Put Reading First, Used (33 results)

Paperback. Condition: Very Good. Alex Brychta (illustrator). Oxford Reading Tree: Level 2: First Sentences: Put It Back (Oxford Reading Tree, Biff, Chip and Kipper Stories New Edition 2011) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Condition: Very Good. Alex Brychta (illustrator). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: As New. Alex Brychta (illustrator). Unread book in perfect condition.

Paperback. Condition: Very Good. Alex Brychta (illustrator). Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: Good. Meets the good condition guidelines. Has wear. Five star seller - Buy with confidence!

Trade Paperback. Condition: Very Good. First Edition. Trade Paperback - VG - Book is clean and tight with light wear - (Advanced Reading Copy - First Edition) - 185 pages.

Condition: Good. Alex Brychta (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: very good. Alex Brychta (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fine. Alex Brychta (illustrator).

Paperback. Condition: Very Good. Alex Brychta (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condition: Used; Very Good. Alex Brychta (illustrator). **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Used; Good. Alex Brychta (illustrator). Ex-Library Copy **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Used; Good. Alex Brychta (illustrator). **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Alex Brychta (illustrator). Unread book in perfect condition.

Paperback. Condition: Fine. No Jacket. 2001 Edition.

Paperback. Condition: Fine. No Jacket. 2001 Edition.

Paperback. Condition: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Size: Folio. [ii (title)], 44, 34, 54, 40pp. (lacking pp.41-43). Half leather and boards covered with brown paper. Final extant leaf with ink stains. Engraved. Ownership signature of Fred Hamil, Bandmaster First Life Guards. RISM A/I/2 and A/I/11 C 3798. BUC p.216. Smith & Humphries no.402. Folio. [ii (title)], 44, 34, 54, 40pp. (lacking pp.41-43).

Folio. Contemporary mid-tan calf-backed marbled boards with spine in compartments. 1f. (recto title, verso blank), 44, 34, 54, 43, [i] (blank) pp. Engraved throughout. With half-length frontispiece portrait engraving of by Vdr. Gucht after H. Howard of the composer holding a sheet of music. "J. W. Branston" in contemporary manuscript to upper outer corner of front free endpaper with annotation to front pastedown in the same hand; later bookplate of "Edgard F. H. J. Masse." Binding worn, rubbed, and bumped;' Minor internal wear and browning; portrait detached, with edges slightly creased and chipped. Second edition of the full score, Vol. II of which contained the score of the Concerti Grossi, Op. 6. Marx p. 92, no. 7; 116, no. 30; 137, no. 26; and 158, no. 26. Smith & Humphries 402. BUC p. 216. RISM C3798. "Corelli exercised an unparalleled influence during his lifetime and for a long time afterwards. . To Corelli belong equally the distinctions of being the first composer to derive his fame exclusively from instrumental composition, the first to owe his reputation in large part to the activity of music publishers, and the first to produce 'classic' instrumental works which were admired and studied long after their idiom became outmoded." Grove Music Online Johann Christoph Pepusch (1667-1752), the editor of the present edition, was a German composer, theorist, and antiquarian who pursued his career in London; he, like many other German, French, and English composers of his time, drew heavily on the Italian style and music theory in his approach to composition. The title page asserts that these sonatas "also make compleat Lessons for the Harpsicord," raising intriguing questions about 18th century performance practice and the adaptability of chamber compositions for solo instruments. An attractively printed edition.

Folio. Newly bound in half mid-tan calf with marbled boards, raised bands on spine in gilt-ruled compartments with titling gilt. 1f. (recto title, verso blank), 44, 34, 54, 43 pp. Engraved throughout. Occasional minor soiling and staining including gradually fading stain to inner margin of Op. 1 extending into music for approximately 30 pages; several drops of wax staining music on p. 27, Op. 2, with music remaining mostly legible excepting figured bass in one beat; small stain to blank inner margin of final eight pages of Op. 4. Lacking frontispiece portrait engraving of Corelli by Van de Gucht after the Howard painting. Second edition of the full score, Vol. II of which contained the score of the Concerti Grossi, Op. 6. Marx p. 92, no. 7; 116, no. 30; 137, no. 26; and 158, no. 26. Smith & Humphries 402. BUC p. 216. RISM C3798. "Corelli exercised an unparalleled influence during his lifetime and for a long time afterwards. . To Corelli belong equally the distinctions of being the first composer to derive his fame exclusively from instrumental composition, the first to owe his reputation in large part to the activity of music publishers, and the first to produce 'classic' instrumental works which were admired and studied long after their idiom became outmoded." Grove Music Online Johann Christoph Pepusch (1667-1752), the editor, was a German composer, theorist, and antiquarian who pursued his career in London; he, like many other German, French, and English composers of his time ,drew heavily on the Italian style and music theory in his approach to composition. The title page asserts that these sonatas "also make compleat Lessons for the Harpsicord," raising intriguing questions about 18th century performance practice and the adaptability of chamber compositions for solo instruments. An attractively printed edition.