Side by Winer (30 results)

Paperback. Condition: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. VERY GOOD HARDCOVER WITH DJ.

Hardcover, illus. Condition: As New. Dust Jacket Condition: As New. Second Printing. Book and DJ As New. No defects. NO notes or ANY markings. DJ not clipped ($30) ; 267 pages.

Condition: new.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First Edition/First Printing. book is tight with no markings, dj has minor rubbing and small tear top back fold. Signed by Author(s).

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Both the Dust Jacket and the Book are in As New condition.

Paperback. Condition: New. In shrink wrap.

Condition: Good. First edition copy. . Good dust jacket. Slightly dampstained. (Librettists, Lyricists, Biography).

Hardcover. Condition: Fine. Dust Jacket Condition: fine. Foreword by Betty Comden. xix, [1], 267 p.: illustrations; 24 cm. Black and green cover with gilt spine title. Illustrated dust jacket. Includes indices. A well-illustrated biography of American librettist and lyricist Dorothy Fields (1904-1974), who wrote the words to over 400 songs featured in Broadway musicals and films. Book and dust jacket are in Fine Condition: clean and bright.…

hardcover. Condition: near fine. near fine. Illustrated with numerous black and white photographs. 267 pages. 8vo, light green boards with black spine, dust wrapper. New York: Simon & Schuster, (1997). A near fine copy in a near fine dust wrapper, signed by the author on front free end paper.

Paperback. Condition: Like New. 1st edition 1st printing - HARD COVER VERSION - a fine clean like new copy with like new dust jacket - enjoy.

Hardcover. Condition: New. Dust Jacket Condition: New. Schirmer Books. 1997. New York. Hardcover. Mid-size. Dorothy Fields wrote more than 400 songs and was the only woman to achieve major success as a songwriter during the golden age of the American musical. Profusely illustrated with black and white photographs. In rear of book is a chronological song list (1926-1973), and an index of titles, and a general index. 267 pages. Securely packed in a lidded box for protection during shipment.…

Condition: Very Good. From the Library of John Russell Taylor.

Condition: Very Good. From the Library of John Russell Taylor.

1st edition, 1997. A clean, tidy copy in tight binding. Dust jacket not price-clipped. Used - Very Good. VG hardback in VG dust jacket Used - Very Good. VG hardback in VG dust jacket.

Hardcover. Condition: Very Good. Hardcover with unclipped dust jacket. Minor edgewear to jacket and slight tanning of board upper edges. No other notable flaws, very good condition throughout. AD. Used.

Hardcover. Condition: VG. Dust Jacket Condition: VG. First Edition. ISNCRIBED & SIGNED BY AUTHOR: "TO FRANK & MARY, BEST WISHES.". INSCRIBED & SIGNED BY AUTHOR.

1st edition. 8vo. xix + 267pp. B/w. illustrations. Orignial cloth backed boards. Pictorial d/w. with blue spine lettered in orange. Very good. ISBN 0028647300 US$12.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition 1997, first printing, numbers line starts with 1. Hardcover with DJ. Condition new, square tight and crisp book, spine not creased, sharp corners, no markings of any kind, no names no underlinings no highlights, no bent page corners, not a reminder. DJ new, bright and shiny, no tears no chips no edgewear, price not clipped. 8vo, 288 pages, reference, index.…

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Condition: Near Fine. Near Fine. First Edition. minor shelf wear on the jacket. a neat and clean copy. excellent binding. may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services.

Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. (1st) Foreword by Betty Comden. Larger book, black cloth spine, light green boards, bright gilt lettering on spine, 267 pages, profusely illustrated with photographs. DJ glossy and colorfully designed, illustrated with a color photo of Fields in gold mirror frame at center front, dark blue spine, ornate flowery design on back in shades of green. DJ and book, both As New.…

Hardcover. Condition: As New. Dust Jacket Condition: As New. Very nice copy with dustjacket; 1 X 6.5 X 9.75 inches; 288 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. vii-xix, 267pp; illustrated; blue spine, yellow title. Size: 8vo - over 7¾" - 9¾" tall. Book.

hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …