Prints Printmakers, Signed (8 results)

Condition: Good. Signed Copy . Signed/Inscribed by author on front endpage. In protective mylar cover. (Printmaking, prints) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Condition: Very Good. Dust Jacket Condition: good. Foreword by Sinclair Hitchings, critical essay by Jennifer Kate Ward. Signed association copy. Gryffyd was Roi's son with Imogen Cunningham. Extra exhibit material laid in. Contains black and white illustrations. Dust jacket unclipped. Title on front of dust jacket and spine, illustration on front and back covers of dust jacket. Clothbound in brown with title in gilt on spine. Wear to all edges of dust jacket including tearing. Dust jacket chipped at head and tail of spine. Fading to spine of dust jacket. Some pencil annotations to index. 4to, 434pgs.

First and only edition of this useful reference, with biographical and bibliographical notes on 1,874 printmakers. This is one of 333 deluxe copies, printed on fine laid paper and with an original signed and numbered woodcut by Ingo Avolta, printed on Moulin Richard de Bas paper, on the cover. Also signed by the publisher. 8vo, publisher's boards. Top edge gilt. Fine.

Hardcover. Condition: Near Fine. 1st Edition. The sole printing published by Robin Garton in association with the Scolar Press in 1992. The Special Collector's Edition : This copy being one of the 13 copies which were issued with a complete suite of 8 prints from a limited edition of only 25 special bound copies. Publisher's original red quarter-leather with green buckram boards and raised bands. Gilt lettering on spine. Top edge gilt. With the original publishers green-cloth slipcase. The BOOK is in Fine condition. With the original green card folder housing the complete suite of 8 prints. All housed in the publisher s original green slipcase. The 25 special bound copies were divided into : Edition A : 10 copies with 3 loose prints ( None signed), Edition B : 15 copies with the complete suite Of 8 prints ( 2 wood engravings are provided by each of the following artists : Eric Ravilious / John Nash / Enid Marx / Reynolds Stone ). This copy is Edition B, number 3 of 15. All 8 prints are present and the two Enid Marx prints are numbered and signed by her. I am unaware whether she signed all the prints for Edition B or not. The book has been designed to provide a resource of information about the developments in British printmaking which started in the middle of the nineteenth century and continued into the middle of the twentieth; it also hopes to provide a point of departure for further study. The text commences with an A-Z of artists considered important or relevant to the period. It continues with essays describing developments in the different media which are followed by illustrative sections laid out chronologically. Scarce with such attributes. More images available on request. Ashton Rare Books welcomes direct contact. Signed by Illustrator(s).

No Binding. Condition: As New. 1st Edition. All 12 different prints are hand SIGNED, numbered and titled by the artists; this is a calendar with original prints; all the prints are about the same size but printed on different paper, average print size: 8-1/2 x 11-1/2in; each artist has done used medium and each is easily removed for framing, the calendar's months listed with each right below prints; comes with long black wooden holder at top; softcovers covers, each sheet with print and the month size: 17-1/2 x 11-1/2in; CONTRIBUTING ARTISTS:1) David Brosch = January an etching edition of 150; 2) Susana de Quadros = February etching and dry point edition of 180; 3) Maxine Ross = March collagraph edition of 90; 4) Takayo Noda = April embossing edition of 200; 5) Julie Schrader = May white-line woodcut edition of 100; 6) Linda Adato = June etching edition of 150; 7) Bety Anderson = July monotype; 8) Constance R. Grace = August screenprint edition of 182; 9) Betty Ann MacDonald = September etching edition of 75; 10) Jenny Freestone = October silicone intaglio edition of 160; 11) Norma Pfaff = November woodcut 145; 12) Norman Strike = December linocut edition of 144; all prints are in EXCELLENT COND. Signed by Author(s).

No Binding. Condition: Very Good. 1st Edition. These 12 different prints are hand SIGNED, numbered and title by the artists; this is a date book with original prints; all the prints are about the same size but printed on different paper: 9-1/2 x 7in; the different artist and medium used and easily removed for framing: with the calendar months listed with each on opposite page; spiral spine; softcovers covers: size: 11-9in; the artists contributing: Ellen Verdon Winkler (Jan.): embossing limited to 25 copies; Pauline Jakobsberg (Feb): non-etch intaglio with collagraph limited to 15 copies; Judith Kahn (March): linocut limited to 95 copies; Martha Griffin (April): etching limited to 100 copies; Nina Muys (May): carborandum intaglio limited to 74 copies; Phyllis E. Wright (June): silkscreen limited to 74 copies; Yolanda Frederikse (July): monotype and limited to 75 copies; Nuong Van-Dinh Tran (Aug): silkscreen and limited to 90 copies; Rosemary Kimball (Sept): woodcut-chine colle limited to 80 copies; Jan Myers (Oct): viscosity etching and limited to copies; Marian Oshner (Nov): lithograph and limited to 80 copies; Helga Thomson(Dec) : relief print, masonite cut and limited to 79 copies; NOTE: also signed by Betty MacDonald on back soft cover (with no print); all in EXCELLENT COND. Signed by Author(s).

No Binding. Condition: Very Good. 1st Edition. All 13 different prints are hand SIGNED, numbered and titled by the artists; this is a calendar with original prints; this is a special Millennium edition with an extra print; all the prints are about the same size but printed on different paper, average print size: 8-1/2 x 11-1/2in; each artist has done used medium and each is easily removed for framing, the calendar's months listed with each right below prints; softcovers covers, each sheet with print and the month size: 17-1/2 x 11-1/2in; the ARTIST THAT CONTRIBUTED: 1) Linda Adato, front cover of calendar, reproduction from original intaglio print and is listed as artist proof; 2) Helga Thomason: non-etch intaglio and limited to 153 copies; 3) Linda Adato: intaglio and limited to 150 copies; 4) Betty Ann MacDonald: etching and limited to 95 copies; 5) Norma Pfaff: woodcut and limited to 200 copies; 6) Ruth Ward: digital print and limited to 156 copies; 7) Susana deQuadros: etching and limited to 170 copies; 8) Gianacles: hand-colored woodcut and limited to 152 copies; 9) Shirley Tabler: aquatint/etching and limited to 100 copies; 10) Mansoora Hassan: digital print and limited to edition size unknown; 11) Ray Esposito: color woodcut and limited to 160 copies; 12) Norman Strike: linocut and limited to 150 copies; 13) Ruth Wahlberg Birch: etching and limited to 75 copies; all prints in VERY GOOD COND. Signed by Author(s).

No Binding. Condition: As New. 1st Edition. All 13 different prints are hand SIGNED, numbered and titled by the artists; this is a calendar with original prints; this is their 10th Anniversary edition with an extra print; all the prints are about the same size but printed on different paper, average print size: 8-1/2 x 11-1/2in; each artist has done used medium and each is easily removed for framing, the calendar's months listed with each right below prints; softcovers covers, each sheet with print and the month size: 17-1/2 x 11-1/2in; the ARTIST THAT CONTRIBUTED: 1) Dianna Diatz who has done the extra Frontispiece: photographic transfer print and limited to 300 copies; 2) March Shear Wolpe: screenprint and with 175 copies; 3) Mansoora Hassan: collagraph and edition size isn't written on print; 4) Pauline Jakobsberg: collagraph and limited to 37 copies: 5) Jamie Brooks: linocut and limited to 170 copies; 6) Nina Muys: etching and limited to 175 copies: 7) Terry Parmelee: woodcut and limited to 200 copies; 8) Ann Zahn: viscosity etching and limited to 90 copies; 9) Betty Ochs: etching and limited to 250 copies; 10) Maxine Ross: collagraph and limited to 50 copies: 11) Aline Feldman: woodcut and limited to 200 copies; 12) Betty MacDonald: etching and limited to 100 copies; 13) and Susan Pearcy: collagraph and limited to 200 copies; comes with 2 letter signed by Betty MacDonald and tiny writing on the advertising announcement; all prints in EXCELLENT COND. Signed by Author(s).