Rodin, Signed (90 results)

Paperback. Condition: Very Good. 1st. xii, 202 pages, illustrations; 22 cm. PRESENTATION COPY. Signed by the editor, with a personalized inscription, otherwise tight & clean. Corner crease/back cover, age toning. First paperback edition. *** An indispensable anthology of critical writings on the great French sculptor Auguste Rodin (1840-1917). **** CONTENTS: Introduction, by Ruth Butler; THE AGE OF BRONZE; Review of the Exhibition at the cercle artistique (1877)/ Anonymous; Review of the exhibition at the cercle artistique (1877), by Jean Rousseau; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; Review of the sculpture at the Paris saloon (1877), by Charles Tardieu; 1882 and 1883- Saint John, the portraits, and the portal; Review of exhibition at the Royal academy (1882), by Arthur Warren; Review of the Paris salon (1882), by Louis de Fourcaud; Review of the Paris salon (1882), by Paul Leorri; Review of the sculpture at the Paris salon (1882), by Phillp Burty; Review of the exposition des arts liberaux in the rue Vivienne (1883), by Gustave Geffory; Review of the exposition nationale (1883), by Paul Lefort; Review of the exposition nationale (1883), by G. Dargenty; Review of the salon and of the exposition des arts liberaux (1883), by Charles Fremine; Review of the St. John at the Royal Academy (1883), by Anonymous; The Gates of Hell and the Burghers of Calais; The Future Museum of Decorative Arts (1885), by Octave Mirbeau; "The man who returns from hell: Auguste Rodin" ( 1886), by Felicien Champsaur; "Visiting Rodin's studio" (1886), by Edmond de Goncourt; "Rodin and Zola" (1886), by Robert louis Stevenson; A visit to Rodin's studio (1888); Rodolphe Darzens; 1886-1889 MAJOR SUCCESS AT GEORGES PETIT, THE SALONS, AND AT THE EXPOSITION UNIVERSELLE; Review of the exposition internationale at Georges Petit (1886), by G. Dargenty and Armand Silvestre; Review of the exposition internationale at Georges Petit (1887), by J. K. Huysmans; Review of the Brussels Salon (1887)/ Octave Maus; "the sculptor rodin" (1889), by Gustave Geffroy; Review of te monet-rodin exhibition at Georges petit and Rodin's work at the exposition universelle (1889), by Andre Michel; Rodin enters the history of sculpture; "The new movement in sculpture " (1892), by W. C. Brownell; "Contemporary masters" (1895), by Louis Gonse; Rodin's fame in America (1896), by Lorado Taft; THE LATE 1890'S: A CRITICAL BACKLASH; "The failure of genius" (1896), by Felicien Champsaur; "Sculpture at the Paris Salons" (1897), by M. H. Spielmann; An interview with Sarah Bernhardt (1897), by Jacques Daurelle; "The truth about the salons of 1898 and 1899" (1899), by Paul Leroi; BALZAC: PUBLIC BATTLE; "Le vernissage" (May 1, 1898), by Jean Villemer; A letter to Robert Ross (1898), by Oscar Wilde; "Rodin's victory" (1898), by Jean Rameau; Rodin's defense (May 12, 1898), by Auguste Rodin; Rodin's Balzac (1898), by Arsene Alexandre; "Precious ridiculousness" (1898), by Henri Rochefort; "A masterpiece of modern art" (1898), by Frank Harris; 1900: World Renown; A letter for Rodin's exhibition catalogue (1900), by Claude Monet; The exposition universelle (1900), by Edmond Picard; "Notes on Rodin's sculpture" (1900), by Rudolf Kassner; "The gates of hell" (1900), by Anatole France; "Hands in Rodin's Work" (1900), by Gustave Kahn; "The centennial exhibition of French sculpture" (1900), by Gustave Geffroy; "Auguste Rodin, his work, his life, and his influence" (1901), by Camille Mauclair; Letters (1902), by Rainer Maria Rilke; THE MEANING OF RODIN'S ART; "Rodin" (1902), by Arthur Symons; Speech delivered for the inauguration of Rodin's Thinker in front of Pantheon (April 21, 1906), by Dujardin-Beaumetz; "Our Trajan's column: Rodin's tower of labor" (1907), by Ricciotto Canudo; "Auguste Rodin" (1907), by Charles Morice; RODIN'S GERMAN PUBLIC; "Rodin's work as an expression of the modern spirit" (1911), by Georg Simmel; "Auguste Rodin" (1904), byJulius Meier-Grafe; "Auguste Rodin" (1917), by Adolf von Hildebrand; RODIN AND THE YOUNGER MASTERS OF EARLY MODERN SCULPTURE; " A great contemporary artists" (1908), by Antoine Bourdelle; "A promenande through the salon d'automne" (1905), by Andre Gide; "The sculptures of Maillil" (1910), by Roger Fry; An interview with Aristide Maillol (1930's), by Judith Cladel; On Rodin (c. 1937), by Henri Matisse; "Homage to Rodin" (c. 1950), by Constantin Brancusi; RODIN'S WRITING; "the movement of ideas: Rodin's discourses on art" (1911), by Andre chaumeix; "Rodin interprets the cathedrals of France" (1914), by Emile Male; Rodin's Work: Posthumous assessment; "The last of the romantics is dead" (1918), by Elie Faure; "Rodin and the problem of sculpture" (1921), by Carl Burckhardt; "Romantic decadence" (1928), by Luc-Benoist; "realism in sculpture" (1929), by Agnes Rindge; "Rodin's superb one-sidedness" (1937), by Carola Giedion Welcker; THE REDISCOVERY OF RODIN; "Rodin's modernity" (1963), by Albert Elsen; On Rodin (1963 and 1971), byLeo Steinberg; "Rodin is a Rodin is a Rodin." (1967), by John Tancock; "Rodin: the language of sculpture" (1973), by William Tucker; "Rodin's walking man as seen by Henry Moore" (1967), by Albert Elsen. Size: 8vo. SIGNED.

Trade Paperback. Condition: As New. First Edition. This is a like new first edition paperback copy, black spine. 98 page catalog of the Rodin exhibition in the brand new art museum building. With DVD in pocket at the rear. Signed by David Steel. Signed by Author(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. INSCRIBED. Light brown cloth, lettered in gold foil. As issued. Color pictorial dust jacket shows slight closed tear at head of front joint and very slight shelf wear, virtually as issued, now in mylar. 1st ptg. 253 pp., illus. Inscribed by photographer (David Finn) on half-title, full signature, personalized. Size: Folio - over 12" - 15" tall. Inscribed by Author(s). Book.

Soft cover. Condition: Near Fine. Signed and dated by the author on the title page. Minor shelf wear to the edges, otherwise like new. Signed by Author(s).

Softcover, 142 pages; very good condition, light spotting to covers; gift inscription signed by author Victoria on first page; no other internal marks. Foreign shipping may be extra.

Paperback. Condition: Near Fine. First edition, First Printing. NrF. First edition, first printing. Papperback. PRESENTATION COPY INSCRIBED AND SIGNED BY THE AUTHOR, PATRICIA McCARTHY, on title-page. Inscription reads, 'To dear June/Love from Patricia'. A collection of poems inspired by the women and men in Auguste Rodin's life. A near fine copy of a SCARCE first edition, first printing SIGNED BY THE AUTHOR. Presentation Copy Inscribed And Signed.

Soft cover. Condition: Very Good. 1st Edition. Rutgers University Press: 2005. Quarto. Soft cover. Inscribed by the author on the title page. Soft cover with a crease down the middle of the front portion of the text block. Small nick to the fore edge of the text block. Book is in very good condition. Inscribed by Author(s).

Condition: BUONO. Bilbao, Graficas Krontis cm.17x23,5, pp.174, 77 illustraz. bianco e nero nel testo, brossura, copertina figurata a colori. Testo in Castigliano. Ampia dedica autografa dell'Autore in antiporta. A cura di Massimiliano Tonelli.

Condition: Good. First edition (hardback). 8vo (25cm by 19cm), 149pp. 3 colour plates, 84 b&w plates, text illustrations. Original green cloth, dustwrapper. The book is in very good condition; the dustwrapper is in good condition (some chafing of the edges). Signed and inscribed by the author on the front free endpaper.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. Original cloth. Presumed first edition. Signed by Elsen to the ffep. PO name also to ffep. Tight and square. The DJ in mylar is lightly edgeworn with a 4cm closed tear, crease to flap. ; quarto; Signed by Author.

Paperback. Condition: Very Good. Signed under author's name on both title pages, with additional inscription at top right of first title page: "To: Edith Thanks for your support Alan" Book has modest scratching, moderate peeling at edges and corners. Otherwise, binding is tight, pages are clean and crisp with no visible markings. Overall a very attractive signed copy.

hardcover. Condition: Very Good. Inscribed by author and noted French art historian, Edwart Vignot. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. *Autographed by author.* This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed.

Paperback. Condition: Very Good. Inscribed by Ruth Butler. Signed by Author. book.

Soft cover. Condition: Very Good. 1st Edition. 92 page illustrated catalogue f the duel artist exhibition at the Bath gallery on 21st September. This copy signed personally by the gallery owner Michael Le Marchant and presented to Vivienne Haskell (wife of Arnold and sister to Alicia Markova). With a letter on headed paper loosely inserted with details of invite. Tall slim folio. VG to Fine. Signed by Author(s).

Col.Ill.wrapps. 189pp. Profusely illustrated in colour and black & white. Very good copy. 1st ed. A collection of the best of the early 20th century erotic images from Rodin & Picasso, together with lesser known French & German artists, & some that are signed simply, anonymous.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. First printing. A Fine copy in fine-woven linen brown cloth, in a Near Fine glossy laminated dustwrapper, not price-clipped, with light toning to upper edges. 228pp. with Index and many black and white illustrations. SIGNED by the Author under his name on the title page. Q14353.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition. 592pp., xvi. '1' in number line. Notes, pp. 517-558; Bibliography, pp. 559-566; Index, pp. 567-591; Illustration Credits, 592. Turquoise cloth with black lettering on spine; gray endpapers. Shiny dustwrapper not price-clipped (no price) with full front cover black and white photo-portrait of a standing Rodin, hands in his pockets, in his studio, with silhouetted white statue in the background (a black and white photo-portrait of Rodin and his two dogs on rear cover, superimposed upon pale mauve background); glossy iridescent mauve title box on 3/4 of left front cover, superimposed over part of photo-portrait background, with title lettering in blue, the subtitle in a column below (in black), above author name in blue at bottom of iridescent mauve box. Slight sunning of the pale rear cover mauve for 1/4" strip down the light turquoise left edge of spine and for 1 1/4" away from top left spine corner (the pale mauve has picked up a light turquoise tint, at first making it difficult to determine whether there has been any sunning at all along the turquoise spine edge: NO similar sunning along right spine edge and on front cover anywhere; trifling hint of wrinkling across spine ends but not at cover corners, else As New: NOW in Brodart mylar which forgives peccadilloes graciously. Presentation copy, book looks opened only for the personal inscription to named recipient (Given name only) signing by 'Ruth', and signing date (in 1993) on the half-title page. Tight binding; sharp corners; NO rubbing wear. Clean text. (Large, heavy book: will require extra shipping for Priority at home or abroad and for signature and insurance.). Signed by Author(s).

4°. Erste Auflage, 96 S. OLwd. Mit vielen farb. Abb. Mit eigenhändiger Widmung des Autors an Herrn und Frau W. Bally auf dem fliegenden Vorsatz (Wolfhardt Bally, 1922-2018, entstammte der bedeutenden Schweizer Schuhdynastie und lebte zuletzt in Bremerhaven). Gut erhalten. Signatur des Verfassers.

Folio. 119 pages. Pictorial boards; printed board slipcase. FIRST EDITION, signed by Berry on the front free endpaper. A fine copy.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Fair. First Edition. Frederick A. Stokes, First Edition, 1939, 8vo, 453 pages. Frontispiece with additional illustrations. Book very good and jacket in fair condition with section of spine missing. Inscribed and signed by author Shipley on front endpage, bookplate. Size: 8vo - over 7¾" - 9¾" tall.

Soft. Condition: Very Good. Signed by Stephen Hebron. Pages clean and bright, soft covers and binding tidy. Size: 4to. Signed.

Encuadernación de tapa dura. Condition: Muy bien. Ejemplar dedicado por Gischia al escultor Camille Renault: "Pour Camille Renault, Amigablemente, Ghischia". 182 pp. Encuadernación en media piel con letras doradas en el lomo. Conserva cubierta original. 19 x 15 cm. Firmado por el autor.

8°. Erste Auflage. 426 S. Orig.Schutzumschlag, mit Abbildungen; Widmung des Verfassers; gute Erhaltung. Beigelegt 2 Rezensionsartikel Sprache: Deutsch Gewicht in Gramm: 550.

Couverture souple. Condition: bon. R110007226: 1896. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 4 pages illustrées d'un bandeau et d'une gravure, biographie, autographe et portrait gravé sur bois par A.BRAUER. Causerie préliminaire par ARMAND SILVESTRE. . . . Classification Dewey : 920-Biographie générale et généalogie.

Hardcover. Condition: Very Good. Signed by artist with lengthy inscription on opening page. No dust jacket, as issued. Minor edge wear to covers. No other marks or fading to inside pages. s102f3. Inscribed by Author(s).

Condition: BE. Paris, br.; in-8, 294 pp. Dédicacé.

In-folio (35 x 25 cm), toile éditeur, jaquette illustrée défraichie, très bon état du volume. Publisher's cloth, soiled jacket. Avec 115 reproductions en noir, à pleine page. Dédicace autographe de Georges Grappe.

Gr.-8°, Broschur. 208 Seiten; Separat signiert von der Autorin und mit persönlicher Widmung für Yves Bonnefoy; Einband etwas berieben; Papier lichtrandig; Schnitt nachgedunkelt und mit leichten Lagerungsspuren; sonst gut erhalten. 9782742795918 Sprache: Französisch Gewicht in Gramm: 1060.

Hardcover. Condition: Very Good. Frontispiece, 84p. Publishers cloth over boards. Helene von Nostitz Hindenburg (1878-1944) was the niece of Paul von Hindenburg, She was introduced to Rodin by the German art collector Harry Kessler shortly after they had attended the sculptures exhibit in 1900. This developed to a close friendship with Rodin, who during his visit to Helene's villa in Tuscany in November 1902, began his series of portraits of her. This copy has a lengthy signed dedication by Helene to Louise Thornton dated 1932. Light rubbing to the boards and sunning to the spine otherwise internally clean. Inscribed by Author(s).

First Edition. First edition. Broadside printed in two colors that measures 10.5" x 13." with two deckle edges. Copy 26 from an edition of 70. Printed on the occasion of Egemo's reading at the Walker Art Center on December 9, 1982. A fine copy. Signed by Egimo. Signed.