Pre Raphaelite Sisters (57 results)

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paperback. Condition: Very Good. Pre-Raphaelite Sisters This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

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Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Stationery. Condition: Brand New. ncr edition. 24 pages. French language. 7.00x5.00x1.73 inches. In Stock.

Paperback. Condition: New. For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour - as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making - the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.…

Paperback. Condition: new. Paperback. For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour - as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making - the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condition: Very Good.

Paperback. Condition: New. For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour - as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making - the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.…

Paperback. Condition: Brand New. 30 pages. 8.27x5.83x0.08 inches. In Stock.

Condition: New.

Condition: New. In English.

First Edition. Fine paperback copy with French flaps. Well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 207 pages : illustrations (chiefly colour), portraits ; 29 cm. Notes; Published on the occasion of an exhibition held at the National Portrait Gallery, London, 17 October 2019 - 26 January 2020. Includes bibliographical references (pages 194-201) and index. Subjects; Pre-Raphaelitism -- Great Britain -- Exhibitions. Women artists -- Great Britain -- Biography. Artists' models -- Great Britain -- Biography. Women in art -- Exhibitions. 1 Kg. …

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

First Edition. Fine paperback copy with French flaps. Well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 207 pages : illustrations (chiefly colour), portraits ; 29 cm. Notes; Published on the occasion of an exhibition held at the National Portrait Gallery, London, 17 October 2019 - 26 January 2020. Includes bibliographical references (pages 194-201) and index. Subjects; Pre-Raphaelitism -- Great Britain -- Exhibitions. Women artists -- Great Britain -- Biography. Artists' models -- Great Britain -- Biography. Women in art -- Exhibitions. 1 Kg. …

Hardcover. Condition: Good. BOX packed with padding! Pages: not written on, clean, bright, odor free, fine edges. Cover: rubbing to corner tips and small part of spine edge, scuffs. See Photos. Ships from California. Ships same or next day! ABOUT: Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colors. Who were these women? What is known of their lives and their roles in a movement that spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socializing with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewelry-making―the fine crafts that formed a supportive tier for the "higher" arts of painting and sculpture. Although their backgrounds and life experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Containing over 100 beautifully reproduced images, Pre-Raphaelite Sisters illustrates the obscure stories of some of the movement's most familiar faces.…

Paperback. Condition: Brand New. 208 pages. 11.00x9.50x11.02 inches. In Stock.

Condition: New.

hardcover. Condition: Acceptable. Binding seperating. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Fine. No Jacket. 1st Edition. A clean and bright copy. 207pp.

Condition: New.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

Paperback. Condition: new. Paperback. For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour - as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making - the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…