Sonates, Signed (17 results)

Condition: TBE. Rodez, br.; in-12, 86 pp. Broché en superbe état - exemplaire dédicacé de l'auteur.

Couverture souple. Condition: bon. ROD0002414: 1959. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 85 pp. - Dédicace. . . . Classification Dewey : 97.2-Dédicace, envoi.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. STU 70646 Format: Vinyl, LP, Stereo Composed By Georg Philipp Telemann Design Jacques Vatoux Flute Jean-Pierre Rampal Harpsichord Robert Veyron-Lacroix Painting Giuseppe Zais Photography By Jean-Pierre Leloir. Inscribed by Author.

Couverture souple. Condition: Bon. Édition limitée. BROCHE-15 CM X 19,5 CM-218 PAGES-EXEMPLAIRE TIRE POUR L'AUTEUR N°12-ENVOI DE L'AUTEUR AU ROMANCIER ET CRITIQUE LITTERAIRE JACQUES DES GACHONS-LEGERES ROUSSEURS-(JDG27). Dédicacé par l'auteur.

souple. Condition: Bon. Exemplaire tiré pour l'auteur numéroté (n°79), 1 vol. in-8 br., Emile-Paul Frères, Paris, 1923, 218 pp. Bel envoi de l'auteur "à Madame Simon Cerf à Simon Cerf en hommage respectueux et en témoignage d'amitié". Bon état (dos frotté avec petite tache d'encre). Langue: Français. signé par l'auteur.

Couverture rigide. Condition: bon. RO80107658: 1959. In-12. Relié. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 83 pages. Envoi de l'auteur. 1er plat de couverture brochée, conservé. Reliure de bibliothèque : code sur la coiffe en-tête et tampons de bibliothèque sur la page de titre et dans quelques marges. . . . Classification Dewey : 97.2-Dédicace, envoi.

Folio. Half modern mid-tan morocco with marbled boards, titling gilt to spine. 1f. (recto title, verso blank), [i] (blank), 2-27. [i] (blank) pp. Notated on two staves: solo violin and figured bass. Engraved. Signed by Sieber at lower outer corner of the title. Endpapers stained at corners. Title slightly worn, faded, soiled, foxed, and stained; some foxing, primarily to blank margins; small inkstains throughout; signature to title slightly trimmed. 20th century bookseller's description to front pastedown with bibliographical notes in manuscript; note to rear pastedown "correct collation, 10/14/70 Fredericksburg, Va. S.H." [Sidney Hamer, music specialist and long-time proprietor of the Leamington Bookshop in Washington, D.C.]. First Edition, second issue. Lesure p. 225 (first issue). Hirsch III, 212 (first issue). BUC p. 364. RISM G737 (1 copy only in the U.S., at the University of California, Berkeley). The present issue does not contain the privilege. "Gaviniés was best known to his contemporaries as a violinist; nearly every aspect of his playing was praised. . [His] works for the violin, comprising sonatas, duos, concertos and études, reveal something of his own virtuosity. All of the sonatas and duos have three movements. Many of the slow middle movements are romances. In the early works, some of the finales take the form of a moderate theme and variations or a minuet. The first movements of the second set of sonatas usually have two strongly contrasting themes. The entire range of the violin is exploited, with unusual emphasis on the lower register. Double stopping is employed in various ways and there is much ornamentation, despite the broad, sweeping, melodic curves. Gaviniés was extremely explicit regarding dynamics and articulation, although fingerings were added infrequently. In the duos, the violins have parts of equal importance." Jeffrey Cooper, revised by Anthony Ginter in Grove Music Online. Signed.

Couverture souple. Condition: bon. RO50042906: NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 15 pages de partitions. Premier plat illustré en noir et blanc. Dos renforcé. Dédicace de l'éditeur sur le premier plat. . . . Classification Dewey : 97.2-Dédicace, envoi.

Condition: Good. Folio. 27 x 35.5cm, 35pp. New marbled wraps by the artisan binder Sasha Mosalov.Signed in ink by Sieber Père. OCLC Number / Unique Identifier:165397190.

Condition: Good. Folio. 27 x 35.5cm, 17pp. New marbled wraps by the artisan binder Sasha Mosalov.Signed with stamp by Naderman. Jean-Henri Naderman (20 July 1734- 4 February 1799) was one of the leading harp-makers in Paris in the 18th century, and also a music publisher. Not in OCLC.

Condition: Good. Folio. 27 x 35.5cm, 33pp. New marbled wraps by the artisan binder Sasha Mosalov.Signed with ink stamp by the publisher. Not in OCLC. Jean-Henri Naderman (20 July 1734- 4 February 1799) was one of the leading harp-makers in Paris in the 18th century, and also a music publisher.

Folio. 1 Bl.,15 S. OU. * RISM F 432 (weltweit nur ein Exemplar nachgewiesen). - Seltene, frühe Ausgabe. Ohne die obligate Violinstimme. Auf dem Titelblatt handsigniert von Jean-Henri "Naderman", der den Verlag Charles-George Boyers 1796 übernahm. - Giacomo Goffredo Ferrari (1763-1842), ein Schüler Paisiellos, kam 1787 als Gesanglehrer nach Paris, war dort Akkompagnist der Königin Marie-Antoinette, ging später nach London und war dort ab 1792 Gesanglehrer und Cembalist des Haymarket Theatre.

Kein Einband. Condition: Gut. Folio oblong. 1 f., 33 pp. Title with beautiful ornamental border and decorated with instruments. Title browned, at the top with "No.14." in ink of old hand, some minor ink dots nearby and at the bottom with a nearly invisable annotation in pecil of contemporary old hand. Otherwise partly foxed, the last 4 leaves with some light waterstaining at the outer white margin. Last leaf creased. Wide-margined untrimmed copy, therefore with marginal tears. Overall in good condition. In attractive cardboard folder decorated with blue lilies. EXTREMELY RARE SECOND EDITION of the 3 sonatas, published shortly after the first edition by Artaria in 1784. For us in the trade since 1930 of the first edition only 4 copies and of this second edition only 2 copies traceable for us. Neither first nor second edition in bookauctionrecords online/ JAP. Only one copy traceable for us at international auction market at Sotheby's in 2011 at hammerprice 10.626 GBP without buyers premium and VAT! Haberkamp p. 137 lists only 6 copies of this edition: "The edition published by Schott in Mainz follows the Artaria printing in some points, but according to Müller (Schott p. 56) it is not a pure reprint, but more a new edition . "The sonatas were probably written in Paris in the summer of 1778. This edition, dating from Mozart's lifetime, contains the famous "Rondo alla turca" (here "All[e]grino alla turca" p. 20ff.), whose autograph manuscript is lost. - Köchel p. 324 f.; Hoboken Coll. vol. 11, 83; RISM M 6781; Müller (Schott p. 94/5). EXTREM SELTENE ZWEITE AUSGABE der 3 Sonaten, die kurz nach der Erstausgabe bei Artaria von 1784 erschienen ist. Für uns im Handel seit 1930 von der ersten Ausgabe nur 4 Exemplare und von dieser zweiten Ausgabe nur 3 Exemplare nachweisbar. Weder erste noch zweite Ausgabe in bookauctionrecords online/ JAP. Bei Haberkamp S. 137 sind nur 6 Exemplare dieser Ausgabe verzeichnet: "Die bei Schott in Mainz erschienene Ausgabe folgt zwar in einigen Punkten dem Artaria-Druck, ist aber nach Müller (Schott S. 56) kein reiner Nachdruck, sondern mehr eine Neuausgabe . " Die Sonaten sind vermutlich im Sommer 1778 in Paris entstanden. Diese aus Mozarts Lebzeiten stammende Ausgabe enthält das berühmte "Rondo alla turca" (hier "All[e]grino alla turca" S. 20ff.), dessen autographes Manuskript verloren ist. - Köchel S. 324 f.; Slg. Hoboken Bd. 11, 83; RISM M 6781; Müller (Schott S. 94/5). Signatur des Verfassers.

3. Paris, chez Sieber Musicien rue honore la Porte cochere entre la rue des Vieilles Etive et D'orleans N°85, s.d. (after 1793), in-folio, engraved title + 38 pp. of engraved music (numbered 2-39), PN 1406 , only the part for the piano-forte, sewn, no binding nor wrapper (removed from a convolute binding). Titlepage signed in autograph by Sieber (the publisher). Margins painted red, small tear in pp. 3-4, no loss of paper. (See Lesure ; Cat. Mus. Impr. avant 1800 pp. 191).

3. Paris, chez Boyer, rue de Richelieu, à la Clef d'Or, s.d. (end 18th cent.), in-folio, engraved title + 30 pp. of engraved music (numbered 2-31), sewn, no binding nor wrapper (removed from a convolute binding). Titlepage signed in autograph by Boyer (the publisher). (Deserves a binding). (See Lesure ; Cat. Mus. Impr. avant 1800 pp. 190. No copy in a Parisian library. Only one copy of these sonates but printed by Gaveaux).

Paris, chez Sieber Musicien rue honore la Porte cochere entre la rue des Vieilles Etive et D'orleans N°85, s.d. (after 1793), PN 1413 , in-folio, engraved title + 40 pp. of engraved music (numbered 2-41), only the part for the clavecin, sewn, no binding nor wrapper (removed from a convolute binding). Titlepage signed in autograph by Sieber (the publisher). Outer margin a bit frayed due to poor paper quality of some leaves, margins painted red. (Deserves a binding). (See Lesure ; Cat. Mus. Impr. avant 1800 pp. 191. B.N. in Paris has also only this part).

4. Paris, chez Boyer, rue de Richelieu, à la Clef d'Or, s.d. (end 18th cent.), in-folio, engraved title within an engraved frame + 46 pp. of engraved music (numbered 2-47), sewn, no binding nor wrapper (removed from a convolute binding). Titlepage signed in autograph by Boyer (the publisher). From page 23 onwards printed on blueish paper (Deserves a binding). The score for the violin in the first sonata is printed throughout above the staves for the clavecin. (See Lesure ; Cat. Mus. Impr. avant 1800 pp. 593. No copy printed by Boyer in a Parisian library.