Program Notes by Max Neuhaus: First Edition (3 results)
More imagesPublished by Primary Information, New York 2015
- Softcover
- First Edition
Seller: Literary Cat Books, Machynlleth, Powys, WALES, United KingdomLiterary Cat Books
Contact seller4-star sellerCondition: Used - Near fine
US$ 11.60
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Paperback. Condition: Near Fine. No Dust Jacket. First Edition; First Impression. Minimal soiling on covers. Light creasing on covers. ; 20.9 x 13.3 x 0.3 cm.
- Softcover
- First Edition
Seller: Antiquariat Langguth - lesenhilft, Köln, , GermanyAntiquariat Langguth - lesenhilft
Contact seller5-star sellerCondition: Used
US$ 59.70
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28 S. First Edition. - Die erste Ausgabe von Max Neuhaus' Programmnotizen, die aus kurzen gedruckten Statements des innovativen Klangkünstlers besteht, als er versuchte, die Grenzen seiner neuen Audiopraxis neu zu definieren. Max Neuhaus (1939 2009) begann seine Karriere als Schlagzeuger und Experimentalmusiker in den späten 50e…r Jahren und arbeitete mit Künstlern wie John Cage und Karlheinz Stockhausen zusammen. Sprache: Englisch Gewicht in Gramm: 300 8°. Orig.-Karton (etwas lichtrandig).
Published by York University. 1974
- Softcover
- First Edition
Seller: Tim Byers Art Books, Richmond, United KingdomTim Byers Art Books
Contact seller5-star sellerCondition: Used
US$ 414.55
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pp. (28). The first edition of Max Neuhaus? Program Notes, which consists of short printed statements by the innovative sound artist as he sought to redefine the boundaries of his new audio practice. Max Neuhaus (1939 - 2009) began his career as a percussionist and experimental musician in the late ?50s, working with the likes o…f John Cage and Karlheinz Stockhausen. By the mid-60s however, Neuhaus became increasingly interested in the broader realm of sound, eventually becoming a pioneer in the field of sound art. His Program Notes booklet, which reads as a sort of treatise on sound, music, and the economics of arts funding, is perhaps most well-known for the third of the printed statements: ?Traditionally composers have located the elements of a composition in time. One idea which I am interested in is locating them, instead, in space ? and letting the listener place them in his own time? In this quotation, Neuhaus lays the foundations for the future of sound installation, differentiating his work from conventional music by the contrast between time and space, and in the respect of the mode of listening. A groundbreaking text work, rare in the original edition. Original glossy white wrappers, stapled. Minor handling creases to covers, overall a very good copy.
