Second Violon, First Edition (14 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First American Edition. A beautiful copy with ever-so-slight shelfwear to jacket. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First American Edition. A beautiful copy with ever-so-slight shelfwear to jacket. Book.

Folio. * Umdruck der Erstausgabe.

63 gest. S. Hln.d.Zt. Einband berieben und bestoßen, sonst gut erhalten. Erstausgabe.

Folio. Unbound. Violino I: [1] (title), 2-6 pp. Violino II: 4 pp. Lithographed. Two handstamps, "Timbre Royale 5 c." and "A Timbrer a l'Extraord. Bas Rhin," to blank outer margin to title and p. 1 of the Violino I and II parts, respectively. Quite browned and foxed; slightly worn and dampstained at blank lower inner margins, not affecting music. First Edition. MGG 6, p. 157. OCLC no. 873546341. In 1819, the young Felix Mendelssohn seems to have taken violin lessons from C.W. Henning, "a court conductor and composer who eventually rose to become a royal Kapellmeister." R. Larry Todd: Mendelssohn: A Life in Music, p. 45.

Folio. Unbound. Violino principale: [1] (title), 2-4 pp.; Violino secondo: [1] (blank), 2-3, [i] (blank) pp.; Viola: [1] (blank), 2-3, [i] (blank) pp.; Basso: [1] (blank), 2-3, [i] (blank) pp; [Piano-Forté]: [1] (blank), 2-4 pp. Lithographed. Second price in ink to lower right corner of title: "f. 2:50." Slightly soiled and foxed. A very good, uncut copy. [?]First Edition. Rare. WorldCat (2 copies, at the Staatsbibliothek Berlin and the Universitätsbibliothek Frankfurt). Constapel p. 268. Not in Twyman. "[French] violinist and composer. Rode had a short but brilliant career. As one of the great virtuosos of his time he. was celebrated in all European capitals (except London). Rode's compositions are almost exclusively devoted to his instrument. As Rode was closely attached to the string quartets of Haydn and Mozart as a. performer, he also practiced the genre as a composer and wrote attractive works, which, however, are clearly in the French tradition of the Quatuor brillant, as the first violin dominates and the other strings only accompany." Manuela Jahrmärker in MGG2.

Two volumes bound in one. Oblong folio. Modern half dark tan calf with marbled boards, titling gilt to spine. 16 sonatas in total. Livre Premier: 1f. (recto title, verso blank), 1f. (recto publisher's dedication, verso blank), 3-23, [i] (blank) pp. Livre Second: 1f. (recto title, verso blank), [i] (blank), 27-46 pp. Engraved. Slightly worn; light uniform browning, slightly heavier to title of Livre Premier; minor soiling, stains, and foxing; small wormhole to title of Livre Premier; short tear to blank lower margin of p. 28 of Livre Second repaired with archival tape. First Edition. Very rare. BUC p. 769. RISM P1262 and PP1262 (1 complete copy only, at the British Library; Livre Premier only at the Bayreuth Stadtarchiv). Pepusch was a noted German composer and theorist. " After travelling through Holland, some time after September 1697 he settled in London, where he remained for the rest of his life. . The unprecedented popularity of The Beggar's Opera, for which Pepusch may have supplied only the basses and an overture that uses one of the opera's popular tunes, has tended to overshadow his own music. His earliest surviving works are mostly instrumental and include well over 100 violin sonatas and several recorder and flute sonatas. These are mostly modelled on the four-movement plan of Corelli, whose sonatas and concertos Pepusch later edited for publication in London. Particularly interesting are the manuscript sets of sonatas composed for various English violinists, each containing 16 works in as many different keys, thus anticipating (and going beyond) the similar arrangement of Bach's two- and three-part Inventions. (Pepusch included B major in addition to the keys that Bach used)." Malcolm Boyd, revised by Graydon Beeks and D.F. Cook in Grove Music Online.

19, 28 S. In losen Lagen mit Ausbesserungen. Ecken knickig. Vergilbt. Titelauflage der Erstausgabe. - Klavierstimme unvollständig (beim Rondo Russe fehlt der Schlussteil in H-Dur nahezu komplett)!

Stimmen: 31 lithogr. S. Umschlag. Umschlagrücken ausgebessert. Titelblatt etwas gebräunt. Gebrauchsspuren. Titelauflage der Erstausgabe.

33 gest. S. Kleinere Papierausbesserungen, stellenweise minimal stockfleckig. Erstausgabe. - Sauzay errang bereits mit 18 Jahren erste Erfolge als Geiger.

Stimmen: 9, 3 gest. S. Rücken der Klavierstimme verstärkt, etwas stockfleckig. Pazdirek K, S. 27. - Erstausgabe.

7 gest. S. Etwas wasserrandig, leicht stockfleckig, mit Faden zusammengeheftet. Erstausgabe der Prinzipalstimme. - Mit Verlagsverzeichnis, originale Verlagsangabe überklebt, Titelblatt mit der Signatur Siebers.

qu-fol. 59 gest. S. Mit altem Händlerstempel auf Titelblatt. Rücken verstärkt. Vereinzelt stockfleckig. Erstausgabe dieser Bearbeitung.

Stimmen: 2, 2, 1, 1 gest. S. Originale Verlagsangabe überklebt. Leicht wasserrandig und stockfleckig. Pazdírek vol. IX, S. 1025. - Constapel, S. 158. - MGG2 14, S. 241. - Erstausgabe.