Product Type
Condition
Binding
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Seller Location
Seller Rating
Published by Genova, La Stampa, Genova, 1977
Seller: Messinissa libri, Milano, MI, Italy
brossura. Condition: Ottimo (Fine). ST1184O Copertina editoriale in brossura pieghevole, Catalogo pubblicato in occasione della Mostra tenutasi a Genova nel 1978, volume in ottime condizioni, illustrato, copertina e interno in ottimo stato, 305 pagine circaCopertina come da foto . Book.
Published by Genova, Comune di Genova, Genova, 1977
Seller: Messinissa libri, Milano, MI, Italy
brossura. Condition: Buono (Good). BTT147HBrossura editoriale,catalogo pubblicato in occasione della Mostra tenutasi a Genova nel 1977/78 volume in buone condizioni, illustrato, lievi segni di usura dovuti al fattore tempo sulla copertina , interno in ottimo stato, legatura salda305 pagine circa Copertina come da foto . Book.
Published by Genova, 1977
Seller: LIBRERIA NANNI A.&C.SRL, BOLOGNA, BO, Italy
In 4 picc. di pagg. 304 con ill. nel testo e 127 tav. in nero e a colori f.t. Bross., forte cop.fig.Perfetto.
Published by Electa, Milano, 1997
Seller: BACCHETTA GIORGIO - ALFEA RARE BOOKS, Milano, Italy
First Edition
Volume: 1 30x24,5 cm., in brossura, in copertina: Anton van Dyck, ''Elena Grimaldi Cattaneo'', particolare - pp. 406 (2), moltissime immagini a colori e immagini a colori e in bianconero in alcuni testi su tre colonne, prima edizione, in italiano, ottime condizioni, lievi segni del tempo.
Published by Skira, Milano, 2022
Seller: BACCHETTA GIORGIO - ALFEA RARE BOOKS, Milano, Italy
First Edition
Volume: 1 29x24 cm., in brossura con ampi risvolti, illustrata a colori, pp. 407, decine e decine di illustrazioni a colori, prima edizione italiana, come nuovo. Il volume offre una consistente sintesi degli studi sul Barocco genovese, con il fine dichiarato di stimolare approfondimenti e ricerche a livello internazionale. Ma un obiettivo non meno ambizioso è quello di far apprezzare a un più vasto pubblico il grande fascino e le sorprendenti peculiarità della produzione artistica della Superba.
Published by La Stampa, Genova, 1978
Seller: Merigo Art Books, Manerba del Garda, BS, Italy
cm 17x23,5 pag. 306 ill. 127 in b/n e colori c.m. Genova, Palazzo Ducale, dal 18/12/1977 al 12/02/1978 italiano.
Published by , La Stampa, 1977
Seller: librisaggi, SAN VITO ROMANO, Italy
brossura. Condition: Buono (Good). Copertina in brossura con segni d'usura,sporca lievemente. Interno in ottime condizioni. Buono (Good) . Book.
Published by Genova: Palazzo Ducale, 1977, 1977
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. 8° -305pp - Color & B/w reproductions. Exhibition Catalogue: Peter Paul Rubens (1577-1640) Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. First edition, text in Italian. Original boards. In Very good condition.
Published by Tolozzi Editore, Genova, Italy, 1970
Seller: Camilla's Bookshop, Eastbourne, SX, United Kingdom
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Thus Edition. Bound in clean brown leatherette with extensive gilt decoration and titles to front board and spine, this 1970 hardcover First Thus Edition is VG in Vg dustjacket (unclipped). (XV)/363pp with Preface, Introduction, Palazzi A to K, Palazzo Tursi, Palazzo Cambiaso, Tavole 69. 70, 71, 72. Also Palazzi Moderni. With Palazzo Doria, Gia Gambaro, Balbi Sengarega, Franzone, Casareto o del Melograno, Cattaneo, Durazzo Pallavicini, Della Meridiana, Podesta, Cattaneo Adornon Henrico Salvago, Rayper, Cambiaso, Prefettura, Thomaso Pallavicino, Spinola, Horatio De Negro, Patrone and Bruzzo also Le Chiese (Siro, Annunziata del Vastato, Maria Assunta in Carignano, and Ambrogio o del Gesu. Vast collection of fold-out plans, scale drawings etc. All text in Italian language. Dustjacket has minor chips but is 99% complete, General condition all VG.
Published by SAGEP
Seller: O.o.l.p., Torino, Italy
4. Genova, Nuova Editrice Genovese, 2003 ( ristampa di 1970), in-4°, 293 pp, publisher's illustrated boards with dust wrapper. Book in Italian. Libro nell'Italiano.
Published by De Agostini, Novara, 1955
Seller: Merigo Art Books, Manerba del Garda, BS, Italy
cm 30x38 pag. 16 ill. 67 tav b/n Ristampa anastatica della celebre opera stampata nel 1662 ad Anversa, in cui Rubens presenta i prospetti e le piante di dodici palazzi genovesi situati in buona parte lungo la "Strada Nuova". Allegato fascicolo con l'appendice. Edizione fuori commercio. Esemplare 971 di 1510 numerati a cura della Compagnia Imprese Elettriche Liguri Italiano.
Published by Compagnia Imprese Elettriche Liguri, Genova, 1955
In 4 (cm 27,5 x 38), pp. (6) + 139 tavole illustrate. Legatura editoriale in mezza pergamena con piatti in tela rossa. Edizione di 1510 esemplari numerati (ns. n. 559). Ristampa anastatica dei Palazzi moderni di Genova di Rubens edito ad Anversa nel 1652 uscita per il cinquantenario della Compagnie Imprese Elettriche Liguri nel 1955. ITA.
Seller: LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentina
Tapa Blanda. Condition: Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Published by Antwerp, Meursius,, 1652
Seller: Mayfair Rare Books & Manuscripts Ltd, London, United Kingdom
Book First Edition
Hardcover. Condition: Good. Large Folio (440 x 345 mm), two parts bound together (the old palaces bound here after the Modern ) in a volume in contemporary brown calf, gilt spine with raised bands and gold title/fillets (the spine carefully redone in the 18th century), a copy uniformly browned due to paper quality, with the top/bottom margins a bit narrow, where instead the margins of the plates in the first part (the Palazzi Moderni ) have been early re-margined in order to be uniformly mounted. Title-page leaf backed and restored at lower corner. Each part with own title, each with large engraving by Corn. Galle after Rubens; Palazzi Moderni: pp. (4) with 67 engraved plates (also double-page); Palazzi Antichi : pp. (2), with 72 engraved plates. Second edition (the first after the painter's death) of this rare and famous work on the Genoese palaces composed by Rubens during his Italian period; it is a homogeneous collection of drawings of the villas and palaces of the city. As a court painter of Vincenzo Gonzaga in Mantua, and diplomat in Spain for both the Gonzaga and the Spinola, Rubens was several times in the Ligurian capital, although the opportunity to deepen the study of the city's major architecture appeared in 1607, during a summer stay of the Duke Vincenzo in Genoa. Rubens first published (in 1622) the volume on ancient buildings at his own expense; the palaces were represented with the letters of the alphabet from A to K and only two bear a specification of the owners (Palazzo Tursi and Palazzo Pallavicino Cambiaso). For the second edition it was decided to publish all the other buildings in numerical order without consideration either of the supposed historical date, or of common stylistic features, but giving the name of the contemporary owners. The book had various vicissitudes, so much so that still today there are even two supposed "first editions", whose history is still controversial. In the 1652 edition, the Meurs arranged the plates under two separate title-pages: Ancient Palaces for the first part and Modern Palaces for the second part. Mario Labò writes: "How he got himself (i.e. Rubens), the material for the book, how he collected all these drawings, has been a mystery so far. Within certain limits, in his preface, he initiated an answer stating that he had collected the drawings 'in Genoa with some effort and expense and no good evidence of being able to prevail in part of the efforts of others'. It should be understood that he did some of the drawings, something was drawn by others upon his request, and furthermore he could use drawings already made by others [.]; he came to Italy with Deodatvan der Mont, four years younger than him, his pupil in painting, and skilled in architectural design [.] the drawings are poor, dry but made in firm style [.] . Many drawings bear instructions, suggestions that the engraver used, accentuating the chiaroscuro with skillful punctuation and dashes, and the diversity of the materials . the notes reflect the genoese dialectal terms [.]. Evidently, while he was in Genoa, he chose the buildings, hired the draftsmen, and gave them orders so they could send him the drawings in Flanders." Fowler 227, notes that "most authorities agree that the second series of plates was not the work of Rubens". Cicognara, n. 4084; Berlin Kat 2657 (1st edn. 1622); UCBA II, 1787.