Rodin: First Edition (946 results)
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Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Felicia Hoshino (illustrator).
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Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Felicia Hoshino (illust…rator).
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Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Language: English
Published by Houghton Mifflin Harcourt Publishing Company, 2011
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Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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- Softcover
- First Edition
Seller: Great Expectations Rare Books, Staten Island, NYC, NY, U.S.A.Great Expectations Rare Books
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Soft cover. Condition: Fine. First Edition. Small trade paperback. 143 pages. Further Reading list and Index at rear. Illustrated with numerous photographs throughout, some in color. First edition thus [American edition, published simultaneously in England. First published in France, 1988]. No previous ownership marks. No spine…crease. A clean, tight, unmarked copy. Fine.
Language: English
Published by Houghton Mifflin Harcourt Publishing Company, 2011
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Seller: Better World Books: West, Reno, NV, U.S.A.Better World Books: West
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Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books
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- Softcover
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Seller: Patina LLC, Charleston, WV, U.S.A.Patina LLC
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Soft cover. Condition: Very Good. No Jacket. 1st Edition. In excellent almost unused condition.
Rodin and Michelangelo: A Study in Artistic Inspiration
Fergonzi, Flavio; Maria M. Lamberti, Pina Ragionieri & Christopher Riopelle
Language: English
Published by Philadelphia Museum of Art, Philadelphia, 1997
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- First Edition
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.Abacus Bookshop
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softcover. Condition: Fine copy. 1st. 8vo, 235 pp. Profusely illustrated (illustrator).
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- Softcover
- First Edition
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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Paperback. Condition: Near Fine. 1st. 103 pages, illustrations (some colour); 23 cm. Near fine. Tight, clean copy. Light shelfwear to wraps. Size: 8vo. Guidebook.
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Language: English
Published by Prentice-Hall, Inc., Englewood Cliffs, NJ, 1980
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- First Edition
- Signed
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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Paperback. Condition: Very Good. 1st. xii, 202 pages, illustrations; 22 cm. PRESENTATION COPY. Signed by the editor, with a personalized inscription, otherwise tight & clean. Corner crease/back cover, age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rod…in (1840-1917). **** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877)/ Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo. SIGNED.
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- First Edition
Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd
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Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
- First Edition
Seller: BookManBookWoman Books, Nashville, TN, U.S.A.BookManBookWoman Books
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Soft cover. Condition: Very Good+. 1st Edition. VERY GOOD PLUS oversized softcover . No DJ as issued.266 pages including notes.Bright clean. Shelf 558.
Language: English
Published by Rodin Museum, 1965
- Softcover
- First Edition
Seller: West With The Night, Tucson, AZ, U.S.A.West With The Night
Contact seller5-star sellerWraps. First edition. Includes illustrations. Very good. light shelfwear, date is a guess.
- Hardcover
- First Edition
Seller: Shadetree Rare Books, Chatham, VA, U.S.A.Shadetree Rare Books
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Hardcover with Dust Jacket - Fine condition.
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Seller: Black Cat Hill Books, Oregon City, OR, U.S.A.Black Cat Hill Books
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Paperback. First Edition Thus (1985); First Printing indicated by a complete numerical sequence. Very Good+ in Wraps: shows indications of very careful use: just a hint of wear to the extremities; mild rubbing to the wrapper covers; a very faint crease just below the top of the front panel; the binding leans very slightly off sq…uare, but remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing only mild wear, and possessing a couple of minor, unobtrusive flaws. Bright and Clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.15 x 7.2 x 0.5 inches). xiv, 175 pages. Liberally illustrated with duotone photographs. Language: English. Weight: 14.3 ounces. University Press Paperback. First Edition Thus (1985); First Printing indicated by a complete numerical sequence.
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Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd
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Condition: Good. 1ST. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
- First Edition
Seller: BooksRun, Philadelphia, PA, U.S.A.BooksRun
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Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
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Language: English
Published by Prentice-Hall, Inc., Englewood Cliffs, NJ, 1980
- Softcover
- First Edition
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
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Paperback. Condition: Near Fine. 1st. xii, 202 pages, illustrations; 22 cm. Near fine. Tight, clean copy. Age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). *** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Ex…hibition at the cercle artistique (1877), by Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo.
- Softcover
- First Edition
Seller: ISD LLC, Bristol, CT, U.S.A.ISD LLC
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paperback. Condition: New. 1st.
Language: English
Published by Houghton Mifflin Harcourt Publishing Company, 2011
- Hardcover
- First Edition
Seller: Better World Books Ltd, Dunfermline, United KingdomBetter World Books Ltd
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Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

















