Published by Extrait du Bulletin Du Cange Archivum latinitatis medii aevi, Bruxelles, 1963
Signed
Wrappers (paperback) (stapled booklet). ii,64 pp., numbered 35-98. and 2 plates.; 25 cm. Uncut, partly unopened. Dedication copy, signed. - (covers sl. (partly) discoloured, corners sl. bumped, although good). 320g.
Published by Vanni Scheiwilliger, Milaan, 1975
Seller: EGIDIUS ANTIQUARISCHE BOEKHANDEL, Amsterdam, Netherlands
First Edition Signed
Paperback. Condition: Very Good. 1st Edition. [publisher: Vanni Scheiwiller, Milano] First Edition Pages unnumbered, throughout illustrated in B&W. Text in Italian, Dutch, French, German and English. On the work of the artists: Antonio Calderara, Ad Dekkers, Ewerdt Hilgemann, Jan Schoonhoven, Peter Struycken en Herman de Vries. Ricerca Contemporanea # 4 - Programmi Sistematici by Jean leering. SIGNED and dedicated By Ewerdt Hilgemann: met groeten aan Benno! (Premsela) 13 - 6 - 75 parijs ewerdt. Soiled on the outside, spot on the front cover, interior very fine. Signed by Author(s). Book.
Published by Stadt. Kunstsamlungen, Ludwigshafen am Rhein, 1973
Signed
Condition: ottimo. Bross. ed. (20x20) pp. 108 n.n. Riproduzioni b/n Testo in tedesco di Manfred Fath. Dedica autografa di Ewerdt Hilgemann e una pagina firmata da Ad Dekkers. Catalogo della mostra tenutasi alla Burgermeister Ludwig-Reichert Haus 7 febbraio 11 marzo 1973. In ottimo stato salvo la scritta a penna in copertina Shipping cost depends on weight and country. Please ask for a quote before ordering.
Published by Rotterdamse Kunstkring, Rotterdam, 1959
Seller: Concept Books, Veldhoven, Netherlands
First Edition Signed
Soft cover. Condition: Good. 1st Edition. Original illustrated wrappers. Signed by Kees van Bohemen on the title page. Printed on brown and red paper. Illustrated with black and white photographs of work by contributing artists. Short biography with portrait of each artist. Text in Dutch, German and French by C. Doelman. Rare catalog of the first Zero exhibition in the Netherlands organized by Hans Sonnenberg and held in the Rotterdamse Kunstkring. Artists: Piero Manzoni, Jan Schoonhoven (Zero), Kees van Bohemen, Karl Fred Dahmen, Jan Pieters, Gust Romijn, Jan Sanders, Emil Schumacher, Shinkichi Tajiri, and Jaap Wagemaker (Informal Group). Front cover with light stains, rear cover with heavier staining and spots. Photo pages with foxing. Light wear to spine. No marks or inscriptions. [28 pp.], 21 x 14,4 cm. Signed by Author(s).
6. Anvers ( Antwerpen ) , Librairie des Arts, 1962, in-8°, 111 pp, broché, couverture souple d'origine. Un des 30 exemplaires de tête imprimé sur papier Virginal National Mill, enrichi d'un poème autographe par les poètes du florilège. ( Exemplaire n° 29). Avec une dédicace autographe d'Alain [Germoz] à May Néama. Exemplaire à l'état neuf.
Published by Bébert Rotterdam, 1987
Seller: SitterArt, St.Gallen, Switzerland
Art / Print / Poster Signed
Kein Einband. Condition: Sehr gut. An original silkscreen by renowned Dutch artist Jan Schoonhoven (1914 1994), one of the leading figures of the Zero or Nul movement. *** The work is hand-signed and dated in pencil in the lower right corner: Schoonhoven 1987 *** In the lower left, the annotation F / Z appears. There is just one work with this number. This unique marking enhances the rarity and value of the piece for collectors. *** Executed in black ink on a white background, the composition is filled with energetic diagonal, vertical, and cross-hatched strokes, suggesting motion, rhythm, and intensity. The delicate grid structure in the background contrasts with the bold, spontaneous marks in the foreground, revealing Schoonhovens interest in the tension between control and improvisation. *** Published by Bébert Rotterdam 1987 *** The artwork is professionally framed in a deep, hand-crafted, exclusive black wooden frame. The glazing is done with UltraVue® ArtGlass, offering both UV protection and ultra-low reflection ensuring near-invisible presentation with no distracting glare. Sheet size: 50 × 33 cm - Frame size: approx. 60 × 40 cm *** Jan Schoonhoven (1914 1994) is considered one of the most important Dutch artists of the 20th century and was a central figure in the Nul movement, closely aligned with the international ZERO group. His works are defined by their absence of emotional expression, focusing instead on repetition, rhythm, and the use of pure white. Despite his growing international reputation, Schoonhoven continued to work as a civil servant in Delft until retirement and often created his artworks in the evenings, using modest materials such as cardboard and papier-mâché. *** His minimalist works are featured in the collections of major museums, including the Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, the Guggenheim Museum New York, and the Centre Pompidou in Paris. Werk V represents a highly desirable addition to any collection of contemporary or minimalist art. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.
Published by Museumverein Mönchengladbach, 1984
Seller: SitterArt, St.Gallen, Switzerland
Art / Print / Poster Signed
US$ 1,701.28
Quantity: 1 available
Add to basketKein Einband. Condition: Sehr gut. An original lithograph by renowned Dutch artist Jan Schoonhoven (1914 1994), one of the leading figures of the Zero or Nul movement. *** The work is hand-signed and dated in pencil in the lower right corner: Schoonhoven 1984 *** Titled in pencil V - lower center *** In the lower left, the annotation e.d.a. L VI appears, indicating this is an artist s proof (épreuve d artiste) outside the regular edition. Only 40 artists proofs were created, each Roman-numbered. This is number VI (6). This unique marking enhances the rarity and value of the piece for collectors. *** The composition features a repeated pattern of black vertical lines, interrupted by diagonal accents that add subtle rhythm and depth. It is a striking example of Schoonhoven s minimalist visual language and his unwavering pursuit of structure, order, and objectivity. *** Published by Museumverein Mönchengladbach, 1984. *** The artwork is professionally framed in a deep, hand-crafted, exclusive black wooden frame. The glazing is done with UltraVue® ArtGlass, offering both UV protection and ultra-low reflection ensuring near-invisible presentation with no distracting glare. Sheet size: 50 × 32.5 cm - Frame size: approx. 60 × 40 cm *** Jan Schoonhoven (1914 1994) is considered one of the most important Dutch artists of the 20th century and was a central figure in the Nul movement, closely aligned with the international ZERO group. His works are defined by their absence of emotional expression, focusing instead on repetition, rhythm, and the use of pure white. Despite his growing international reputation, Schoonhoven continued to work as a civil servant in Delft until retirement and often created his artworks in the evenings, using modest materials such as cardboard and papier-mâché. *** His minimalist works are featured in the collections of major museums, including the Stedelijk Museum Amsterdam, Museum Boijmans Van Beuningen, the Guggenheim Museum New York, and the Centre Pompidou in Paris. Werk V represents a highly desirable addition to any collection of contemporary or minimalist art. *** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.