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Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by The MIT Press, Cambridge, MA, 1992
ISBN 10: 0262631601 ISBN 13: 9780262631600
Language: English
Seller: Newbury Books, Atlanta, GA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st. slight curling to corners of cover. 273pp 2.16lb 10.0x8.5x0.7in.
Hardcover. Condition: Very Good. Dust Jacket Condition: very good. Unmarked text. Previous owner's stamp on front end page. Illustrated. Notes. Selected Readings. Index. An analysis and a demonstration of the end of traditional film-based photography and a preview of the new filmless, electronic "photography" that allows computers to synthesize entire scenes from digital geometric models, to people actual scenes with actors who were not there, and to erase people or objects who were. 273p. Measures 9x10 inches.
Published by MIT PRESS, CAMBRIDGE, MA, 1992
Seller: Black Canyon Books, Olathe, CO, U.S.A.
hardback. Condition: good. 4to, Cover Wear And Dustsoil, Ex-Lib, Warping To Some Pages, Color And B&W Photos.
Published by MIT Press, Cambridge Ma, 1992
ISBN 10: 0262132869 ISBN 13: 9780262132862
Language: English
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 273 Pp. Orange Cloth Stamped In Purple, Green Endpapers. First Printing Indicated. Light Use, No Marks, Near Fine In Near Fine Dust Jacket With 1/4" Tear At Bottom Of Rear Flap Fold. International Shipment Requires Additional Postage Due To Size.
Published by The MIT Press, Cambridge, Massachusetts, 1994
Language: English
Seller: Peter Moore Bookseller, (Est. 1970. PBFA, BCSA), Cambridge, United Kingdom
Association Member: PBFA
US$ 27.31
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Add to basketSoft cover. Condition: Fine. pp.xii+273. 25.5cm. Numerous colour and black and white photographic illustrations. Line drawings. Notes. Bibliography. Index. Soft covers. A fine clean copy. (Today the very idea of photographic veracity is being radically challenged by the emerging technologies of digital image manipulation).
Published by MIT Press Cambridge MA 1992, 1992
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
US$ 25.57
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Add to basket26.0 x 22.0cms 274pp b/w & colour illusts very good paperback & cover (ex-library with no external library markings) The chapters are: beginnings; the nascent medium; intention; artifice; electronic tools; digital brush strokes; virtual camera; synthetci shading; computer collage; how to do things with pictures.
Published by MIT., CAMBRIDGE, 1992
ISBN 10: 0262132869 ISBN 13: 9780262132862
First Edition
Condition: Near Fine. First Edition. Near fine in a fine dj. (Light diagonal crease at upper righthand corner of front endpaper).
Published by MIT Press, cambridge (MA), 1994
Language: English
Seller: Paule Leon Bisson-Millet, Beilstein, Germany
US$ 52.97
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Add to basketSoftcover. Condition: Neu. The Reconfigured Eye. Visual Truth in the Post-Photographic Era. Von William J. Mitchell. Cambridge (MA), MIT, 1992. 1994. 253:215mm. 273S. 110 Abb. Or.-Brosch. "Today the very idea of photographic veracity is being challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are increasingly difficult to distinguish from actual photographs. "The Reconfigured Eye" provides an analysis of the digital imaging revolution. It describes the technology of the digital image in detail and looks at how it is changing the way we explore ideas, at its aesthetic potential, and at the ethical questions it raises. In chapters on electronic brushstrokes, virtual cameras, synthetic shading, and computer collage, Mitchell describes the basic principles of digital image capture, transformation, and synthesis. He compares the properties of digital images with photographs, drawings, and paintings and explores the new forms of visual communication and artistic practice made possible by computer graphics and image processing. But he goes beyond showing what can be done and how it is done to consider the profound implications of this technology for a society, a legal system, and a journalistic tradition that have long regarded the photograph as the ultimate "proof". "The Reconfigured Eye" is both an analysis and a demonstration of the end of traditional film-based photography and a preview of the new filmless, electronic "photography" that allows computers to synthesize entire scenes from digital geometric models, to people actual scenes with actors who were not there, and to erase people or objects who were. Mitchell discusses the consequent breakdown of accepted ways of making distinctions between original image and replica, between visual fact and fiction, and between captured and constructed images, and shows why photojournalists and others who rely on the acceptance of photographs as objective records are justly nervous.".
Published by Cambridge, Massachusetts; The MIT Press, 1992
Seller: Antiquariat Klaus Altschäfl, Pfarrkirchen, Germany
US$ 80.05
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Add to basket273 S. Mit zahlr. Abb. 4°. Orig.Ganzleinen Samt Schutzumschlag so gut wie verlagsfrisch erhalten.
Published by Cambridge, Ma: The MIT Press, 1992, 1992
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
First Edition
US$ 82.32
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Add to basketHardcover. Condition: As New. 1st Edition. Sm. 4° - 273pp - Color & B/w Photo-reproductions. The Reconfigured Eye - Visual Truth in the Post-Photographic Era by William J. Mitchell (1944-2010) Australian-born author, educator, architect and urban designer, best known for leading the integration of architectural and related design arts practice with computing and other technologies. Text in English. Original boards. As New!