Segal, Signed (59 results)

Hardcover. Condition: Good Plus. No Jacket. INSCRIBED by the author: "To M----[?] the Real Champ from the Little Champ, Best Wishes Hyman Champ Segal".The name might be "Marge". A Good Plus hard cover second printing without a dust jacket. Some minor spotting to the covers. Previous owner's name and address on the front endpaper. Signed by Author(s).

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Grey cl., 1/4 leather black backstr., brown lettering. 480pp. incl. index. STATED FIRST EDITION. INSCRIBED ON FRONT FREE ENDPAPER. Inscribed by Author(s).

Softcover. Condition: Near Fine. Signed by Author. 128 pages, black cover, color and b&w reproductions. Book is like new except very slight cover wear. 8.5x11 **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Signed and inscribed by the author Albert Segal. Publication of 341 pages. The dust jacket is a little shelf rubbed and small chipped piece. The boards are in good condition. Internally the pages are immaculately clean and complete. Tightly bound and presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services. Signed.

hardcover. Condition: Very Good. First Edition. The Citadel Press; New York, 1959. Hardcover. First Edition. Signed and inscribed by author directly on front free endpaper. A Very Good, grey cloth boards and black spine with metallic lettering on spine, binding sturdy and intact, bit of sunning along board and spine edges, top text block edge stained peach, small red soiled spot bottom text block edge, some age toning to pages, mild discoloration to pastedowns/endpapers, spine buckram separating from backing material, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, some warping to spine, discoloration to rear panel, Dust wrapper. A nice, clean and unmarked copy. 8vo[octavo or approx. 6 x 9 inches], 480pp., appendix, indexed, b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book. Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Inscribed by Author(s)The jacket is a bit marked and edgeworn. Soundly bound. Minor foxing. Our orders are shipped using tracked courier delivery services. signed.

Softcover. Condition: Fine. Signed and Inscribed by the author I. Segal. Publication of 211 pages. The wraps are in fine condition. Internally the pages are immaculately clean and complete. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services. Signed.

Hardcover with dustjacket, 21 cm, 159 pp. Ills.: zwart/wit illustraties. Signed and with a dedication and. lots of underlings in pencil. Cond.: goed / good. ISBN: 0824511042.

Paperback. Condition: g. First edition. Octavo. Unpaginated. [16]pp. Original printed wrappers. Title page inscribed and signed by the author to Edith Segal*. Aaron Kramer was a versatile American poet passionately engaged with everything from the Holocaust and the Spanish Civil War to his love for New York City and his wife. His "Ballad of August Bondi" was commissioned by the Jewish Young Folksingers as their contribution to the nationwide festivities honoring the tercentenary of Jewish life in North America. This ballad was set to music by Serge Hovey. Wrappers sunned along edges. Upper corners bumped, thus slightly affecting pages throughout. Wrappers and interior in overall good condition. * Edith Segal (1902-1997) was a Jewish-American choreographer, dancer, poet and songwriter. Born and raised in New York City to immigrant parents, Segal chose to pursue a professional career in dance against the wishes of her mother who called her a "bummarke" (Yiddish for bum). She soon became a dance student of the highly regarded Blanche Talmud, and later earned a scholarship with ballet dancer Michael Mordkin. An early supporter of the Soviet Union, in 1929 she formed a dance company known as the Red Dancers. Some of her first works were in tribute to Lenin and were performed at a memorial she organized for him. The next year, along with other American artists, she visited the Soviet Union and upon returning declared with the others that "Art is a weapon". During this period she also studied with Martha Graham. In 1930 she created her best-known work, Black and White, which was one of the first interracial dance performances in the United States. Black And White has been noted as the signature work in American leftist dance. Other Segal choreographed works on race relations included Scottsboro, Third Degree and Southern Holiday. In addition to civil rights themes, Segal created many dances around Jewish cultural themes as well as worker's rights, always sympathetic to communist causes. During the Red Scare in the 1950s she was called to testify before the New York state legislature investigating committee regarding her communist ties.

Paperback. Condition: g to g+. First edition. Octavo. 48pp. Original printed wrappers. Title page inscribed and signed by the author to Edith Segal*. Aaron Kramer was a versatile American poet passionately engaged with everything from the Holocaust and the Spanish Civil War to his love for New York City and his wife. His "Denmark Vesey," stands as one of the most ambitious poems about African American history ever written by a white American. In this twenty-six-poem sequence, Kramer imagines, explores, and makes clear the contemporary significance of the 1822 slave revolt planned but never carried out by the title figure, Denmark Vesey. Wrappers sunned along edges. Fore-edge of pages slightly creased. * Edith Segal (1902-1997) was a Jewish-American choreographer, dancer, poet and songwriter. Born and raised in New York City to immigrant parents, Segal chose to pursue a professional career in dance against the wishes of her mother who called her a "bummarke" (Yiddish for bum). She soon became a dance student of the highly regarded Blanche Talmud, and later earned a scholarship with ballet dancer Michael Mordkin. An early supporter of the Soviet Union, in 1929 she formed a dance company known as the Red Dancers. Some of her first works were in tribute to Lenin and were performed at a memorial she organized for him. The next year, along with other American artists, she visited the Soviet Union and upon returning declared with the others that "Art is a weapon". During this period she also studied with Martha Graham. In 1930 she created her best-known work, Black and White, which was one of the first interracial dance performances in the United States. Black And White has been noted as the signature work in American leftist dance. Other Segal choreographed works on race relations included Scottsboro, Third Degree and Southern Holiday. In addition to civil rights themes, Segal created many dances around Jewish cultural themes as well as worker's rights, always sympathetic to communist causes. During the Red Scare in the 1950s she was called to testify before the New York state legislature investigating committee regarding her communist ties.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Presentation copy INSCRIBED and SIGNED by Segal at half-title, and dated '77. Oblong quarto, 233pp, color and black and white photographic illustrations, publisher's white cloth stamped in silver at spine (bookplate of recipient at front paste-down, mild toning and soilng to covers, minor shelf wear, else very good). Pictorial dust jacket (minor wear, very good or better). Signed by Author(s).

Hardcover. 27.5 x 29.5 cm. Quarto. 233pp. White cloth in dust jacket. Signed and dated "Oct 78" by George Segal.160 illustrations including 66 in full color. Some staining are present on the boards. Very Good in Near Fine dust jacket.

1. English-language ed. 216 S., Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Dänemark, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Englisch Gewicht in Gramm: 506 Hl. 1-2, OU, hs Wi.d.Verf. u. beiligendes Foto von Ruth Klüger.

Trade Paperback. Condition: Fine. short inscription with date by George Segal. little signs of handling. unmarked, clean, tight. Inscribed by Author(s).

hardcover. Condition: near fine. Dust Jacket Condition: fine. First Edition. With 160 illustrations, including 66 in full color. 233pp. Oblong 4to, white cloth, d.w. New York: Abrams, (1975). Cloth is a bit darkened at edges, otherwise a fine copy in a fine dust wrapper. Fine. Inscribed by the artist on half title.

Dust Jacket Condition: dj. First Edition. First edition. Hardcover. First printing. Text by Tuchman accompanied by over 100 color and black and white illustrations of Segal's sculptures. A clean very near fine copy in a close to near fine dust jacket with a small crease to the top of the front panel. Signed and inscribed by Segal in 1998 on the half title page. Signed.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Presentation copy, INSCRIBED to a NYC art dealer and partner and SIGNED and dated Dec 2, 1984 by Segal at half-tltle. Thick folio, profusely illustrated in color and b/w, publisher's white cloth lettered in black at spine, pictorial endpapers (the dealer's bookplate to front paste-down, otherwise fine). Pictorial dust jacket (fine). Signed by Illustrator(s).

Couverture souple. Condition: Bon. Poids: 400gr. Hanna Segal a participé à de nombreux séminaires de psychanalyse et a supervisé de nombreux analystes, de 1979 à 1989, années durant lesquelles l'auteur l'a rencontrée : "J'ai apprécié son approche clinique perspicace, de même que la clarté et la concision avec lesquelles elle transmet sa pensée." D'où l'idée de réaliser des entretiens pour lui demander d'exposer sa conception du travail psychanalytique : entretiens réalisés entre 2004 et 2006 à Londres en anglais et parfois en français, que l'ouvrage reprend entièrement. Ils ont été regroupés par thèmes, accompagnés d'une présentation et de commentaires sur les principales contributions d'Hanna Segal. De même, l'auteur a demandé l'opinion de plusieurs psychanalystes à travers le monde sur les écrits de Hanna Segal, ses positions, les critiques suscitées, son rôle dans la diffusion des travaux de Melanie Klein. L'ensemble donne une vision extrêmement vivante de la pensée de Segal, présentée à la manière du précédent livre de J.-M. Quinodoz, Lire Freud. Dédicacé par l'auteur.

URI SEGAL (1944) israelischer DirigentPorträtfoto (beim dirigieren) , eigenhändig signiert.

Softcover. Condition: Very Good. First Edition. Signed by the author Isidor Segal. Publication of 215 pages. The wraps are a touch edge worn. There are minor marks on the block of the book. Internally the pages are clean and complete. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services. Signed.

HARDCOVER. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. 4to in red linen covered boards, gilt lettering to spine, unpaginated, approx. 60pp on stiff paper, approx 20pp of idiosyncratic text by Hood on hockey followed by 18 full page colour plates (and title-page design) of works related to hockey by Segal, with opposing notes. Inscribed and signed by Segal (as Seymour) in pencil on the 2nd blank end-paper . [CONDITION: A well preserved FINE very clean and tight unmarked copy (pages slightly tanned) in a tanned and slightly edge-rubbed but otherwise VERY GOOD+ complete Dust Jacket (looks very presentable in its removable transparent protector) ] . . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Very Good +. Dust Jacket Condition: Very Good +. Very good + copy. (see picture) 233 pages. Some fold-outs.Signed and dated "84" by George Segal on the title page. Signed by Author(s).

Paperback. Condition: Near fine in wraps. First Edition. 15 x 21cm near fine paperback written and illustrated by Hyman Segal and signed by him on the title page. Born in London in 1914, Hyman attended the Jew's Free School (known today as JFS) in Camden Town, London. The JFS website notes: Not only is Hyman Segal an artist of genius, but he is an outstanding personality. He is fighting a lone battle against race bias, particularly the colour bar. He became blind at the age of nine, regained his sight, and eventually won the JFS Raphael Tuck Scholarship under the tuition of Mr S. Polak.

inscribed first edition, 1998. "to charles- an extrodinary man and a treasured friend very very affectionately bill" new york: continiuum. isbn: 0826411037. 6.5 x 9.25 inches. 164 pages. hardcover. bound in beige paper-covered boards. book condition: some shelf-wear. near fine. jacket condition: some light shelf-wear. unclipped ($25.00). near fine.

GROSSFOTO, EIGENHÄNDIG SIGNIERT - SCHÖN !

Condition: As New. CHAU3570? This is a large 10" x 8" hand signed photo for George Segal who has personally autographed the souvenir where his signature rests perfectly accompanying his portrait in mint condition and undedicated?signing too. You wont source better.".After first rising to prominence with roles in acclaimed films such as Ship of Fools (1965) and King Rat (1965), he co-starred in the classic drama Who's Afraid of Virginia Woolf? (1966). Through the next decade and a half, Segal consistently starred in notable films across a variety of genres including The Quiller Memorandum (1966), The St. Valentine's Day Massacre (1967), No Way to Treat a Lady (1968), Where's Poppa? (1970), The Owl and the Pussycat (1970), The Hot Rock (1972), Blume in Love (1973), A Touch of Class (1973), California Split (1974), The Duchess and the Dirtwater Fox (1976), Fun with Dick and Jane (1977), Who Is Killing the Great Chefs of Europe? (1978), and The Last Married Couple in America (1980).".

First Edition. Octavo. Staple-bound pamphlet; illustrated card wrappers; 23pp. Presentation copy, inscribed by Edith Segal in October, 1953: "To Lil, Moishe, & Paul, warmest regards and heads up - Edith." Moderate cover wear; mild soiling within; Very Good. A collection of Segal's proletarian hymns, following her widely-issued "Give Us Your Hand," which had been issued the year before to raise money for Ethel and Julius Rosenberg's defense fund. The current volume contains a number of memorial poems to the Rosenbergs, but is composed primarily of works on the theme of Morton Sobell, an accused Soviet spy who had been swept up in the course of the Rosenberg affair. We have beeen unsuccessful in identifying "Lil, Moishe, and Paul," but from the tenor of Segal's inscription we would assume some connection to Sobell. Signed.

Couverture souple. Condition: Très bon. Edition originale. In-12 broché, couverture à rabats, au plat avec vignette contrecollée. 94 pages. Edition originale du tirage courant, après seulement 10 exemplaires sur papier de Hollande Pannekoek.Claude Sernet est le pseudonyme de Ernest Spirt, poète français d'origine roumaine. En 1924, il publie ses premiers textes, sous le pseudonyme de Mihail Cosma dans la revue 75 HP, où écrivent aussi Victor Brauner et son beau-frère Ilarie Voronca. - - - - Marinette SEGAL et son mari Jo, amis des Joliot-Curie, d'Aragon, communistes furent longtemps proches des réfugiés hongrois et roumains en France. Jo en a fait travailler plusieurs chez un ami proche riche, fabricants de sirops et de bonbons pharmaceutiques, Georges Lecat, 17 rue Jenner à Paris ou dans son usine de Cordon près de Sallanche. Claude Sernet lui-même en témoigne dans ses mémoires. Signé par l'auteur.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Author inscription to FFEP, gift note laid in. BP/Signed Books/Case. Signed by Author(s).

Condition: Gut. 54 S. Vom Künstler signiert. Einband leicht berieben. - George Segal ist Realist. Gegenüber den Ausformungen modischer Fotorealismen begreift er das Reale allerdings ohne illusionistische Verbrämung in seinen eigentlichsten Dimensionen. Ein Realismus der nackt zutage tritt, seine Mittel bloß legt und das Menschliche im Banalsten trifft. Es geht Segal weniger darum, unverbindliche Wirklichkeiten wiederzugeben, als vielmehr darum, Wahrheiten, denen man sich unvermutet gegenüber sieht, zu erfahren und zu akzentuieren. Die Darstellung bloßer visueller Einsichten oder ästhetischer Erkenntnisse ist dabei keineswegs beabsichtigt; es sollen die Gefühle und das Gehabe der Menschen entdeckt und mit Hilfe neuer und auch exakter verstandener Mittel, ohne eine Spur des Ironischen oder Sarkastischen, eingesehen und bloßgelegt werden. Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.