Ryman by Storr Robert (37 results)

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Softcover. Very nice color photo illustrated paper covers. Light foxing to contents page. Text pages are crisp and clean. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; 4to 11" - 13" tall.

First edition. Softcover. 62 pages. Exhibition catalog for a show that ran March 4 through April 30, 2017. Text in English and Spanish. Features essays by Courtney J. Martin and Robert Storr. Includes numerous illustrations. An ex-library copy from a gallery with there stickers and pocket. Otherwise a very good copy in wrappers with some other minor wear. Uncommon.

Robert Ryman (illustrator). Robert Ryman. Robert Ryman. Text by Christel Sauer and Urs Raussmüller. Espace d'art contemporain, 7 rue de Lille, Paris, 1991. Oblong 4to exhibition catalogue issued for the presentation of Robert Ryman's paintings at the Espace d'art contemporain in Paris, organised in collaboration with Urs Raussmüller, a key supporter and interpreter of Ryman's work. Illustrated throughout with high-quality colour and black-and-white plates reproducing Ryman's characteristically white, materially focused paintings, with accompanying essays by Christel Sauer and Raussmüller that discuss the artist's practice, installation strategies, and the phenomenology of viewing his work. Includes exhibition checklist and biographical notes.A substantial and now hard-to-find Ryman catalogue from the early 1990s, documenting an important European presentation of his work and the ongoing collaboration with the Raussmüller Organisation. Condition: Near Fine to Very Good: light bumping to edges of cover, clean and unmarked internally, binding tight; no inscriptions.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

hardcover. Condition: Very Good. Hardcover with dust jacket. Book is in very nice condition, text is unmarked and pages are tight.

Soft Cover. Condition: Fine. First Softcover Edition. soft cover, folded card-covers.no flaws or wear - clean, no writing/markings.no bumps, tears. strong sewn binding; appears unused. 236pp., 126 illustrations, including 81 color plates., catalogue contributions by catherine kinley, lynn zelevansky, linda norden. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Softcover. Condition: Fine. No jacket.

softcover. Condition: near fine. Quarto. 12" x 9". Softcover.236pp. 126 illustrations (including 81 colour plates). Exhibtiion catalogue. Yellowing to page edges.

Excellent condition soft back copy with outer jacket. Contains invitation to private Tate viewing.

paperback. Condition: Very Good. First Edition. Lightly read if read at all. No markings in book. Binding is fine. 236pp.

Paperback. Condition: Very Good. Oversized softback in very good condition. Light shelf and handling wear, including tanning to cover and page block, this leading into page edges. Within, pages are tightly bound, and other than tanned edges, content is unmarked. Colours true. CN. Used.

Hardcover. Quarto. Hardcover. Grey cloth boards w/ black spine printing. 236 pp. 45 bw, 81 color plates. glossy white & tan illustrated dustjacket w/ black printing. Remains a nice, bright and sharp copy. Published to accompany an exhibition titled "Robert Ryman". Includes a very detailed chronology, list of exhibitions and selected bibliography. The main essay is based on the authors many interviews with Ryman. Catalogue entries written by Catherine Kinley and Lynn Zelevansky, with additional research by Linda Norden. Also includes a glossary of technical terms relating to this Abstract artist's work and tools. VG/G+. Jacket sits loose, on book. Has general wear light tearing and chipping around edges. Book itself is clean and unmarked.

paperback. Condition: As New.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Quarto. 236 pages. HARDCOVER with a tan pictorial dust jacket. The corners are just a little bumped. A sound copy with clean text. Illustrated throughout both in color and in black and white.

paperback. Condition: As New. First Paperback Edition. Publisher: Tate Gallery, London, 1993. FINE softcover in illustrated French wraps, as issued. First Softcover Edition, Printing Unstated. Previous owner's artistic, yet somewhat asinine, embossed stamp at bottom of half title page, otherwise as new.

Trade paperback. Illustrated. Trade paperback (US). 236 p. Contains: Illustrations. Audience: General/trade. Very good. Light wear to cover and corners. Text unmarked with clean pages.

Couverture rigide. Condition: Très bon.

paperback. Condition: Good. Some shelf wear Satisfaction 100% guaranteed.

Condition: Good. Paperback, 126 illustartions (including 81 colour plates), 4to.

First edition. Hardcover. 195 pages. Exhibtion catalog. Features text in English, French, and German with a foreword by Urs Raussmuller, and additional texts by Christel Sauer and Robert Storr. Includes numerous color illustrations, list of previous exhibitions and other biographical and bibliographical information. A near fine copy in cloth boards with some slight bumping to the bottom corners and bottom of the spine. No dust jacket as issued. Internally a clean copy.

236 pp.; 30.3 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Gallery, London, February 17 - April 25, 1993. Traveled to: Museo Nacional Centro de Arte Reina Sofia, Madrid, May 25 - August 16, 1993; The Museum of Modern Art, New York, September 22, 1993 - January 4, 1994; Museum of Modern Art, San Francisco, February 3 - April 17, 1994 and Walker Art Center, Minneapolis, July 23 - October 2, 1994. Curated and with an essay by Robert Storr. Includes catalogue entries by Catherine Kinley and Lynn Zelevansky with additional research by Linda Norden. Chronology by Lynn Zelevansky. Includes bibliography, a list of one-person exhibitions, and a glossary of technical terms. Very Good. Very light cover wear. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges may be required for this title.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New. Satisfaction Guaranteed or your money back.

Softcover, 236 pages; very good condition; light crease to spine; pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra.

Hard cover. Sewn binding. Paper over boards. 236 p. Audience: General/trade. Very good in very good dust jacket.

Condition: new.

hardcover. Condition: Fine. First Edition.

236 pp.; 30.3 x 23.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Tate Gallery, London, February 17 - April 25, 1993. Traveled to: Museo Nacional Centro de Arte Reina Sofia, Madrid, May 25 - August 16, 1993; The Museum of Modern Art, New York, September 22, 1993 - January 4, 1994; Museum of Modern Art, San Francisco, February 3 - April 17, 1994 and Walker Art Center, Minneapolis, July 23 - October 2, 1994. Curated and with an essay by Robert Storr. Includes catalogue entries by Catherine Kinley and Lynn Zelevansky with additional research by Linda Norden. Chronology by Lynn Zelevansky. Includes bibliography, a list of one-person exhibitions, and a glossary of technical terms. Very Good / Fine. Light edge wear to dust jacket and bumping of bottom right corner of recto. Light yellowing of page edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Condition: Fine. First Edition. First edition, the issue in oversized softcover, of this major monograph on Ryman issued jointly by MOMA New York and the Tate London. Richly illustrated throughout. SIGNED and inscribed on the title page by Ryman and scarce thus. A fine clean tight copy. Signed and Inscribed.