Rustica, Signed (13 results)

Condition: gut. Abb., 30 cm, handschr. Widmung des Verfassers. Sprache: Deutsch.

Softcover. Condition: Fair. Autorensignatur; Spuren von Feuchtigkeit / Nässe; Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Rillen / Abschürfungen / Risse / Knicke.

Condition: Fair / Aceptable. 2ª. Ed.- Porto: Companhia Portuguesa Editora, 1923.- 215 p.: Láminas en negro sobrepuestas a modo de cromo y viñetas; 8º mayor (19,5 x 13,2 cm); Intonso; Texto en portugués; Rústica Ed. ilustrada.- RARO. Dedicatoria autógrafa del autor (Joao Corrêa) en la portadilla. Cubiertas con algunas manchas de humedad y mínimas reparaciones. El interior tiene en el ánguro superior interno dos pequeñas perforaciones de polilla que son algo más visibles en las primeras hojas, que se han restaurado, siguiendo estas perforaciones hasta el final como dos pequeños puntos. Livro no português PORTUGAL.

Encuadernación de tapa blanda. Condition: Nuevo. Dust Jacket Condition: Nuevo. Este libro constituye un verdadero hito bibliográfico, tanto por su valor intrínseco como por su especial significación. La «suite» de dibujos de Antoni Tàpies fue realizada entre 1950-1951, en el momento culminante de su etapa onírica, cuando la huella del surrealismo y la consolidación de su propia personalidad cristalizaban ya en obras de una extraordinaria altura. Los poemas en prosa de Joan Brossa, contemporáneos de dichos dibujos, son una visión paralela del mundo en lo literario, con unos hallazgos de profundo lirismo y una originalidad que justifican, por sí solos, el primerísimo lugar que ocupa este poeta en la literatura catalana.Así unidos, dibujos y poemas, constituyen además un testimonio de aquellos años en que fueron realizados. 1500 copies. Firmado por el autor.

Santiago, Cuadernos de poesía Nº 6, 1933.Rústica, 19 x 20 cms., pp. 64. Con dedicatoria del autor a Alberto Arenas.

Barcelona, Proa, 1997. 158 p. 1 f. 8è. Rústica editorial il lustrada amb solapes. Molt bon exemplar. Dedicatòria autògrafa de l'autor. 1ª edició. 1st edition. Literatura catalana. Novel la. Autògrafs. Signed by author. Regal.

Softcover/Paperback. 103 S. Innen wie außen ein sehr gutes Exemplar, mit Widmung der Verfasserin auf dem Schmutztitel. Einband und Leseseiten sind tadellos, sauber und ohne Anstreichungen. 3980032736 Sprache: Deutsch Gewicht in Gramm: 1000.

Encuadernación de tapa dura. Condition: Muy bien. 1ª Edición. Madrid, editorial Libreria De La Viuda De Pueyo. 1918. 211 p. Media piel con tejuelos, desgastes. Con dedicatoria manuscrita del autor. Primera edición. Dedicatoria autógrafa del autor.

Hardcover. Condition: Very Good. Third Edition. Two matching 12mo in full leather, signed binding: T. Sowler, polished calf, dentelled edges, vintage bookplate, gutters started, rubbing at spine tips, pages clean and unfoxed, wear to edges of covers, else G+ to VG- This is the more expansive third edition.; 12mo 7" - 7½" tall.

AN UNCUT COPY, IN THE ORIGINAL MARBLED WRAPS, OF THIS TRAILBLAZING BOTANICAL BIBLIOGRAPHY. 16, 450, 1, 66 [but actually 74, because 8 pp are misnumbered] pp (COMPLETE). Printed on fine laid paper, with large margins. Large 4to (page size 27 x 21 cm). Light overall wear, especially to spine, but structurally sound. Internally very clean. A PRISTINE COPY, AND VERY RARE AS SUCH.

Hardcover. Condition: Near fine. First. First edition. Four volumes. London: F.P. Nodder, [1791-]1792-1794[-1795]. Octavo (8 3/8" x 5 3/16", 213mm x 132mm). [Full collation available.] With 144 hand-colored engraved plates in toto. Bound in later (late-XIXc-early-XXc; signed gilt at the tail by Gruel) three-quarter navy-blue morocco over marbled boards. On the spine, seven pairs of gilt fillets. Title gilt to the second panel, number gilt to the fourth, binder gilt to tail. Tope edge of the text-block gilt. Marbled end-papers. Pale blue silk marking-ribbons. Some chips and bumps to the extremities. Vol. I, leaves 13 and 14 (the second and third leaves describing Lolium (pl. 4)) are reversed; else collated complete against Henrey. Mildly tanned throughout, with some offsetting at the plates, with pigment oxidation to the reverse of the plates. Several lower and fore-deckles preserved throughout. Bookplates (of a XIXc design) of "JW" surmounted by a torse supporting a dove with the olive branch in its beak to the front paste-down of each volume. Thomas Martyn (1735-1825), the long-lived son of John Martyn, succeeded his father as Professor of Botany at the University of Cambridge. He represents the shift to and final dominance of Linnaeus in British botany; whereas the elder Martyn was an exponent of Ray, the author of the present work became one of the great Anglophone apostles of the Linnaean system. The present work, which was advertised for subscription in 1791, is the pinnacle of Martyn's scholarly output -- despite being better known as the English translator of Rousseau's Lettres sur la botanique -- and was intended to continue. As the advertisement to the fourth volume decorously laments, "we have received the most flattering testimony to the usefulness of our work from several public societies, and many respectable individuals; but our pecuniary encouragement has not been such as to warrant our carrying it on to any great extent." Around the same time, Martyn ceased to lecture at Cambridge due to a dearth of interest. Nodder, who illustrated and engraved the plates, also oversaw their coloration (Hunt ad loc.). About the "JW" whose bookplate (presumably lifted from an earlier binding) is in each volume nothing can be discovered. The firm of Gruel (in its heyday helmed by Léon Gruel, 1841-1923) became known as one of the finest purveyors of decorative -- fantastical, even -- bindings around the turn of the century. The present set is no less fine for its simplicity. Henrey 1023; Hunt 721; Nissen, BBI 1291; Pritzel 5929; Sitwell, p. 118.

280 S. Schönes, sauberes Exemplar. Gerne können Sie Bilder anfordern oder mit mir über Ihre Preisvorstellung sprechen Sprache: Deutsch Gewicht in Gramm: 550 Lederbd. d. Zt. mit reicher floraler RVerg. (leicht berieben, kaum fleckig).

Nicht gebunden. Condition: Sehr gut. Rubber stamp, offset, 21x29,7 cm. Die Edition besteht ursprünglich aus 8 Blätter. Sehr gute, saubere Blätter. Size: 4°. Von Autor und Illustrator signiert.