Rodin: First Edition (972 results)

Hardcover. Condition: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Felicia Hoshino (illustrator).

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Felicia Hoshino (illustrator).…

Condition: Good. 1ST. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1ST. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1ST. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1ST. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

hardcover. Condition: Very Good. First Edition. Used - Very Good.

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Fine. First Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condition: Fine. First Edition. Small trade paperback. 143 pages. Further Reading list and Index at rear. Illustrated with numerous photographs throughout, some in color. First edition thus [American edition, published simultaneously in England. First published in France, 1988]. No previous ownership marks. No spine crease. A clean, tight, unmarked copy. Fine.…

Paperback. Condition: Very Good. First Thus. In pictorial wraps, 8vo, 128pp. Size: 8vo - over 7 3/4" - 9 3/4" Tall. Color and b/w Illustrations (illustrator). Book.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. In excellent almost unused condition.

Paperback. Condition: Very Good. First Edition. Light bump to upper corner. Size: 4to - over 9¾" - 12" tall. Color and b/w Illustrations (illustrator). Book.

Wraps. Condition: Very Good. First Edition. Light chipping at ends of spine, faint crease to cover, mild soiling, otherwise nice.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Wraps. First edition. Includes illustrations. Very good. light shelfwear, date is a guess.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Hardcover with Dust Jacket - Fine condition.

Paperback. First Edition Thus (1985); First Printing indicated by a complete numerical sequence. Very Good+ in Wraps: shows indications of very careful use: just a hint of wear to the extremities; mild rubbing to the wrapper covers; a very faint crease just below the top of the front panel; the binding leans very slightly off square, but remains perfectly secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A handsome copy, structurally sound and tightly bound, showing only mild wear, and possessing a couple of minor, unobtrusive flaws. Bright and Clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.15 x 7.2 x 0.5 inches). xiv, 175 pages. Liberally illustrated with duotone photographs. Language: English. Weight: 14.3 ounces. University Press Paperback. First Edition Thus (1985); First Printing indicated by a complete numerical sequence.…

Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Near Fine. 1st. 103 pages, illustrations (some colour); 23 cm. Near fine. Tight, clean copy. Light shelfwear to wraps. Size: 8vo. Guidebook.

Paperback. Condition: Very Good. 1st. xii, 202 pages, illustrations; 22 cm. PRESENTATION COPY. Signed by the editor, with a personalized inscription, otherwise tight & clean. Corner crease/back cover, age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). **** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877)/ Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo. SIGNED.…