Simone Beauvoir, Signed (36 results)

Hardcover. Condition: Very Good. 1st Edition. Price Clipped, Inscribed and SIGNED by Both Authors on FEP, Protected with Archival Cover. Inscribed by Author(s).

Soft cover. Condition: Near Fine. 1st Edition. Small trade paperback. Minimal signs of prior handling. Signed by author on front endpaper half title page. 182pp. Signed by Author(s).

Paperback. Condition: Very Good. 1st Touchstone Edition 1st printing - signed by Bair with small inscription on front end paper - minor wear to cover - slight staining to closed page edge - otherwise binding strong contents clean - enjoy. Signed.

Paperback. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. 199 pages. There is an inscription on the first and last pages and the edges are slightly yellowed. The title page appears to be signed by the author in ink? The first page also has a gift inscription (not from author). Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size F: 8"-9" Tall (203-228mm). Appears to be Signed By Author?

near fine dust-jacket, cover price $26.95, fresh attractive black and red hardcover. INSCRIBED with best wishes to recipient with first name only on title page, and SIGNED Hazel Rowley. ROWLEY, HAZEL. Tête-à-tête: Simone de Beauvoir and Jean-Paul Sartre. New York: HarperCollins, 2005, stated First Edition, and 1st printing number line ending with 1, xv, 416pp., . "They are one of the world's legendary couples. We can't think of one without thinking of the other. Simone de Beauvoir and Jean-Paul Sartre - those passionate, freethinking existentialist philosopher-writers - had a committed but notoriously open union that generated no end of controversy. With Tete-a-Tete, Hazel Rowley offers the first dual portrait of these two colossal figures and their intense, often embattled relationship. Through original interviews and access to new primary sources, Rowley portrays them up close, in their most intimate moments.", "We witness Beauvoir and Sartre with their circle, holding court in Paris cafes. We learn the details of their infamous romantic entanglements with the young Olga Kosakiewicz and others; of their efforts to protest the wars in Algeria and Vietnam; and of Beauvoir's tempestuous love affair with Nelson Algren. We follow along on their many travels, involving meetings with dignitaries such as Roosevelt, Khrushchev, and Castro. We listen in on the couple's conversations about Sartre's Nausea, Being and Nothingness, and Words, and Beauvoir's The Second Sex, The Mandarins, and her memoirs. And we hear the anguished discussions that led Sartre to refuse the Nobel Prize." - CONTENTS: Nineteen twenty-nine -- The pact: October 1929-September 1932 -- Olga Kosakiewicz: October 1932-April 1937 -- The prospect of war: May 1937-September 1939 -- War: September 1939-March 1941 -- Occupied Paris: March 1941-September 1944 -- Fame: November 1944- January 1947 -- Wabansia Avenue, Jazz, and the Golden Zazou: January 1947-Summer 1950 -- Crystal blue eyes: January 1951-December 1954 -- Exiles at home: August 1955-February 1962 -- White nights, vodka, and tears: June 1962-November 1966 -- Tragic endings, new beginnings: November 1966-May 1971 -- The farewell ceremony: May 1971-April 1986. ISBN 9780060520595.

Soft cover. Condition: Fair. 429pp., b/w illustrations, notes, bibliography, sources, index. Signed on the title page by Hazel Rowley Age toned and foxed text block. Browned edges. Lacks free front endpaper/half title page. Lightly bumped corners. Creased spine. Adhesive sticker residue to back cover. CONDITION: Fair to Good.(BH) 9/24. Signed by Author(s).

Couverture souple. Condition: Satisfaisant. Broché, 248 pages, 22x14,5cm. Envoi de l'auteur à l'attention de la ministre Rama Yade. Dédicacé par l'auteur.

kart. Condition: Gut. 1. Aufl., 1. - 5. Tsd. 208 S. ; 19 cm Guter Zustand, aber einige Farbmarkierungen im Text. Handschriftliche Widmung des Verfassers im vor Titel. 12f ISBN: 9783717109358 Sprache: Deutsch Gewicht in Gramm: 400.

Condition: Très bon état. in-12, broché, 248 pp., 15 planches hors-texte, bibliographie. Exemplaire du service de presse avec un envoi de l'auteur à Jacques Brenner.

Paperback. Condition: Very Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show very minor shelving wear. Binding is tight, hinges strong. Dust jacket shows light edge wear. Inscribed to previous owner and signed by author.; 100% Satisfaction Guaranteed! Ships same or next business day! Signed by Author.

Insgesamt 269+ 3 Seuten mit handschriftlicher Signatur und Datierung der Autorin auf dem Titelblatt, lose beiliegend Programm der 26. Weidener Literaturtagen. Inhalt: Wenn die Vergangenheit einfach nicht vergehen will. Eigentlich könnte Marta mit ihrer Familie eine glückliche Kindheit in Afrika verbringen - wenn da nicht der Vater wäre, der seiner Frau und seinen Töchtern das Leben zur Hölle macht. Tief sind die Wunden, die er Marta schon in jungen Jahren zugefügt hat, und als die Familie nach Deutschland zurückkehrt, entschließt sich Marta, Reißaus zu nehmen. Sie bricht jegliche Verbindung zu ihren Eltern und Schwestern ab, verschanzt sich hinter einer Mauer aus Verdrängen und Vergessen. Doch alles ändert sich, als Marta vom Tod ihres Vaters erfährt - und wenig später eine Nachricht von ihrer Mutter Greta erhält. Siebzehn Jahre lang herrschte Schweigen zwischen ihnen, aber nun spüren beide, dass der Moment gekommen ist, sich der Vergangenheit zu stellen. Schwankend zwischen Zorn und Zuneigung machen Mutter und Tochter die ersten zögerlichen Schritte aufeinander zu - und stellen bald fest, dass nichts so ist, wie es all die Jahre schien, dass sie Bilder von der jeweils anderen mit sich getragen hatten, die der Gegenwart nicht standhalten. Und dass es in ihrer Freiheit liegt, die Scherben ihrer alten Beziehung hinter sich zu lassen und einen neuen Weg zueinander zu finden. (Verlagstext) Veronika Peters geboren 1966 in Gießen, lebt als freie Autorin Berlin, sie nahm 2010 an den 26. Weidener Litertagen teil. Zustand: Schutzumschlag und Einband ohne Gebrauchsspuren, Innen: Buchblock minimal angestaubt, sonst sehr sauber, wohl gepflegt und tadellos erhalten, fast neuwertig, Sammlerexemplar. Sprache: Deutsch Gewicht in Gramm: 1050 8°(Oktav- Format bis 22,5 cm.) Zypressen- grüner Original- Pappeinband mit montiertem hellgelbem Rückenschildchen dunkelgrau beschriftet, sowie melange- brauner Original- Schutzumschlag weiß und dunkelgrün beschriftet mit Umschlaggestaltung von UNO Werbeagentur und Autorenphto. Erstausgabe, 1. Auflage, Druck und Einband bei GGP Media GmbH. in Pößneck, Satz Buchwerkstatt in Bad Aibling.

Couverture souple. Condition: Très bon. Edition originale. 412 pages plus cahier de 16 pages de photos N/B. Sur la page de faux-titre dédicace: "A Nicole Bamberger, avec les hommages des auteurs, Claude Francis, Fernande Gontier". Belle provenance, de l ancienne directrice des pages culturelles du Jardin des Modes. 14 x 19,5 x 3 cm. 475 g. Dédicacé par l'auteur.

Couverture souple. Condition: bon. R100055232: 2010. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 251 pages - dédicace de Aude Lancelin sur la page de faux titre (photo disponible). . . . Classification Dewey : 97.2-Dédicace, envoi.

Couverture souple. Condition: bon. R160158746: 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 415 Pages - Quelques planches en noir et blanc - ENVOI DE L'AUTEUR ? - 2 PHOTOS DISPONIBLES. . . . Classification Dewey : 97.2-Dédicace, envoi.

In-8°, 185p. Exemplaire enrichi d'un envoi autographe signé de l'auteur à un écrivain romand. Broché, couverture illustrée rempliée.

3 vol. in-4 - br. 150, 173, 236 numéros, qqs. pl. h. t. Autographes de Descartes, Madame de Pompadour, Montesquieu reproduits.

131 pp., 8 pl. h. t. de fac-similés contrecollées ; 63 pp., 8 pl. h. t. ; 43 pp., qqs. pl. h. t. 3 vol. in-4 - demi-bas. rouge, dos à nerfs, qqs. épid. Autographes de Descartes, Madame de Pompadour, Montesquieu reproduits.

Paris, Pierre Amiot, 1956. in-8, broché, bande annonce conservée, non coupé, 202 pp. Envoi autographe de l'auteur. Livres.

Couverture souple. Condition: bon. R150085486: 1973. In-8. Broché. Etat passable, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 257 pages. Couverture rempliée. Dédicace de l'auteur au stylo sur la page de faux titre. Tâches sur la 1ère de couverture. . . . Classification Dewey : 97.2-Dédicace, envoi.

Condition: Gut. Deutsche Erstausgabe. 254 Seiten. 20,8 cm. Guter Zustand. Aus der Bibliothek von Dr. Beate Kayser, der vormaligen Feuilletonchefin der Münchner TZ. From Wikipedia, the free encyclopedia: Bernard Pingaud (12 October 1923 25 February 2020) was a French politician and writer. Education and career: Pingaud studied at the Lycée Pasteur in Neuilly-sur-Seine and the Lycée Henri IV in Paris. In 1943, he enrolled at the École normale supérieure, and then became the debate secretary for the French National Assembly until 1974. He published his first novel in 1943, titled Mon beau navire. During the Algerian War, Pingaud was one of the people who signed the Manifesto of the 121. In 1968, he founded the Union des écrivains with Jean-Pierre Faye and Michel Butor. After leading the union until 1973, Pingaud led the group Secrétariat à l'Action Culturelle of the Socialist Party until 1979. In 1981, Jack Lang appointed him as president of the Commission de réflexion sur la politique du livre et de la lecture. In 1982, he published the Pingaud-Barreau report. From 1983 to 1987, Pingaud served as a cultural adviser for the Embassy of France in Cairo. From 1990 to 1993, he was president of the Maison des écrivains et de la littérature in Paris. He was one of the primary writers for the magazine L'Arc. Personal life and death: Pingaud lived in Collias from 1997 until his death. He was the father of Denis Pingaud. Bernard Pingaud died on 25 February 2020 at the age of 96. Sprache: Deutsch Gewicht in Gramm: 405 Graues Leinen mit schwarzgeprägten Rückentiteln ohne Schutzumschlag.

Condition: Bon état. in-8, broché, 365 pp. Édition originale agrémentée d'un long envoi autographe signé de la femme de lettres daté du 24 novembre 1986. "A vous, chère Nathalie Sarraute, que je proclame ici la plus magistrale des trois grandes écrivaines françaises du XXè siècle, cette histoire d' "Une femme nommée Castor" qui n'a pas été toujours juste avec vous et qui pourtant fut grande, avec ses faiblesses et ses contradictions, votre très fidèle et très humble admiratrice et amie". L'exemplaire est truffé d'une page de faux titre abîmée du "Sang des Autres" avec un envoi de Beauvoir à Sarraute (importante déchirure atteignant la dédicace en bordure). On joint aussi un feuillet tapuscrit in-4 présentant l'index des noms des écrivains cités dans l'ouvrage dont Nathalie Sarraute.

Condition: Good. Audio archives: 2 audio cassettes and 9 CDs of interviews with Simone de Beauvoir for projected Gallimard publications. .Unpublished audio interviews to prepare the books: 2 audio cassettes (and 2 CDs): interviews of Simone de Beauvoir with Claude Francis in 1976 (June 9 and June 22). Plus 7 CDs of interviews with Simone de Beauvoir in 1985-1986. These recordings are accompanied by documents: the publishing contract with Gallimard (photocopy); 2 L.S. by Robert Gallimard to the two authors (January 6, 1978 and May 30, 1980); 2 autograph sheets signed by Simone de Beauvoir authorizing Claude Francis to make photocopies and copies of various documents; a contract with Einaudi.Set of preparatory documents for "Les Écrits de Simone de Beauvoir, " by Claude Francis and Dr. Fernande Gontier, a scholar who received her PhD in French from the University of Virginia in 1973. She has many iworks in collaboration with Claude Francis--on French literary figures including Colette and Simone de Beauvoir. A copy of the book "Les Écrits de Simone de Beauvoir" (Paris, Gallimard, 1979, in-8, paperback), with a mailing from Fernande Gontier (February 1980). Following her refusal to print the Postscript to the Second Sex, Beauvoir agreed to let her editors publish texts following her bibliography, in preparation since 1975. These writings include many original texts, published for the first time in book form, including the first two chapters of the novel L'Invitée, Brigitte Bardot et le syndrome Lolita, the first French-language edition of this essay published in English in Esquire . Provenance: Aristophil Collection, Paris.

Softcover. Condition: Wie neu. Dust Jacket Condition: Wie neu. 1. Auflage. Paris: Gallimard, 1972. First Edition, First Printing. A fine copy in fine original wrappers and glassine. This is a complimentary press copy marked "S.P." through perforation of the rear wrapper and the last five pages. Inscribed on the half-title by the author: "pour / Simone de Beauvoir / avec plaisir / Jacques Prévert / v". This item part of our Catalogue 21 - French Books and Magazines, which you can browse at ygrbooks. Widmung des Verfassers.

couverture souple. Gallimard | Paris 1951 | 12 x 19 cm | broché | Edition originale, un des exemplaires du service de presse. Dos restauré, petits manques comblés en marges des premiers feuillets, papier jauni. Précieux envoi autographe signé de Raymond Queneau à Simone de Beauvoir. | [ENGLISH DESCRIPTION FOLLOWS] First edition, an advance (service de presse) copy. Spine repaired, small filled-in lacks in the margins of the first leaves, paper yellowed. Handsome autograph inscription signed by Raymond Queneau to Simone de Beauvoir. *.

DAS GRAB DES GÖTTLICHEN TAUCHERS Ausgewählte Texte. Rowohlt Verlag, Reinbek bei Hamburg, 1. Auflage 2015, ERSTAUSGABE, 543 SS. gebunden (Hardcover 8°) mit Schutzumschlag, gut erhalten - von Claude Lanzmann eigenhändig signiert.

Postkarte. Condition: Gut. Blankokarte mit aufmontiertem Druckfoto von Simone de Beauvoir bildseitig mit türkisblauer Tinte signiert.- /// Autogramm Autograph signiert signed signee /// Simone Lucie Ernestine Marie Bertrand de Beauvoir [si'm?n d? bo'vwa?] (* 9. Januar 1908 in Paris; 14. April 1986 ebenda) war eine französische Schriftstellerin, Philosophin und Feministin. Sie engagierte sich immer wieder politisch und verfasste zahlreiche Romane, Erzählungen, Essays und Memoiren. De Beauvoir gilt als Vertreterin des Existentialismus. Mit ihren beiden existentialistischen Romanen LInvitée (1943; deutsch: Sie kam und blieb) und Le Sang des autres (1945), 1984 von Claude Chabrol als Das Blut der Anderen verfilmt, erlangte Simone de Beauvoir Anerkennung als Schriftstellerin. Der Welterfolg Das andere Geschlecht (Le Deuxième Sexe, 1949) gilt als ein Meilenstein der feministischen Literatur und machte sie zu einer der bekanntesten Intellektuellen Frankreichs. Auch ihre Essays gelten als wichtige Beiträge zu den jeweiligen Fachgebieten. Ihr langjähriger Partner war Jean-Paul Sartre. /// Standort Wimregal GAD-30.114 Sprache: Französisch Gewicht in Gramm: 50.

Postkarte. Condition: Gut. Blankokarte von Simone de Beauvoir mit blauer Tinte signiert.- Dabei Briefumschlag (Rückumschlag des Sammlers), frankiert und 1960 postgelaufen, einliegend mehrere Zeitungsausschnitte zu de Beauvoir /// Autogramm Autograph signiert signed signee /// Simone Lucie Ernestine Marie Bertrand de Beauvoir [si'm?n d? bo'vwa?] (* 9. Januar 1908 in Paris; ? 14. April 1986 ebenda) war eine französische Schriftstellerin, Philosophin und Feministin. Sie engagierte sich immer wieder politisch und verfasste zahlreiche Romane, Erzählungen, Essays und Memoiren. De Beauvoir gilt als Vertreterin des Existentialismus. Mit ihren beiden existentialistischen Romanen L?Invitée (1943; deutsch: Sie kam und blieb) und Le Sang des autres (1945), 1984 von Claude Chabrol als Das Blut der Anderen verfilmt, erlangte Simone de Beauvoir Anerkennung als Schriftstellerin. Der Welterfolg Das andere Geschlecht (Le Deuxième Sexe, 1949) gilt als ein Meilenstein der feministischen Literatur und machte sie zu einer der bekanntesten Intellektuellen Frankreichs. Auch ihre Essays gelten als wichtige Beiträge zu den jeweiligen Fachgebieten. Ihr langjähriger Partner war Jean-Paul Sartre. /// Standort Wimregal GAD-30.035 Sprache: Französisch Gewicht in Gramm: 50.

Paperback. Condition: Very Good. From the estate of Margaret Crosland (1920 - 2017) who wrote 'Simone De Beauvoir. The Woman and Her Work' published by Heinemann in 1992. The archive ncludes one handwritten 2 page signed letter from Simone de Beauvoir written a year before she died. It is in an airmail envelope addressed by her to Margaret Crosland in Sussex, stamped Paris 13/6/85. She writes that she is leaving Paris but returning in September and gives her phone number. She points out that there are already two biographies of her, inc one in English. Signed 'En Toute Sympathie. S de Beauvoir.' Also 7 good signed letters (1987 - 1992) from her adopted daughter Sylvie le Bon de Beauvoir. Good detailed letters mentioning other works about her mother, much on her mother's lover Nelson Algren who she also calls Castor, also Sartre and the Centre de Simone Beauvoir. She offers help and encouragement and supplies photos (not present) for the book. Over 800 words.Also 7 signed handwritten letters and 2 handwritten signed exhibtiion cards from Simone's younger sister the artist Helene de Beauvoir. Dated between 1987 and 1992 all from Goxwiller in France. Giving background information, answering questions, referring to Sartre and her sister's American biographer Deirdre Bain. About 800 words,all letters in French. Very good indeed. Signedes.

First Edition. First Edition. Signed Simone De Beauvoir and Gisèle Freund. 1. Rare Two page original handwritten Manuscript edited drafts. The writing seems to refer to her award winning book The Mandarins (Les Mandarins in French) since one notes DUBREUILH" mentioned throughout and reference to "SRL" of which "Dubreuilh" was the founder in this story. It is one of Beauvoir's most celebrated works, earning her the prestigious Prix Goncourt. (given to the author for the best and most imaginative prose work of the year).Considered to be a "Roman à clef" (a novel with a key), a work of fiction based on real life events and people. This novel is often regarded as a semi-autobiographical depiction of the post-World War II intellectual and political climate in France, focusing on the lives of left-wing intellectuals. The novel follows two central characters: ANNE DUBREUILH, a psychiatrist who is deeply introspective and whose internal struggles mirror those of Beauvoir, and ROBERT DUBREUILH, her partner, who is involved in politics and reflects the intellectual life of Jean-Paul Sartre, Beauvoir's real-life partner. The characters wrestle with moral dilemmas, personal relationships, and political commitment in a rapidly changing post-war society. The title "Mandarins" refers to a class of intellectual elites, who grapple with their role in shaping political and social futures. The novel explores themes of existentialism, political engagement, love, freedom, and betrayal, set against the backdrop of the Cold War and France's post-war reconstruction. 2. This iconic photograph shows Simone de Beauvoir sitting in her office. It was part of a series of photos taken by Freund at her desk. This silver gelatine print is signed by the artist on the bottom left front and studio-stamped on the back. Stamped in ink, verso center: PLEASE CREDIT / Gisèle FREUND / 12, RUE LALANDE / PARIS-XIVe / SEG: 77-49 Some of the other subjects photographed by Freund were Virginia Woolf, Colette, André Gide, James Joyce, Adrienne Monnier, Jean Cocteau, Jean-Paul Sartre, André Malraux & Vita Sackville-West. Frame size: 22" x 16" Photo size: 6 x 9.25" Manuscript page size: 8.25" x 10.5" Back to back images. Signed Simone De Beauvoir and Gisèle Freund.

AN OUTSTANDING UNPUBLISHED AUTOGRAPH LETTER FROM SIMONE DE BEAUVOIR TO LUC ESTANG, in which she discusses her admiration for his novel ("L'Interrogatoire") and Butor's "La Modification", both published in 1957, the latter having just won the prestigious Prix Renaudot. Two pages (front and back of a single leaf), neatly written in blue ink. SIGNED IN FULL BY SIMONE DE BEAUVOIR. The letter itself is undated, but the original envelope (included) is postmarked December 17, 1957. A touch of darkening along folds, else FINE AND BRIGHT. A unique glimpse into the French literary scene of the 1950s.