation: A-Z6 AA6 BB8. With the printer's device on the title page showing Orpheus under a tree playing the viola and the author's portrait, at the age of 44, printed on its verso, music notation in text. Old pol- ished gilt calf, marbled edges, contemporary ownership's inscription on the title page: ?Est S. Petri de Perusio'; below the initials ?D.d.M.' and the date 1857, Small marginal tear to leaf D4 with no damage to the text, title page lightly soiled, but a very fine copy. VERY RARE FIRST EDITION, first issue (the work was re-issued with just the date changed on the title page in 1557) of one of the most influential music theory books of the sixteenth century, dedicated to Cardinal Ippolito II d'Este. The Renaissance musicologist Edward Lowinsky (1967) acknowledges Vicentino as ?the greatest revolutionary of the sixteenth century [.] The epochal significance of his treatise lies in the fact that here is the first esthetics of music in which every element of sound: melody, harmony, rhythm, texture, choice of instruments, manner of performance is critically examined as to its expressive potential, and in which the relativity of each element in varying contexts is demonstrated? (E.E. Lowinsky, The musical avant-garde of the Renaissance or: The peril and profit of foresight, in: ?Art, science and history in the Renais- sance?, C. S. Singleton, ed., Baltimore, MD , 1967, p. 133). Unlike most early theorists, Vicentino, who was a pupil of the Flemish-Venetian composer Adrian Willaert, did not simply summarize the practice of his time, but also attempted to adapt the Greek musical modes to the purpose of modern harmonic singing and instrumental performance. His major contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. Anticipating Vincenzo Galilei and Claudio Monteverdi, Vicentino also expressed avant-garde's views on the relation between music and text. He stated that, in order to better express the feelings of a verbal text, mu- sic should be sometimes allowed to break the strict rules of counterpoint. ?For centuries, tuning systems were central to music theoretical discussions as they laid out the raw materials for composition. However, surviving compositions that explicitly require a specific tuning system are rare. Nicola Vicentino's treatise Ancient Music Adapted to Modern Practice provides an original theory of intervals and tuning, as well as compositions that strive to embody his theory. Vicentino's musical philosophy involves the listener's emotions and reason and argues that perception is an important consideration in the development of theories and in writing music. Vicentino's compositions offer a unique opportunity to investigate perception in the context of a novel tuning system and elucidate what kinds of musical choices and contexts best highlight the nuances of his system. The present paper reports the results of two perceptual studies that investigated the ability of musically trained listeners to discriminate between short musical excerpts for voices presented in Vicentino's 31-tone tuning system and in the standard 12-tone equal temperament. Modern tuning software has made it pos- sible to have natural voices singing, but to precisely control the tuning of each note, all the while leaving the natural variation of jitter and vibrato if needed. Musical and acoustical correlates were also examined to determine whether musical context had an effect on discrimination performance? (S. McAdams et al., Perception of Vicentino's 31-tone tuning system, in: ?Journal of Interdisciplinary Music Stud- ies?, 8/1&2, 2014-2016, p. 158). ?This treatise is a major contribution to the growing movement that sought to free both theory and practice from a dependence on the traditional ecclesiastical modes. Of particular interest is his description of the 'arcicembalo', a unique harpsichord that was built with two keyboards, each contain- ing three orders of keys. This construction allows the performer to play intervals smaller than a semitone as well as the possibility of playing pure intervals against tempered intervals in any key. Thus, for the first time, ancient Greek theory as well as progressive free chromaticism could be realized, and from this would gradually emerge ?the stabilization tuning into the equal temperament of more modern times'. Vicentino was also interested in both the melodic and vertical functions of intervals, which is remarkable for this period. Understandably, his theories generated fervent opposition both from his contemporaries and later from the likes of Zarlino, Artusi, and Doni. The French printer Antonio Barré, although primarily a printer of music, produced twenty music books during his career, of which this is the most famous. Vicentino's treatise is also significant as a very early example of the printing of the natural sign from type (R.H. Cowden, A Collector's Journey: Notable Music Books Written Prior to 1800, New Castle, DE, 2015, pp. 24-25). Little is known of Nicola Vicentino's early life. He was born in Vicenza, and may have studied with Adrian Willaert in Venice. He acquired an early interest in the contemporary humanistic revival, in- cluding the study of ancient Greek music theory and performance practice, about which little was known, but was then being uncovered, through the work of scholars such as Girolamo Mei and Gian- giorgio Trissino. At some time in the 1530s or early 1540s he went to Ferrara, which was to become the center for experimental secular music in Italy from the middle to the end of the 16th century. Apparently, he served as a music tutor to the Duke of Este as well as some of his family members, and some of Vicentino's music was sung at the court of Ferrara. During the late 1540s his reputation as a music theorist grew. He established his reputation as a composer with his publication of a book of.