Punk Original (31 results)

Paperback. Condition: Brand New. 110 pages. 9.00x6.00x0.25 inches. In Stock.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condition: Very Good. Gently used, still in bag.

Condition: good. This book is in good condition, with minimal signs of wear and tear.

A collection of articles and illustrations from Punk Magazine. First edition, July 1996. Color and B&W. 128 pages. Excellent other than faded spine.

Vinyl. Condition: Sehr gut. Made in Germany. Zwei 12-Zoll Vinyls, Gatefoldcover. Vinyls sehr gut, ein hairline auf B-Seite,jeweils in bedruckter Original-Schutzhülle, FOC: Falze teilweise berieben, Ecken leicht angestoßen, leichter PLattenabdruck. Sehr gut / Sehr gut, VG/VG. Wird in speziellem LP-Versandkarton verschickt. Sprache: Englisch Gewicht in Gramm: 1050.

Soft cover. Condition: Very Good. No Jacket. Some light wear to covers and spine, mainly edges and corners, corners a little creased and worn, internally in good condition, pages crisp and clear.

Soft cover. Condition: Near Fine. No Jacket. Publication date uncertain. "Next issue of NME Originals: OASIS On Sale July 2002" stated. Near fine 147 page, 11.75 inch by 9 inch wraps/paperback. Only trivial signs of age/wear/previous use.

Measures 8.5 x 11". Slumberjack was a 90s punk band from Athens, George; Middlefinger from Houston, Texas. This Handbill is for a show at Club Boomerange (1840 Haight Street) Monday June 26, 1995. Slight creasing, else Very Good.

Condition: Very Good. Measures 5.5 x 8.5" Bonecrusher was a 90s streetpunk band from California. This Handbill is for a show at Brave New World (1751 Fulton At Masonic) Friday May 20, 1994.

Soft cover. Condition: Fine. 1st Edition. Stated first edition. 8 1/2" x 11", 128 page trade paperback bound in pictorial wrappers. Fine condition. Reprints articles and photos from "Punk Magazine" on Blondie, The Ramones, The Sex Pistols, The Clash, and others.

Paperback. Condition: Very good. First Edition. 8 1/4 x 11 1/2 inches. One sheet, printed both sides. Condition is Very Good; slightly but evenly toned, corners creased.

Softcover. Condition: Very Good. Light external wear from previous storage/display.

Soft cover. Condition: Fine.

Soft cover. Condition: Very Good. Book is in very good condition. 366pp with colour and b/w illustrations.

Condition: new.

Postkarte. Condition: Gut. A5 grosse Postkarte von Die Schröders für das Album "Frisch gepresst / Urlaubsgrüße von den Marschall-Inseln" bildseitig von allen Mitgliedern von Die Schröders mit schwarzem Edding signiert /// Autogramm Autograph signiert signed signee /// Die Schröders waren eine deutsche Punkband aus Bad Gandersheim. Mitglieder waren Burger, Hämpy, O-Lee und Sascha. Die Schröders wurden 1989 von Burger (Gesang und akustische Gitarre) und Hämpy (Gitarre) in Bad Gandersheim in Niedersachsen gegründet und wurden noch im selben Jahr durch den Bassisten Hachi erweitert. Anfang 1990 komplettierte der Schlagzeuger Mike die Besetzung. Nachdem sie zu Beginn vor allem durch regionale Auftritte und Veranstaltungen in Clubs und Ähnlichem eine Fangemeinde erspielten, wurde bereits 1989 der "Freunde der Schröders"-Fanclub gegründet. Erste überregionale Aufmerksamkeit wurde ihnen zuteil, als sie 1990 an einer achtteiligen Foto-Lovestory der Jugendzeitschrift Bravo teilnahmen. Durch die ebenfalls 1990 bei EMI veröffentlichte erste Single Candy, welche sich über 15.000 mal verkaufen konnte, wurde ihnen weitere, zumeist allerdings regionale, Medienpräsenz zuteil. Nach einem Wechsel von EMI zum Indie-Label T.A.O.B. brachten sie 1991 ihr erstes Album Mutter horcht an deiner Tür heraus, welchem die erste Tour durch Deutschland, Österreich und die Schweiz folgte. 1993 kam es zum ersten Wechsel in der Band, der Schlagzeuger Mike, der lieber eine Lehre anfangen wollte, wurde durch Maja ersetzt. Kurze Zeit später musste dann auch der Bassist getauscht werden, da Hachi und Burger sich zerstritten. Für ihn kamen der Bassist Hagen und der Gitarrist Vipo. In dieser neuen Besetzung wechselten sie abermals ihr Label und veröffentlichten 1995 bei WEA Records das zweite Studioalbum Frisch gepresst. Vor allem in Österreich war das Album samt seiner Single Lass uns schmutzig Liebe machen sehr erfolgreich, sie hielten sich wochenlang auf Platz 1 in den österreichischen Charts und wurden mit Platin ausgezeichnet. Aber auch in Deutschland war das Album erfolgreich, sodass die Band in den nächsten Monaten auch in diversen VIVA-Sendungen auftrat. 1996 kam es zur Veröffentlichung der LP Schwer Scheff, in deren Anschluss Die Schröders in Österreich im Vorprogramm von Bon Jovi und H-Blockx spielten. Mit diesem Album war die Band Teil einer neu entstehenden Generation von Bands im Umfeld des Alternative Rock mit deutschen Texten. Das vierte Album der Band Gilp kam schon ein Jahr später auf den Markt und wurde ebenfalls von einer Tour begleitet. In der Zeit danach kam es zur Trennung sowohl von WEA Records als auch von Maja und Hagen. Maja wollte sich auf seine DJ-Karriere konzentrieren. Hagen arbeitet jetzt unter anderem als Tourbassist von Oomph! Der Bassist O-Lee und der Schlagzeuger Sascha besetzten die nun vakanten Stellen. Auf der CD Gilp präsentierte die Band eine neue musikalische Bandbreite, die von Easy Listening bis hin zu elektronischen Elementen reichte. Diese Entwicklung stieß zwar nicht nur auf positives Echo, zeigte aber die Bereitschaft der Band, unterschiedliche musikalische Stilrichtungen auszuloten - wie bereits zuvor beim Übergang vom poppigen Album "Frisch Gepresst" zum rauen Nachfolger "Schwer Scheff". Erst 2001 wurde das nächste Album Das Leben ist kein Ponyhof vorgestellt, welches über EMI Music veröffentlicht wurde und wieder deutlich gitarrenlastiger daherkam als der Vorgänger. Im Jahr 2002 verließ Lead-Gitarrist Vipo die Band aus persönlichen Gründen. Die Schröders traten ab diesem Zeitpunkt zu viert auf. In den folgenden beiden Jahren arbeitete die Band vor allem daran, unabhängig von der großen Plattenindustrie agieren zu können. Weitere Angebote von Seiten großer Major-Plattenlabels wurden konsequent abgelehnt. 2003 wurde das Best-Of-Album Das Beste veröffentlicht. Im gleichen Jahr lieferten sie die Titelmelodie zur ProSieben-Serie "Was nicht passt, wird passend gemacht". Ihr letztes, wieder sehr Punkrock-orientiertes Album Endlich 18 erschien am 22. Februar 2008. Hierzu gab es im April und Mai 2008 eine Tour in über 20 Clubs in Deutschland, Österreich, der Schweiz und Italien sowie Festivalauftritte im Sommer. Am 17. Februar 2009 kündigte Jens Burger die Auflösung der Schröders an. Man wolle noch einige Festivals und Ende des Jahres eine Abschiedstournee spielen.[1] Ein mögliches Comeback schließt die Band nicht aus. Am 27. Dezember 2009 beendeten die Schröders ihre Abschiedstournee mit einem vorerst letzten Konzert in der ausverkauften Palaver Hall in ihrem Heimatort Bad Gandersheim. Als Überraschung präsentierten sie sich den Zuschauern noch einmal als Bonanza Boys und traten damit als ihre eigene Vorgruppe auf. Zweite Vorband war eine Formation, die unter anderem aus Schröders-Bassist O-Lee und Mercher ?Timmey? bestand und auch andere Mitglieder des Schröders-Teams auf die Bühne holte. Die Schröders selbst spielten teilweise noch einmal mit ehemaligen Bandmitgliedern. 2014 spielten die Schröders beim Taubertal-Festival und beim Open Flair.[2] Die Schröders spielten am 22. September 2018 beim Rock-Spektakel in Hamburg.[3] /// Standort Wimregal Ill-Umschl2023-85 Sprache: Deutsch Gewicht in Gramm: 10.

Loose sheet. Condition: Near Fine. First Printing. Poster measures 8.5 x 11 inches with black printing on pink stock. Original flyer for Mental Mannequin performing at the Seattle Concert Theater, May 29, admission $3.50. With a few pinholes, and slight evidence of wear. In sum, a well preserved copy. Mental Mannequin was Charles "Upchuck" Gerra's band Clone reformed, using most of the same musicians, including Gordon Raphael, Mike Davidson (formerly of the Lewd), Barb and Ben Ireland, and Pony. Later, Upchuck, also known as Charles Garrish, would form the Fags, Wad Squad and other combos, both in Seattle and New York, before returning to Seattle, ill with AIDS. He passed away in 1990.A fine example of the DIY ethos of the punk-new wave era, the Seattle Concert Theater was an ill-used venue operated as a screening theater for movie critics. Long gone, the theater was situated across Fairview Avenue from the Seattle Times building. Poster is now housed in a removable, clear archival sleeve.

No Binding. Condition: Very Good. Original DEAD KENNEDYS Punk Flyer for a show at the San Francisco Russian Centre 2450 Sutter St, April 30, 1983. RRZ Promotions. GZAFIX Motozone SF83 in bottom margin. Flyer on white paper, 8.5" x 11" in VERY GOOD CONDITION: One pinhole in the M of Promotions at the top, a horizontal fold, some light creasing, and age toning mostly to the margins, overall a bright, clean and unmarked copy. The DEAD KENNEDYS were one of the most popular and important American hardcore punk bands of the late 1970s and early 1980s. They formed in San Francisco in 1978 when a founding member placed an ad in a music paper and vocalist Jello Biafra showed up and the rest is legendary!

Vintage eight page Xerographic catalog from D.S.I. [DSI Records] promoting local hardcore acts from the Washington DC area, 1984. The bands represented in the catalog are: #1 Priority [Number One Priority], Malefice, Steel Knickers, Death Piggy, Concentric, Michael (previously The Day I Lost My Virginity), and Yom. DSI Records were a Washington DC based record label which specialized in local punk and hardcore releases. Of the seven bands promoted in the catalog (each having their own page), only two were for releases on DSI, Malefice's EP "Overboard" (1984) and Death Piggy's "Love War" (1984), although all the bands in the catalog appeared on the DSI Records cassette compilation "Mutopia" (1984). 8.5 x 11 inches, corner stitched with a single staple to the top left corner. Printed on the rectos only except the second leaf which is printed on the recto and verso. Very Good plus, folded twice.

Grosses Büttenpapier 37,5 x 54 cm. Bild 21,5 x 40 cm. Nummer 63 von 90 Exemplaren. Sehr gut erhalten.

Softcover, staple-bound; complete set of first 15 issues of the legendary magazine Punk; all issues very good condition; clean and crisp except #15 has light stains on cover; no internal marks. Also includes "Punk The Next Big Thing" a folded 3 panel brochure, printed on both sides from 1977 to publicize advertising in the magazine. Foreign shipping may be extra.

Hardcover. Condition: Fine. First Edition, First Printing. Amsterdam, Holland , DeCultCLUB/Hugo Kaagman, 2012, Hardcover in pictorial boards held together by 2 bolts (and thus pages are removable if desired). The title on the front board is spray painted in black with the front board verso heavily sprayed along top margin in black with paint "legs" running down verso of front board. First Edition, First Printing. Punk Files is a rare artist book by Hugo Kaagman, an influential Dutch punk graffiti artist whose work impacted numerous graffiti artists, including BANKSY. The book measures 13 x 12 inches with 33 pages total (2 pages of text by Kaagman describing his work, the final limitation page/colophon, and 29 full-page collages printed in both color and black and white on thick card stock throughout featuring magazine designs and ephermera executed by Kaagman in Holland between 1977-1983). LIMITED NUMBERED EDITION of only 50 copies SIGNED by Kaagman on the limitation page (with this being copy #11/50) issued with a separate 11.75 x 11.75 inch square original screenprint executed by Kaagman that is SIGNED, numbered and dated 2012 by Kaagman in black marker on the print verso (with this print being #16/50 - apparently the print and book numbers were not matched). The multicolor screenprint is printed on heavy cloth and was attached to the inner rear cover via 4 velcro tabs (as intended by the artist and publisher). The print has now been removed from the rear cover and placed in a separate, clear plastic holder laid into the rear cover. NB: each corner of both the screenprint and verso of the rear cover retain the 4 opposing velcro tabs originally used by the artist and publisher to adhere the removable print to the book's inner rear cover. BOOK CONDITION: Fine; a solid, tight, clean copy showing light wear to covers, edges and corners with a FINE original screenprint. RARE SIGNED LTD ED.

No Binding. Condition: Good. Pennie Smith (illustrator). Original Clash Promotional Poster circa 1978. Halftone, printed on paper, issued rolled, 27" x 20" inches. From a 1978 black & white photograph taken by Pennie Smith during a photo session for the promotion of the band's second album Give 'Em Enough Rope (1978). A Russian propaganda poster was used as the photo's backdrop. GOOD CONDITION: surface creasing and scratches, egdewear, touch of waviness, overall a solid and bright vintage punk poster. Will be sent rolled in sturdy mailing tube. Uncommon. Formed in London in 1976 The Clash was one of the most successful bands from Punks first wave in the 1970s, early Clash gigs were notoriously violent establishing them as a leading voice of Punk Rock. Clash members were vocalist Joe Strummer, guitarist Mick Jones, bass player Paul Simonon and drummer Topper Headon. Artist Pennie Smith (b. 1949) is one of the United Kingdoms most acclaimed rock photographers. She created one of the most iconic Punk Rock photographs ever, the cover image for London Calling by The Clash.

Condition: Very Good. First Printing. Original two-color showbill measures 8.5" x 13.75". Features five nights of shows in May, 1981, cover charge $3 per night. Two scuffs, each the size of a nickel. Slight edge-wear. Very Good. The first billing features the Lewd, then located in San Francisco, with the Refuzors as supporting act. That was the infamous "Splat Went the Cat" show when Mike Refuzor wielded a roadkill cat the band chanced upon while driving to the show. Refuzor threw the cat from stage, creating a scene when audience members followed suit. The U-Men, not listed, opened the show. Other bands include Student Nurse, the Deans, X-15, the Pudz, Frazz, the Fags, and others. Danceland USA was a short-lived all-ages venue above the York Diner, a 24-hour greasy spoon at First and Pike.

Loose broadside. Condition: Very Good. First Printing. Original poster measures 11.5 x 17.5 inches with black printing on white stock. Features four bands with three from Vancouver, BC and one (the Look) from Seattle playing at Washington Hall on August 11, admission $3.50. Pinholes at top lower margins, light age-toning. It's not surprising DOA was playing Seattle in 1979: they were one of the first West Coast punk bands to tour the I-5 corridor, and did so incessantly. This was DOA's second show in Seattle.Washington Hall, a rental venue, remains active today. Scarce. Poster is now in a clear, removable archival sleeve.

Original handbill for the London premiere of the 1977 film documentary, held at the Institute of Contemporary Arts Cinema Club, preceding the New York premiere of the film by nearly 10 months. The definitive London punk documentary. Shot by Don Letts on 8mm film almost exclusively at The Roxy in Covent Garden, London, during the club's brief but blazing one-year existence. Featured in the film are some of the earliest performances by The Clash, The Sex Pistols, Wayne County, Johnny Thunders, and Billy Idol. Letts continued to edit the film after this showing, and the version that premiered in New York the following year ran 86 minutes. The most raw and timely documentary of the London punk sceneand certainly The Roxy itselfever made. 8.25 x 11 inches. Near Fine.

Condition: Fine. f-Stop Fitzgerald (illustrator). Original black-and-white full-frame photo print matted under glass in a metal frame. Exposed print measures 13" x 9". Frame measures 20.25" x 16.25". Photo in Fine condition; mat has become slightly warped along upper edge of photo. Slight scratches on metal frame. Decal on rear of print with Minissali's name, his San Francisco residential address and "1979.". Of the photographers documenting the localized punk scenes that spontaneously sprang from the Ramones zeitgeist, f-Stop Fitzgerald is one of few whose name is readily recognized. That recognition is tribute to his photographic style and, of course, his gimmicky moniker. But if his misguided name was slightly cringey, his style readily grasped punk's aesthetic as a rejection of the mid-'70s post-hippie dross. Instead of framing bands in the rockstar glow of smoke machines and limousines, Fitzgerald used insane-asylums and industrial wastelands. Those settings and his habit of shooting at odd angles created a disturbing visual language somewhere between Brassai and Weegee. (Perhaps his best known photo is the Dead Kennedys, each bedecked in a white dress shirt with a spray-painted black S bisected by a black necktie, thus creating a dollar sign.)This image of VS. fits within that oeuvre, with the women appearing feral, behind bars. The photo appears on page 49 of f-Stop Fitzgerald's book Weird Angle (San Francisco: Post-Contemporary Productions and Last Gasp, 1982). Moreover, a photo of VS. from the same photoshoot appears on the cover of X-CAPEES A San Francisco Punk Photo Documentary (Oakland, CA: X-Capees Press, 1980). This print was included in a 1981 touring exhibit, from which it was bought, titled Coast to Coast: Punk Rock and New Wave Photographers. The exhibit originated at the Light Work Gallery at Syracuse University. Aside from Fitzgerald, photographers included Robert Mapplethorpe, William Coupon, Raye Santos, Stanley Greene, Sue Brisk, and Chester Simpson among them. On the West Coast, the show was presented at UC Berkeley's Heller Gallery, Lewis and Clark College (Portland), and the Rosco Louie Gallery (Seattle). Rosco Louie was Seattle's ground-zero for visual arts of the punk underground. Owners Larry Reid and Tracy Rowland supplemented "Coast to Coast" by exhibiting additional photographers from Seattle, among them Randy Hall, Cam Garrett and Randy Erickson. In 1989 a modified "Coast to Coast" exhibit was mounted in Europe, adding additional photographers, resulting in a publication of the same name. As for VS., the band formed in early 1978 with bassist Olga DeVolga (previously in The Offs), Anny Unger, (later, The Gun Club) and Jane Weems (previously in The Maggots), joining rank with other all-female West Coast punk bands of the era including The Dishrags (Vancouver, BC), the Neo Boys (Portland), the Go-Gos (Los Angeles) and, much later, Dickless (Seattle) and Sleater Kinney (Olympia). Scarce. .