Prose by Bernhard Thomas (33 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condition: Very Good. -. Univ of Chicago Pr, 2010 - Very good -.

Condition: New.

Condition: New.

Condition: New.

Paperback. Condition: New. "His manner of speaking, like that of all the subordinated, excluded, was awkward, like a body full of wounds, into which at any time anyone can strew salt, yet so insistent, that it is painful to listen to him," from The CarpenterThe Austrian playwright, novelist, and poet Thomas Bernhard (1931-89) is acknowledged as among the major writers of our time. The seven stories in this collection capture Bernhard's distinct darkly comic voice and vision-often compared to Kafka and Musil-commenting on a corrupted world.             First published in German in 1967, these stories were written at the same time as Bernhard's early novels Frost, Gargoyles, and The Lime Works, and they display the same obsessions, restlessness, and disarming mastery of language. Martin Chalmer's outstanding translation, which renders the work in English for the first time, captures the essential personality of the work. The narrators of these stories lack the strength to do anything but listen and then write, the reader in turn becoming a captive listener, deciphering the traps laid by memory-and the mere words, the neverending words with which we try to pin it down. Words that are always close to driving the narrator crazy, but yet, as Bernhard writes "not completely crazy." "Bernhard's glorious talent for bleak existential monologues is second only to Beckett's, and seems to have sprung up fully mature in his mesmerizing debut."-From Publishers Weekly, on Frost  "The feeling grows that Thomas Bernhard is the most original, concentrated novelist writing in German. His connections . . . with the great constellation of Kafka, Musil, and Broch become ever clearer." -George Steiner, Times Literary Supplement, on Gargoyles.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: new.

Soft cover. Condition: New. ISBN:9780857425768,180pp.

Paperback. Condition: new. Paperback. His manner of speaking, like that of all the subordinated, excluded, was awkward, like a body full of wounds, into which at any time anyone can strew salt, yet so insistent, that it is painful to listen to him, from The CarpenterThe Austrian playwright, novelist, and poet Thomas Bernhard (193189) is acknowledged as among the major writers of our time. The seven stories in this collection capture Bernhards distinct darkly comic voice and visionoften compared to Kafka and Musilcommenting on a corrupted world. First published in German in 1967, these stories were written at the same time as Bernhards early novels Frost, Gargoyles, and The Lime Works, and they display the same obsessions, restlessness, and disarming mastery of language. Martin Chalmers outstanding translation, which renders the work in English for the first time, captures the essential personality of the work. The narrators of these stories lack the strength to do anything but listen and then write, the reader in turn becoming a captive listener, deciphering the traps laid by memoryand the mere words, the neverending words with which we try to pin it down. Words that are always close to driving the narrator crazy, but yet, as Bernhard writes not completely crazy. Bernhard's glorious talent for bleak existential monologues is second only to Beckett's, and seems to have sprung up fully mature in his mesmerizing debut.From Publishers Weekly, on Frost The feeling grows that Thomas Bernhard is the most original, concentrated novelist writing in German. His connections . . . with the great constellation of Kafka, Musil, and Broch become ever clearer. George Steiner, Times Literary Supplement, on Gargoyles Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. reprint edition. 180 pages. 8.00x5.00x0.90 inches. In Stock.

Condition: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.

Condition: New. Brand New, Softcover edition. This item may ship from the US or our Overseas warehouse depending on your location and stock availability.

Condition: New. 2018. Reprint. Paperback. . . . . .

Condition: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A fine clean copy in like dust wrapper.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition Thus. First edition in English, hardcover, has a mild skew to the binding, light bumps to the spine ends and cover corners, and a tiny spot of soiling to the head of the text block near the binding. Overall, this is a solid, tight and bright, Very Good+ copy in a like dust jacket, which has bumps with light creasing and slight peels to the spine ends and corners, and subtle rubbing with a touch of edge wear to the covers.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Paperback. Condition: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 7-12 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Translated by Martinl Chalmers. First English edition. Originally published by Suhrkamp in 1967. Red cloth, octavo. Seven stories about crime and punishment. Fine copy in a fine dust jacket in a mylar protector, as new.

Paperback. Condition: new. Paperback. His manner of speaking, like that of all the subordinated, excluded, was awkward, like a body full of wounds, into which at any time anyone can strew salt, yet so insistent, that it is painful to listen to him, from The CarpenterThe Austrian playwright, novelist, and poet Thomas Bernhard (193189) is acknowledged as among the major writers of our time. The seven stories in this collection capture Bernhards distinct darkly comic voice and visionoften compared to Kafka and Musilcommenting on a corrupted world. First published in German in 1967, these stories were written at the same time as Bernhards early novels Frost, Gargoyles, and The Lime Works, and they display the same obsessions, restlessness, and disarming mastery of language. Martin Chalmers outstanding translation, which renders the work in English for the first time, captures the essential personality of the work. The narrators of these stories lack the strength to do anything but listen and then write, the reader in turn becoming a captive listener, deciphering the traps laid by memoryand the mere words, the neverending words with which we try to pin it down. Words that are always close to driving the narrator crazy, but yet, as Bernhard writes not completely crazy. Bernhard's glorious talent for bleak existential monologues is second only to Beckett's, and seems to have sprung up fully mature in his mesmerizing debut.From Publishers Weekly, on Frost The feeling grows that Thomas Bernhard is the most original, concentrated novelist writing in German. His connections . . . with the great constellation of Kafka, Musil, and Broch become ever clearer. George Steiner, Times Literary Supplement, on Gargoyles Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: new. Paperback. His manner of speaking, like that of all the subordinated, excluded, was awkward, like a body full of wounds, into which at any time anyone can strew salt, yet so insistent, that it is painful to listen to him, from The CarpenterThe Austrian playwright, novelist, and poet Thomas Bernhard (193189) is acknowledged as among the major writers of our time. The seven stories in this collection capture Bernhards distinct darkly comic voice and visionoften compared to Kafka and Musilcommenting on a corrupted world. First published in German in 1967, these stories were written at the same time as Bernhards early novels Frost, Gargoyles, and The Lime Works, and they display the same obsessions, restlessness, and disarming mastery of language. Martin Chalmers outstanding translation, which renders the work in English for the first time, captures the essential personality of the work. The narrators of these stories lack the strength to do anything but listen and then write, the reader in turn becoming a captive listener, deciphering the traps laid by memoryand the mere words, the neverending words with which we try to pin it down. Words that are always close to driving the narrator crazy, but yet, as Bernhard writes not completely crazy. Bernhard's glorious talent for bleak existential monologues is second only to Beckett's, and seems to have sprung up fully mature in his mesmerizing debut.From Publishers Weekly, on Frost The feeling grows that Thomas Bernhard is the most original, concentrated novelist writing in German. His connections . . . with the great constellation of Kafka, Musil, and Broch become ever clearer. George Steiner, Times Literary Supplement, on Gargoyles Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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